Reviews tagging 'Grief'

Giovanni's Room by James Baldwin

52 reviews

emilo's review against another edition

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dark emotional reflective sad slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

3.75


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edgaranjapoe's review against another edition

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challenging emotional sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0


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biblioghoul's review against another edition

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emotional sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0


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addyruth17's review against another edition

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challenging dark emotional reflective sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.75


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laurendenton's review against another edition

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dark emotional mysterious reflective sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

4.5


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orchidd's review against another edition

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sad slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

4.75

highlights: definition of woman—of gender—through sexuality, reveals of the complex interiority of other characters through dialogue, arguments, mirror scene in last chapter

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danaaliyalevinson's review against another edition

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challenging dark emotional sad tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0

This is one of those books I've been like, ah I gotta read it, forever. And I finally did it. This book did not disappoint. Beautiful, brutal, intricate, this short novel packs a huge punch, exploring internalized homophobia, xenophobia, classism, and systemic disenfranchisement, all within a contained story of a doomed romance between two men from wildly different backgrounds over several weeks in Paris in the late 1950s. Baldwin is also in peak form here, with his signature incisive social commentary delivered through characters with deep complexity and humanity.

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imaginefishes's review against another edition

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emotional reflective sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.5

i don’t know what else i can say about this except it resonated hard. im gay

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the_vegan_bookworm's review against another edition

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challenging dark sad tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0


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oliverlang's review against another edition

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emotional sad slow-paced
  • Plot- or character-driven? Plot
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

5.0

It feels rude to give this book anything other than 5 stars. It made me feel so many different types of ways; I felt joy in moments and heartache in others. Another book with unlikeable characters but profoundly human ones.

I'm just going to share some of my favourite excerpts in lieu of a wordy review:

'Love him,' said Jacques, with vehemence, love him and let him love you. Do you think anything else under heaven really matters? And how long, at the best, can it last, since you are both men and still have everywhere to go? Only five minutes, I assure you, only five minutes, and most of that, helas! in the dark. And if you think of them as dirty, then they will be dirty-they will be dirty because you will be giving nothing, you will be despising your flesh and his. But you can make your time together anything but dirty, you can give each other something which will make both of you better-forever-if you will not be ashamed, if you will only not play it safe.' He paused, watching me, and then looked down to his cognac. 'You play it safe long enough,' he said, in a different tone, 'and you'll end up trapped in your own dirty body, forever and forever and forever-like me.' And he finished his cognac, ringing his glass slightly on the bar to attract the attention of Madame Clothilde.

I smiled. "Things my father never told me.' 'Somebody,' said Jacques, 'your father or mine, should have told us that not many people have ever died of love. But multitudes have perished, and are perishing every hour-and in the oddest places!-for the lack of it.' And then: 'Here comes your baby. Sois sage. Sois chic.'

I began to see that, while what was happening to me was not so strange as it would have comforted me to believe, yet it was strange beyond belief. It was not really so strange, so unprecedented, though voices deep within me boomed, For shame! For shame! that I should be so abruptly, so hideously entangled with a boy; what was strange was that this was but one tiny aspect of the dreadful human tangle, occurring everywhere, without end, forever.

TW: Suicide Reference

I did not know what to do or where to go. I found myself at last along the river, slowly going home.

And this was perhaps the first time in my life that death occurred to me as a reality. I thought of the people before me who had looked down at the river and gone to sleep beneath it. I wondered about them. I wondered how they had done it-it, the physical act. I had thought of suicide when I was much younger, as, possibly, we all have, but then it would have been for revenge, it would have been my way of informing the world how awfully it had made me suffer. But the silence of the evening, as I wandered home, had nothing to do with that storm, that far-off boy. I simply wondered about the dead because their days had ended and I did not know how I would get through mine.

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