Reviews tagging 'Homophobia'

The Book Eaters by Sunyi Dean

20 reviews

maryellen's review against another edition

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adventurous challenging dark emotional hopeful mysterious tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

5.0

An early contender as my favorite read of 2023! Imaginative, complex, brilliant storytelling. I hope there's more to come. 

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mxbluet18's review against another edition

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adventurous inspiring reflective tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? No

4.75

Trigger warnings for The Book Eaters include: body horror, gore, explicit violence, domestic abuse and abuse against children. There is also violence against women; sexual assault, emotional abuse, homophobia, physical abuse, torture, gun violence and murder.


I wasn't necessarily sure how I was going to fair with this one, but I have really enjoyed it. I've read reviews describing it as 'a fairytale stapled to a thriller', and I wouldn't argue with that assessment.
~
I don't read much in the way of fairytale retellings, nor do I read many thrillers, partly because I don't like being scared. But this was struck a pleasing balance between suspenseful and uncertainty for the reader, with the calm of childhood.
~
I liked the way it went back to Devon's childhood and the experiences she had then, to show how her personality and resentment for the Families develop. And with the fairytale aspect of it, I liked that there was inclusion of dragons and knights, and Camelot. 
~
Something I found interesting was the whole thing with the Ravenscar family, and how they had monopoly over an important element, and therefore to some degree had complete control over the other Families. Though I didn't like the arranged and forced marriages and pregnancies, however I'm aware that's the part of the plot that's intended to make people uncomfortable.

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starrysteph's review against another edition

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slow-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

1.0

The Book Eaters offered up a fascinating concept and - I believe - intended to weave in powerful commentary about disability. Unfortunately, I felt this work was so poorly executed that it actually became harmful & put forth unsettling rhetoric.

When I finished reading, I felt uncomfortable – something about the text simply felt “off”. After reflecting and journaling about it and talking to some fellow readers, I’ve found some clarity and I’ll try to break it apart into the components that felt harmful to me. 

SPOILERS BELOW.

Disability Allegory
The author had a compelling commentary to make - I acknowledge her efforts at tackling something that is quite important and also so complicated. She is autistic and I don’t wish to invalidate her identity or experiences. But I believe this work (as it currently stands) does more harm than it offers thoughtful commentary.

The mind eaters are intended to be an allegory for disability. We are therefore viewing them as a marginalized group, and told that some are “good” and “useful” while others are “bad” and “harmful”. They can be “good” if handled by a drug called “Redemption”, given to them by their abusive handlers who institutionalize them. The book eater society is looking into ways to manage fertility - basically so that they can eliminate mind eaters entirely.

This is a snippet from a scene in which a mind eater consumes the mind of a child: “She’d destroyed that infant before giving it back. The child would have missed all its developmental milestones, by not showing emotion or personality or making attempts to communicate. All the things Devon had taken such joy in with her own children would never belong to that woman. Ten minutes to ruin a whole chain of lives. (This is ableist language, and it is never addressed or resolved.)

Devon’s child (Cai) is a mind eater, and she is both afraid of him and treats him like an adult (he is a five year old child). She repeatedly wonders if there is any bit of soul left in him.

On Devon and Cai’s relationship: “Biologically she was his parent and always would be, but emotionally they had become something closer to partners in crime; mutual abusers locked in codependency.”

Now I believe all of the above is intended to be commentary - challenging us to consider how society treats disabled people, and how parents treat & view their disabled children. But intent does not equal impact, and the plot of the story makes it difficult for readers to comprehend that the eugenics rhetoric is, well, harmful.

Also, in the author’s FAQ she says that no characters are specifically meant to be autistic (alongside this concerning reason): “I do find it easier to write monster characters, though, because if I inadvertently give them autistic traits, neurotypical readers are less likely to complain, as they’re expecting something ur-human anyway.” 

Nearly all of the mind eaters are condemned at the end of the novel & die unnecessarily. The survivors? Hester, a mind eater who has had her own long tongue docked so she can’t hurt anyone, and Cai, a child who is basically determined to be “soulless” because his insatiable desire to prey on the innocent has wiped away his own identity. It felt like the messaging became … eugenics is the way to go! These ~creatures~ SHOULD be neutralized because they are innately monstrous. I don’t think I need to explain why this messaging is harmful.

Religious Aspects
“The book eaters did what they have always done best: encourage human technology to advance from the shadows, and then borrow from it. The basics of IVF they mastered long ago…”

The book eaters are scary, inhumans foreigners who have a shadow society and secretly control human progress from afar (these are often red flags for antisemitism). The book eaters are vampirically inspired, and Devon’s family specifically was a nod to Dracula, who has antisemitic origins. (Note: I don’t believe vampires are inherently antisemitic, but it is important to acknowledge their history - and if you are including them in your work of fiction, you should a. do your research on the history of these characterizations and b. employ a sensitivity reader to help catch potential pitfalls or unfortunate tropes.)

Within the text, the book eater society is framed in many ways as Christian. The mind eaters - by extension - read as “disgraced” Christians who feed on the bodies of the innocent (similar to blood libel tropes, and a sub-society of mind eaters even does a sacrificial ritual using an innocent body in the ending segment of the book). In a chapter introduction, mind eaters specifically are linked to Lilith.

