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machenn's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Moderate: Murder, Injury/Injury detail, Alcohol, Classism, Blood, Death, and Fire/Fire injury
hannah_and_her_stories's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Animal death, Fire/Fire injury, Blood, Alcohol, Racism, Classism, Confinement, Violence, Injury/Injury detail, Death of parent, and Death
Moderate: Infidelity, Murder, Sexual assault, War, Colonisation, Cursing, Gore, Vomit, Gaslighting, Grief, Religious bigotry, and Sexism
Minor: Abortion
larareads's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Graphic: Blood, Death, Violence, and Gore
Moderate: Alcohol, Classism, Racism, Death of parent, Infidelity, and Fire/Fire injury
Minor: Abortion, Rape, War, and Sexual violence
renpuspita's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.5
What make The Hacienda interesting is, how Isabel Canas also input her social critic/commentary about Mexico after the Independence war with its casta system. Set in 1823, pretty much after the war and also after Mexican Inquisition end, Canas presents the glaring problems that revolve around hacienda, hacendados (owner of hacienda) and people on the village whom lived around them. So, basically beside a gothic and horror filled with mystery, The Hacienda can be categorized into historical fiction as well, albeit not in a traditional way. This book also heavy on religious contents, with the male lead, Padre Andres Vilabollos, is a man of the Church. The religion content didn't bother me a little bit, I welcomed Canas's critique about it tho. For me, it's ring true, regarding the religion. Some of Andres's inner turmoil, about his double identity, as a priest but also a witch with power come from local folk magic, pretty much resonate with me. I liked Canas's presentation about religion, through Andres, and didn't fell that it's judging at all.
The Hacienda is told from both Beatriz and Andres's Pov, interchangeable. Usually, first PoV from multiple characters can drive me nuts, since all the voice feel the same. It's not the case with The Hacienda, I can differentiate both Beatriz and Andres. While at the first glance, Beatriz might be look like a high and mighty girl with her determination to be the Solorzano's Dona and claim Hacienda San Isidro as her domain, the reason was explained in a way that make me sympathize with her. I also like how in the end Canas make Beatriz amend her error way in the first. Of course after the haunting that happen to Beatriz in the first place, lol. The girl was pretty much tortured by the ghost! The haunting factor is pretty chilling, the effect of it give me a heebies jeebies. The description of the ghost and its apparition make me hold my breath. The idea of house with its own souls is not new, but Canas can execute it well and add her own twist on it.
While it's not romance per se, there's a romance in The Hacienda, although just a little. But, boyy...as a romance reader, the romance in this book is pretty much bittersweet. It's of course have forbidden romance in it, with Beatriz is a married woman, while Andres is a priest. Yet, the trust that come between them, the pining, the longing and the yearning, OMG, so chef's kiss! I can accept their ending because I know that this book is not a romance in the first place, but I will lying if I said I didn't enjoy the romance aspect, lol. It's suit the book tone, tbh. In the other side, the mystery that surround the Hacienda and also Rodolfo's first wife death is pretty much easy to guess. I liked how they executed and I liked how Canas write the characterization of the major characters in this book beside Beatriz and Andres. Sadly, for Rodolfo, I think his character is barely there since he's mostly spend his time away from Beatriz.
Even not 5 full stars, The Hacienda become one of my top read this year 2023. For a debut, this book captivating me and that's a compliment since sometimes I'm too chicken out to read a full horror book with ghost on it. I recommend The Hacienda if you want to read a horror book with gothic atmosphere, written by a diverse author also set outside America and with historical settings.
Graphic: Blood, Death, Alcohol, Murder, Animal cruelty, and Fire/Fire injury
Moderate: Confinement, Racism, Racial slurs, Sexism, and Injury/Injury detail
Minor: Death of parent, Grief, Pregnancy, Abortion, Rape, War, and Colonisation
emzhay's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
4.5
Graphic: Death of parent, Fire/Fire injury, Blood, and Death
Moderate: Murder, Rape, and Alcohol
Minor: War, Child abuse, and Animal death
hunkydory's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
5.0
Graphic: Blood, Injury/Injury detail, Domestic abuse, Death, Fire/Fire injury, Alcohol, Classism, Murder, and Violence
Moderate: Physical abuse
Minor: Sexual assault, Rape, Pregnancy, War, Sexual violence, Sexual content, and Death of parent
amaranth_wytch's review against another edition
3.5
Graphic: Alcohol, Blood, Body horror, Death, Rape, Infidelity, Murder, Religious bigotry, Vomit, Classism, Confinement, Death of parent, Fire/Fire injury, and Sexual assault
Moderate: Abortion
yvo_about_books's review against another edition
5.0
“When a man makes a promise, he makes it on his honor. When a witch makes a promise, they feel it in their bones.”
