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karinaymejia's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.25
i feel like the title is a bit dramatic for the story. it makes sense of course, but i feel like there should have been another title used for it.
this book is slow and may feel boring at times. it's interesting to see how the story progresses. i am personally not a huge fan of this style. i sort of liked the read. i wanted a more dramatic story, but thats my cup of tea.
i like the time period where this is in because I get to read what it feels like during this time.
i find it unsettling about the characters that Richard encounters and becomes friends with. I think Charles and Henry make me the most unsettling, especially near the end.
overall i had a bit of higher expectations because of the popularity. i understand the mixed reviews now!
Graphic: Murder, Mental illness, and Panic attacks/disorders
Moderate: Blood, Body horror, and Alcohol
Minor: Child abuse
incestmaybeimali's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.25
Graphic: Gaslighting, Homophobia, Murder, Death, Toxic friendship, Mental illness, Violence, Alcohol, Alcoholism, Body horror, Classism, Cursing, Drug abuse, Drug use, Emotional abuse, Grief, Gun violence, Incest, Injury/Injury detail, Addiction, and Blood
Moderate: Suicide, Toxic relationship, Self harm, Animal death, Misogyny, Animal cruelty, Medical content, Suicidal thoughts, Medical trauma, Sexism, and Suicide attempt
justaddwater's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
Graphic: Death, Drug abuse, Drug use, Emotional abuse, Gaslighting, Grief, Gun violence, Homophobia, Incest, Suicidal thoughts, Sexual violence, Addiction, Alcohol, Classism, Gore, Mental illness, Misogyny, Murder, Panic attacks/disorders, Rape, Violence, Alcoholism, Injury/Injury detail, Toxic friendship, Religious bigotry, and Toxic relationship
Minor: Sexual harassment, Schizophrenia/Psychosis , Blood, Body horror, Sexual content, and Torture
book_slay's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
5.0
Graphic: Addiction, Domestic abuse, Drug use, Physical abuse, Racism, Sexism, Sexual harassment, Violence, Vomit, Adult/minor relationship, Animal death, Body horror, Emotional abuse, Injury/Injury detail, Misogyny, Classism, Gun violence, Homophobia, Incest, Suicide, Toxic friendship, Toxic relationship, Alcoholism, Blood, Gaslighting, Mental illness, and Murder
quixie's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.75
Graphic: Addiction, Alcohol, Body horror, Gore, Grief, Blood, Mental illness, Drug use, Panic attacks/disorders, Self harm, Toxic friendship, Antisemitism, Emotional abuse, Drug abuse, Gun violence, Suicidal thoughts, Toxic relationship, Violence, Injury/Injury detail, Murder, Suicide attempt, Animal death, Classism, and Death
nadia_luq's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
2.75
Graphic: Domestic abuse, Drug abuse, Drug use, Homophobia, Murder, Islamophobia, Alcoholism, Incest, Physical abuse, Racism, Death of parent, Grief, Mental illness, Suicide, Addiction, Gun violence, Self harm, Sexual assault, and Racial slurs
Moderate: Body horror, Animal death, and Blood
notnikka's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Bullying, Drug use, Body horror, Blood, Car accident, Death, and Grief
samugranjo's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
“It has always been hard for me to talk about Julian without romanticizing him. In many ways, I loved him the most of all; and it is with him that I am most tempted to embroider, to flatter, to basically reinvent. I think that is because Julian himself was constantly in the process of reinventing the people and events around him, conferring kindness, or wisdom, or bravery, or charm, on actions which contained nothing of the sort. It was one of the reasons I loved him: for that flattering light in which he saw me, for the person I was when I was with him, for what it was he allowed me to be” (p. 576)
My entire life I feel like I have been constructing intricate characters of which the skin I can dress myself with, representing a capsule of ideas and values and how I desire to translate these to the exterior. My own name has been chosen on the basis of a character that could represent everything I wish I would be, as well as everything I wish I wasn’t nicely accompanied by people to love me for it anyways. As a queer person who grew up surrounded by social media and mental health issues, I often regard my life as an endless performance. Even my love for reading started as an attempt to be more like the people who read around me – I feel in love with the act of reading before I can remember falling in love with a book itself.