Other Issues
Those were the two issues that stood out the most to me, but I didn’t feel as though the queer representation and the framing of women were handled particularly well. The writing conflates ace and aro identities. It wasn’t clear why it would be an issue for a male book eater to be asexual (in fact, you would think the opposite). Devon’s insta-love attraction to Hester and her thought patterns around her queerness were … strange. (It was very “straight woman writing a lesbian” if you know what I mean.) It felt very sloppy.

The women in this book are treated terribly. Now again, that isn’t inherently a problem with the text (and in fact I believe is also attempted commentary), but the issue I had here was that the way women were treated was frequently VALIDATED within the text. Devon and the other Book Eater women are infantilized, treated as cattle who cannot think for themselves or be trusted to make decisions. And Devon truly cannot! I’m also a little alarmed that the author did not include a warning for sexual assault or rape in her content warnings. Did she view Devon’s forced pregnancies as consensual???

Finally, I was just generally let down by the concept. Book eaters were such a cool idea - but ultimately the book-eating aspect didn’t play a significant role in the story at all. The plotting and limitations of the families  just didn’t make sense. The attempted feminist critiques played to the individuals and not the systems.

In the author’s notes, she leaves a few comments about the bleakness of the material. 
“That impenetrable sense of exhaustion and flat, dull, continuous lack of joy is a common experience for many. We do not all lead happy lives, and I suppose that makes it hard to write happy fiction.”
“The reality of our world is that most suffering is pointless, most stories [aren’t] happy, and sexual violence is the norm [rather] than the exception.”

Well. Message received.

This was not the review I had hoped to leave for The Book Eaters. But I wanted to warn other potential readers of its content. I truly wish the author the best for her future works, and perhaps with some more eyes on future projects she can nail down some powerful commentary. 

CW: sexual assault, rape, forced pregnancy, domestic abuse, child abuse (physical & emotional), murder, drug use, alcoholism, body horror, gore, violence, sex trafficking, homophobia, extreme sexism, infertility. gaslighting, grief, starvation, gun violence, car accident


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hailstorm3812's review against another edition

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adventurous dark emotional medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

4.0

I really liked the premise of this. The set up is really interesting and Devon is a very interesting character. The overarching themes and finale kinda fell apart in the last act for me. It felt like it need to be longer or the first in a series. But overall I enjoyed it.

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leonormsousa's review against another edition

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adventurous dark emotional mysterious medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0

REP
lesbian MC, sapphic LI, asexual male SC, disabled Indian-British SC


QUOTE 
“For here was the thing that no fairy tale would ever admit, but that she understood in that moment: love was not inherently good.
Certainly, it could inspire goodness. She didn’t argue that. Poets would tell you that love was electricity in your veins that could light a room. That it was a river in your soul to lift you up and carry you away, or a fire inside the heart to keep you warm. Yet electricity could also fry, rivers could drown, and fires could burn; love could be destructive. Punishingly, fatally destructive.
And the other thing, the real bloody clincher of it all, was that the good and the bad didn’t get served up equally. If love were a balance of electric lights and electric jolts, two sides of an equally weighted coin, then fair enough. She could deal.
That wasn’t how it worked, though. Some love was just the bad, all the time: an endless parade of electrified bones and drowned lungs and hearts that burned to a cinder inside the cage of your chest.
And so she looked down at her son and loved him with the kind of twisted, complex feeling that came from having never wanted him in the first place; she loved him with bitterness, and she loved him with resignation. She loved him though she knew no good could ever come from such a bond." 

THINGS I ENJOYED 
  • Sunyi Dean's writing is stunning (something I've confirmed in her two recent short stories), and I think I might read everything she puts out there
  • So many great and strong passages! (I'm not one to annotate but this book made me want to)
  • We love a book that doesn't shy away from talking about misogyny and oppressive societies
  • How the author explored the topic of love, especially maternal love and how it can twist your moral boundaries (see the quote I included)
  • The queer rep <3
  • The concept of book and mind eaters was so interesting and original, and the chapter introductions with the lore really made the experience better
  • It really stuck with me (it has been 4 months since I read and I not only think about it but almost feel like rereading it)
  • The dual-timeline storytelling works so well

THINGS I DIDN'T ENJOY
  • The ending was a bit too rushed and even almost “too easy”.
  • Some details were given a lot of emphasis in the book but then ended up not playing any part at all, which felt a bit misleading and incoherent.

THINGS THAT I'VE SEEN CRITICISM ABOUT AND WHY I ACTUALLY LIKED THEM
  • The world-building is limited - I think that the vagueness and unresolvedness of this book fitted it quite well. It's very rooted in Devon, so for me, it made sense that we didn't knew much about the book/mind eaters origin or lore (or other topics of the book in general) because she didn't knew it as well, either because she wasn't given that information as a woman or because it was not knowledge the book eater society had at the time.
  • The abrupt ending - I actually like open endings and thought this one fitted the book well

READ IF YOU ENJOY
  • creepy books with grey/dark characters
  • stories about unhinged women trying to break free
  • topics like misogynist societies and motherhood
  • urban fantasy/sci-fi elements as a means to uncover and discuss real-life situations

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iloivar's review against another edition

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dark emotional medium-paced
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Flaws of characters a main focus? It's complicated

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djreads's review against another edition

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adventurous challenging dark emotional mysterious reflective sad tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

4.0


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wearyreader's review against another edition

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dark mysterious sad tense medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? N/A
  • Loveable characters? N/A
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

1.0

I’ll start with the positives: The writing style is great and there is a really well managed back and forth of timelines from what I’ve read so far. But, with that I still had to stop.



