3.77 AVERAGE


On a sentence level, Gardam is excellent. But this last-book-in-a-trilogy seemed unplanned and frankly, unnecessary. A good chunk of the story is told in flashbacks, sort of filling in the cracks of the previous two novels. But they weren’t really cracks I was keen to have filled in. And the “last friends” – those poor saps still alive – don’t do much over the course of the novel. I do like how the prose style morphs to match the voice of the character we’re following. Dulcie is bouncy and staccato. Fiscal-Smith is rather conventional.

Gardam keeps you on your toes, so be prepared for that. The characters are so entrenched in their past that following their fragmented trains of thought requires concentration. You have to remember everything they remember. That tactic could serve to keep a reader immersed, but it didn’t work for me. I was feeling the itch for it to be over. Which is a shame, because some of that writing is cracking.


The third part of the Old Filth trilogy, this series would not be for everyone, as Jane Garden has a certain type of humour. I love the certain old colonial charm in the characters, and their stubbornness against old age, infirmity and death.

A suitable title where FILTH takes a back seat and we learn more about Terry Veneering, Fiscal-Smith and Pastry Willy. I have loved these Old Filth books, I could read on for ever.

I am fairly sure I read this before - if I remembered the first two books better I might have liked it more but I spent most of my time trying to figure out why it felt familiar but not remembering the details in between that were filled out by the other books.

I do love all three books together though!!

But it’s true, she thought, nobody really knows a thing about another’s past. Why should we? Different worlds we all inhabit from the womb.

This is the third (and last?) book of the series which started with Old Filth. I think it would have been better to have read all three books closer together rather than years apart since they cover much of the same ground but from a different perspective. As usual, people are never what they seem. Only the reader has the opportunity to get a glimpse of the character’s inner lives and backgrounds; to guess at what really motivates them. The coincidences, so charming in the first two books, beggared belief a bit in this one in my opinion. But they do drive home the prevailing idea in all three books that life is driven as much by luck as it is by ability.

The perspective this time more or less that of Sir Terrence Veneering aka Terry Venetski, Old Filth’s former rival and reluctant friend in old age. Jane Gardam could take anyone’s biography and make it fascinating. She has a fantastic way of making small details into big stories. But the first book is still the best, in my opinion. Last Friends may enhance the first book but it doesn’t surpass it.

What a brilliant end to a brilliant trilogy.
These books will be friends for life and I will definitely re read them many times over.

I have discovered a new favorite author. I loved this entire trilogy. Each book was equally "delicious", once I started, I couldn't put it down. I'm looking forward to discovering works outside of this short series!

I enjoyed books 1 and 2 in the Old Filth trilogy and thought they were really well written and thought out. I thought Last Friends wasn’t as well done; I was interested in Veneering’s unusual childhood and marriage, and of course his love for Betty. But I didn’t think we got enough of him in the book; instead there was a tangent into another story of one of the other book's minor characters and a new relationship he starts with a neighbour of Old Filth’s. Also the coincidences of life that form so much of the story in books 1 and 2, start to become a bit over the top; did absolutely everyone need to have crossed paths with everyone else at some point in the past?!! I would still recommend books 1 and 2 as really good reads; Last Friends adds nothing. And I still love Jane Gardam, will be reading more of her other work.

It's always lovely to read some more Gardam, especially while in England.

A final return to Jane Gardam's world of wistful survivors. Moving away in focus from the Raj Orphans, she turns the lens on war-time working-class Britain, and the lives of those who survived it. Along the way, she explores the changing and unchanging nature of the English countryside, and the sense of the aged slowly slipping out of sync with the world around them.

And true to form, this series of books about a marriage more practical than romantic, ends with a love story about nostalgia, and the importance of being left standing.