Ever come across a book that you just know you are going to love, but somehow it takes you ages to pick it up anyway? This is exactly what happened with The Hacienda for me. The blurb gave me Mexican Gothic vibes, which had me immediately intrigued. It is being compared to the classic Rebecca as well, which I confess I still have to read myself... But I'm definitely going to remedy that after finishing The Hacienda. Why? Let's just say that this debut blew me away completely, and I loved every single minute with this historical fiction/gothic horror/paranormal read. The pace in The Hacienda is actually quite a lot slower than I would usually like, but somehow it really worked for this story. This probably has a lot to do with the fact that the writing itself is fantastic; I fell in love with the way this story was written from the very beginning, and the gothic vibe is done is a sublime way. The building up of the tension, the uncertainty about what is really going on, the doubts about if the main character is just imagining things or something a lot more sinister (and supernatural) is going on... It was just all done in such a natural way, and the result was glorious. Add the historical fiction aspect with the 19th century Mexican setting, the religious aspect and the political/cultural issues, even the slowburn romance, and I couldn't give this debut anything less than the full 5 stars it deserved. Guess who will be reading a vampire book in the future even though she is usually allergic to any stories about vampires?
Graphic: Abandonment, Alcohol, Gaslighting, Infidelity, Misogyny, Death of parent, Confinement, Cursing, Death, Blood, Classism, Abortion, Domestic abuse, Fire/Fire injury, Gore, Injury/Injury detail, Racism, Rape, Violence, Body horror, Colonisation, Religious bigotry, Toxic relationship, War, Xenophobia, Grief, and Murder
lorriss's review against another edition
- Plot- or character-driven? Plot
4.0
Graphic: Death, Domestic abuse, Murder, Blood, Body horror, Religious bigotry, Racism, Physical abuse, Fire/Fire injury, Classism, Colonisation, Violence, Sexism, Misogyny, Injury/Injury detail, Confinement, Sexual harassment, Police brutality, and Gore
Moderate: Cursing, Vomit, Toxic friendship, Stalking, Pandemic/Epidemic, Alcohol, Death of parent, Medical content, Grief, War, Rape, Abortion, Sexual violence, Sexual assault, Gaslighting, and Emotional abuse
Minor: Child abuse, Child death, Sexual content, Gun violence, Alcoholism, Addiction, Animal death, Pregnancy, and Forced institutionalization
fifteenthjessica's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
It's a horror and historic fiction hybrid, and while I don't read the former much and can't say how well it holds up to others (it's the best of the few I've read), but the historic fiction aspects are excellent. Isabel Canas shows an expertise of the era of history she has set this in, and I think she gets around the issue of delivering exposition about the setting to readers less familiar with life in the era by making its presence related to some of the emotional wounds of her primary characters and really most of the cast. Canas demonstrates an excellent knowledge of how social issues like sexism, racism, colorism, and classism impact people/characters, and I find it hard to completely hate most of the antagonists.
The prose is gorgeous and at times macabre. I (and a few members of the book club I read this for) quickly learned that reading it at night is not a good idea as we were quite jumpy afterwards.
It's not a flawless debut. While the book focuses heavily on the casta class system in Mexico, the few members of the servant class that get development is almost entirely Andres and his family, which I think slightly undercuts the theme. Rodolfo also feels more like a plot device than a character, which I'm not sure how I feel about it. His decision to leave the hacienda in Beatriz and Juana's hands while he rubs elbows with politicians in the capital is necessary for character motivation, it leaves him underdeveloped, and readers are left on their own to reconcile the Rodolfo who his first wife adores and the one who (sexual abuse mention and a spoiler)
There is also something about the ending that left a bad taste in my mouth.
Graphic: Sexism, Blood, Classism, Colonisation, Misogyny, and Racism
Moderate: Cursing, Gore, Murder, Violence, Animal death, Child abuse, Confinement, Death, Emotional abuse, Fire/Fire injury, Gaslighting, Infidelity, Injury/Injury detail, Mental illness, and Physical abuse
Minor: Rape, Sexual content, Abortion, Alcohol, Vomit, and War