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dragongirl271's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
5.0
Attention Pride & Prejudice/Jane Austen fans! I present to you: Pride & Prejudice but this time gay and trans ๐ณ๏ธโ๐
Oh, do you need more?
Gabe Cole Novoa crafted a beautiful retelling of one of the most iconic Jane Austen novels of all time with some lovely, historically-inspired queer representation thrown into the mix. Elizabeth Bennet is now Oliver Bennet, a trans man wishing for a life where he can be himself. Mr. Darcy is still the same grump we all know and love, but there are maybe other reasons why he detests society and the marriage mart so.
Novoa expertly matches Austen's tone and pacing from the original novel, but also gives us plenty of original scenes and moments with Oliver and Darcy. You can tell while reading just how lovingly crafted this project was. Is this my new favorite version of the story? The jury's still out, but time will tell.
Now, go! Add this to your list of reads for Pride Month and thank me later ๐ Happy Pride!
CW: deadnaming, misgendering, homophobia, misogyny, transphobia
Moderate: Misogyny, Deadnaming, Homophobia, and Transphobia
aceofjades's review
3.5
It's the way characters talk to each other that took me out. I understand that the addressing conventions of IX century England can be confusing for modern readers, but I don't think anyone who isn't at least a little familiar with Jane Austen novels (or at least the movie adaptations of her novels) would be reading this book, so I don't see any reason for characters to be calling each other by FIRST NAME as if they're very very intimate, when in fact they've only just met and/or have animosity towards each other.
Below is spoilers for more specific parts that personally peeved me, might get nitpicky:
In general, how Mr. Collins and Mr. Wickham were rewritten to be real big baddies, and their nearly comical villanous "death" at the end of the novel... They weren't complex characters in the og novel either, but I feel like there's a missed opportunity for making really "evil" characters look back at themselves and realize their mistakes. Also did the author forget that Mr. Collins is a clergyman? He doesn't just "tell boring stories" to the Bennets, he recites sermons! Making them say terribly misogynistic things to Oliver was... a choice, a choice which genuinely made me uncomfortable and made me root even more for some kind of redemption arc where they become embarrassed of themselves, instead of punished but never changing their ways of thought. Speaking of Mr. Collins, what happened with Charlotte after his and Wickham's schemes are revealed? In general, I think this book was way too short to follow all the little plotlines that were introduced. How did the Bennet sisters react to Oliver coming out? Will Mr. Bingley ever find out too? I would've gladly read a 100 or more pages just to give the plot some breathing room. And speaking of villanous figures, I was kind of hoping for Madam De Bourgh to be rewritten in favour of her nephew's queerness... that's just wishful thinking on my part, and I didn't detract any points for it, but I feel like it's another big missed opportunity... - Not a spoiler, but in general this book is written in a very fanfiction-esque language which really took me out of the immersion at times... I wasn't expecting it to fully imitate Jane Austen's prolix style, but certain metaphors and locutions were really out of place.
There isn't much tension in the midpoint and, as mentioned in the spoilers, the plot didn't have enough breathing room. I feel like the lack of any real tension might be because of that as well. This book would've benefitted from a 100 or so more pages, and I would've gladly read those and possibly given a higher rating.
Graphic: Misogyny, Dysphoria, Homophobia, Sexism, and Transphobia
booksthatburn's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? No
4.0
One of my favorite parts of this retelling is the way that it provides an explanation beyond plot convenience for Darcy to have inconsistent reactions to Oliver. Instead of Darcy being hot and cold to someone who seems to be the same person, his reactions around Oliver as a girl are impacted by getting to spend time with Oliver as a boy and maybe starting to fall for him. For those not familiar with the original story, this stands on its own and doesn't require any prior knowledge in order to make sense.
I enjoyed this as a retelling and as its own story, a great addition to the Remixed Classics series!
Graphic: Dysphoria, Classism, Sexism, and Misogyny
Moderate: Panic attacks/disorders, Transphobia, and Deadnaming
Minor: Death, Physical abuse, Pregnancy, and Emotional abuse
ghostlyprince's review
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.5
Graphic: Misogyny, Outing, Classism, Deadnaming, and Sexism
Moderate: Panic attacks/disorders, Stalking, Transphobia, Dysphoria, and Incest
Minor: Homophobia, Vomit, Death of parent, Suicidal thoughts, and Lesbophobia
ghostingarden's review against another edition
4.75
Graphic: Misogyny, Dysphoria, and Deadnaming
Moderate: Outing and Transphobia
Minor: Homophobia
katialena's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Dysphoria, Deadnaming, and Transphobia
Moderate: Homophobia, Misogyny, and Sexism
stardustandrockets's review against another edition
5.0
Graphic: Dysphoria, Deadnaming, Homophobia, Misogyny, Transphobia, and Sexism
Moderate: Classism and Dysphoria
ashley_mrose530's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
I loved Oliver and his struggle to be who he really is rather than who society tells him he should be. And though they took the pride out of Mr. Darcy, I still loved him and how supportive of Oliver he is when he found out who he was.
I do think a lot, if not all, of the female characters in this book were pretty flat and one-dimensional. They seemed to only be there to either hit major plot points from the source material or move Oliver's struggles along whereas the original source material focused on all of the female characters and the misogyny they all had to deal with. For example, I was really wondering how confronting Mr. Collins was going to affect Oliver's relationship with Charlotte, but she seemed to have been forgotten unfortunately because that was not addressed at the end of the book at all.
In all I had a really great time with this book though and I loved to see more trans representation.
Graphic: Misogyny, Dysphoria, Sexism, Transphobia, Panic attacks/disorders, and Deadnaming
ariel_99's review
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
4.0
Moderate: Deadnaming, Transphobia, Misogyny, and Sexism
rookthomas's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.5
Graphic: Transphobia, Deadnaming, and Dysphoria
Moderate: Misogyny, Sexism, and Homophobia