“Though Julian could be marvelously kind in difficult circumstances of all sorts, I sometimes got the feeling that he was less pleased by kindness itself than by the elegance of the gesture.” (p. 539)
If I search my memory well enough, I can find some vivid memories of playing dress up and makeover games in primary school. This was done with a notebook on the side, so I could make notes of everything I did to the animations and be able to do the same to myself later on. These lists of things I would do before the new year, new month, new week, were not just beauty centered. In my mind they translated into making friends, being positively perceived, having good grades and above else just having a clue of what I was doing and enjoying myself while doing it.
“I had spent dozens of hours studying the photographs as though if I stared at them long enough and longingly enough I would, by some sort of osmosis, be transported into their clear, pure silence. Even now I remember those pictures, like pictures in a storybook one loved as a child." (p.10)
I learned how to present myself and how to translate how I wanted to be perceived into aesthetic ideals before I could even quite grasp what those ideals meant, and until this day I have a hard time letting go of this desire for image base simplification.
“Viewed from a distance, his character projected an impression of solidity and wholeness which was in fact as insubstantial as a hologram; up close, he was all motes and light, you could pass your hand right through him. If you stepped back far enough, however, the illusion would click in again and there he would be, bigger than life, squinting at you from behind his little glasses and raking back a dank lock of hair with one hand. A character like his disintegrates under analysis. It can only be denned by the anecdote, the chance encounter or the sentence overheard.” (p. 438)
The morbid longing for the picturesque at all costs (p. 5) is culturally ingrained in us, and in the present, it can be interesting to consider what role does social media and image based websites have on this. We are all increasingly longing for outer beauty and constructing and shifting aesthetic ideals, so we can chase them and feel in control of how we are perceived and what our life is made of. But we often forgot that we also need to fill the shell itself. These aesthetics can be fun and even empowering at times, but on their own they will not make us fulfilled, they will fail in giving us a sense of community as well as one of individuality. And above all, they leave us with a sore taste in our mouths and a sense of disappointment, because the more we attempt to find fulfillment in them, the more we feel like the failure is in ourselves – the aesthetic is not the right one or we are not letting ourselves fall into it enough – and not in the chase itself.
“'After all, the appeal to stop being yourself, even for a little while, is very great,' he said. 'To escape the cognitive mode of experience, to transcend the accident of one's moment of being. (…) . But one mustn't underestimate the primal appeal – to lose one's self, lose it utterly. And in losing it be born to the principle of continuous life, outside the prison of mortality and time.” (p. 182)
And when does it stop? When does the disconnect become too striking to be ignored any longer? When does the romanization start to make the thing itself rotten and disappointing and how do we avoid that? When do we stop and recognize that just because we are deeply absorbed by this road it does not mean we should keep following it?
“There is nothing wrong with the love of Beauty. But Beauty – unless she is wed to something more meaningful – is always superficial. It is not that your Julian chooses solely to concentrate on certain, exalted things; it is that he chooses to ignore others equally as important.” (p. 577)
The imaginary world, the picturesque and its beauty, can be tremendous tools in driving through the madness of the real world. But on itself they are not enough, we need to find fulfillment in reality, and love in presence.
Original review at: The dangers of longing for the picturesque - A... - Ethereal Ageing (tumblr.com)
Graphic: Panic attacks/disorders, Xenophobia, Murder, Drug use, Domestic abuse, Grief, Emotional abuse, Misogyny, Alcohol, Alcoholism, Blood, Toxic friendship, Classism, Cursing, Violence, Suicide attempt, Incest, Addiction, Death, Suicide, Toxic relationship, Gaslighting, and Suicidal thoughts
Moderate: Body horror, Drug abuse, Injury/Injury detail, Animal cruelty, Homophobia, Animal death, Chronic illness, Mental illness, Physical abuse, and Medical content
Minor: Sexual violence, Cancer, Gun violence, and Child abuse
biab00's review against another edition
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.25
Graphic: Alcoholism, Animal death, Classism, Toxic friendship, Self harm, Incest, Alcohol, Death, Toxic relationship, Cursing, Murder, Sexual assault, Emotional abuse, and Rape
Moderate: Body horror, Blood, Addiction, Homophobia, and Suicide
tuti_citeste123's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
Graphic: Blood, Body horror, Death, Murder, Physical abuse, Sexual harassment, Violence, Drug use, Self harm, Sexual violence, Homophobia, Incest, Sexual content, Alcohol, and Alcoholism