I DNF’d at 65 pages which is about 21% for the problematic similarities to Romani peoples. As far as I have read, these are what I’ve found.

This group of people are noted to not be human, that they must take extra care to appear human when being amongst people.

They used to be able to travel, but now they can’t because of paperwork issues. (They are undocumented, and they don’t report the birth of their kids, marriages, ext) [Page 3, talks about how our main character has no ID, passport, birth certificate, ext]. The families are noted to not do anything, just hang out where they live. Although some families differ, our main character’s family’s home is noted to be run down and not taken care of. The estate is overgrown and not worked. But it’s important to know they all have really nice, new cars.

The Book Eaters are many different families across Britain. (They used to travel more but can’t now because of the said lack of documentation) Their kids run around dirty, uneducated, and without any outside contact. Women are ‘rare’ and are treated like princesses. Women are only fed fairy tale books and books about compliance while boys are fed adventure stores and stories of valor and more educated texts. When they turn 18 they are dressed like princesses and immediately married off to another family.

They are married to a man (of any age) to produce a child. Once the child is born and give a few years, they are married off to another man to produce another child. After that child (unless they can produce a 3rd) they are allowed to retire at their home family and continue to just exist without further purpose. 

Oh, and there’s still a dowry involved in this to entice the woman’s original family to comply with the forced birthing process.

When they are married off, the ‘knights’ ride motorcycles around a
limo to escort her to the new family in the style of a caravan.

But, the Book Eaters publicly are just people who live off the land and stick to themselves and are local legends. Should an outsider stumble upon them, they are drained of who they are/captured, and sent somewhere way far away without their family or loved ones knowing.

The Book Eaters are monsters. You are either born a book eater or born a dragon (someone who instead of eating human knowledge, must eat human experience aka brains). So you are either born ‘normal’ or a monster, inherently evil/with evil urges. These dragons get stripped of their freedoms and are then covered in tattoos which signify that they’re dangerous.

It is noted that indeed, their heritage is Romanian. Straight up.

Am I reading too much into this Maybe I am. But there is too much
intersectionality with the harmful stereotypes or Romani peoples that
it feels so blaringly obvious to me. Instead of the usually paranormal
media depiction of being Lycanthropes and Fortune Tellers, they’re indeed vampiric alien monsters.

As I mentioned, I have stopped reading here. I cannot review anymore than this. There are also more reviews here on Goodreads and other places that report that the book ends up being about not book eating but the family being a cult/cult-like activity. So, I will not be
continuing even more so.

Sadly, I believe this book will be in some subscription boxes so I feel for those who might not be prepared for it and for those who have no idea about the intersectionality of this.

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jswense's review against another edition

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adventurous dark mysterious tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0

This book utterly consumed me. I listened to the audiobook in two days, and I didn’t want it to end. Sunyi Dean creates a vivid world of people who consume books to survive. The Book Eaters’ society is steeped in harsh traditions meant to protect the six families remaining in Britain. One of the greatest threats to the rigid hierarchy are children who have a craving for something much more sinister than the written word: the human mind.
When Devon gives birth to a mind eater she does not see a monster
but a child she will do anything to protect. Her attempts to shield her family
from the sinister world they were born into sends her on a journey across
Britain to find the producers of a drug that has the ability to save her son
from a life of mind eating. 
The Book Eaters is a thoughtful look at motherhood, family, and
what we will do for love. It asks the question; how do you survive when your
fairytale life turns out to be a nightmare?

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wanderonwards's review against another edition

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dark tense medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

2.5

Thank you to NetGalley and Macmillan-Tor/Forge for sending me a free ARC copy in exchange for an honest review. 
 
The Book Eaters is a unique thrill of a book where every character is a monster in their own way. I frequently found myself alternating between rooting for and against characters as their backstory and motivations gradually became more known. I don’t generally flip between liking and disliking characters so much, and to be able to pull that off with multiple characters is very difficult. 
 
To be honest, though, I think other readers will enjoy this book more than I did. It was much darker than I anticipated (the depictions of violence were borderline too graphic for me) and I got more horror vibes than fantasy. I was also hoping for more smashing of the restrictive and abusive systems Devon grew up with: I didn’t really enjoy reading about the patriarchal Family societies and was waiting for some sense of satisfaction by the end of the book. While the ending was somewhat resolved, there are plenty of issues that are left open. 
 
While this wasn’t really the book for me, I know plenty of other readers who will enjoy it. Thank you again to NetGalley and Macmillan-Tor/Forge for the opportunity of reviewing an ARC. 

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