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4.02 AVERAGE
4.02 AVERAGE
Black Bottle Man by Craig Russell has some incredibly intriguing elements. The magical aspects are different from typical paranormal fiction for teens and I found that refreshing. The hobo signs with power feel so natural within Russell's world that I want to do some research and see if such things are explored more in folklore. I liked the premise of having to move on every twelve days and how that would influence the development of a young man.
I was somewhat disappointed with the chapter where the deal is made with the black bottle man. The deal is incredibly important to the plot and character development but it's skirted around. The way the story unfolds isn't linear, and that's ok for most of the book I felt like the deal that has such an impact on the protagonist Rembrandt's life should have had a more prominent part in the novel by being told in a more direct fashion. The motivation for the original deal is infertility and I'm not sure this is a subject that many teen readers will be able to relate to.
I would recommend this to teens who like an old fashioned supernatural adventure. The pace is slower than many popular teen novels, and the way it jumps around would be difficult for reluctant readers but I enjoyed it and I know some teens who would too.
I was somewhat disappointed with the chapter where the deal is made with the black bottle man. The deal is incredibly important to the plot and character development but it's skirted around. The way the story unfolds isn't linear, and that's ok for most of the book I felt like the deal that has such an impact on the protagonist Rembrandt's life should have had a more prominent part in the novel by being told in a more direct fashion. The motivation for the original deal is infertility and I'm not sure this is a subject that many teen readers will be able to relate to.
I would recommend this to teens who like an old fashioned supernatural adventure. The pace is slower than many popular teen novels, and the way it jumps around would be difficult for reluctant readers but I enjoyed it and I know some teens who would too.
adventurous
emotional
mysterious
reflective
sad
slow-paced
Plot or Character Driven:
Character
Strong character development:
Complicated
Loveable characters:
Complicated
Diverse cast of characters:
Complicated
Flaws of characters a main focus:
Yes
Lately, I’ve been resisting the piles of books in my house.
I want something different. I want something good. I want something I haven’t seen before.
And yet, in the midst of this desire for novelty, I also have a desire for something tried and true, something I’m sure to like and enjoy.
As it happens, I was able to find something that suited me perfectly within the bounds of my own bookshelf, double-parked between piles of review books that may never move.
Black Bottle Man (2010, Great Plains Teen Fiction), by Craig Russell, won a number of awards after its release, including the 2011 Canadian Best Books for Children & Teens and the 2011 Moonbeam Children’s Book Award.
But, honestly, none of that really caught my eye.
And the back cover blurb didn’t really capture my attention either.
The first chapter, though, hooked me in, and the rest was a blur as I curled up to finish it.
The book is told between time periods, mostly by one main character, Rembrandt. As you read the book, you come to realize what’s really happened (and I won’t spoil it by explaining too much here!) and why Rembrandt, his father, and his uncle can’t stay in one place for longer than 12 days.
I struggle to categorize this book: is it fantasy? Is it science fiction? Is it merely a good novel that I want to put into my daughter’s pile?
Yes, it is all of those things, to some extent. It’s also a book that flirts with ethics and religion, if only because it considers evil as a total and absolute. There’s no bargaining, there’s no gray, there’s no “maybe” or “what if” or “kinda sorta” about it.
Better than that, this is a book that is well-crafted and a story that is well-told. And, at the heart of it, isn’t that what we seek when we look for a good read?
I enjoyed getting to know Rembrandt, first as a 90-year-old man, then as a young boy, then as a teenager, and, interspersed between, as an old man. The varying points of view peppered the book with wisdom and insight, even as they also pieced the puzzle together for the reader.
This book also gave me a reminder of a farming era gone by, one that I haven’t read about since I last picked up Steinbeck’s Grapes of Wrath. While Russell is not making the grandiose statements that Steinbeck’s been accused of (and nor does he write the monolithic novel; Black Bottle Man under 200 pages), he does write in and from the Depression-era farm life.
I want something different. I want something good. I want something I haven’t seen before.
And yet, in the midst of this desire for novelty, I also have a desire for something tried and true, something I’m sure to like and enjoy.
As it happens, I was able to find something that suited me perfectly within the bounds of my own bookshelf, double-parked between piles of review books that may never move.
Black Bottle Man (2010, Great Plains Teen Fiction), by Craig Russell, won a number of awards after its release, including the 2011 Canadian Best Books for Children & Teens and the 2011 Moonbeam Children’s Book Award.
But, honestly, none of that really caught my eye.
And the back cover blurb didn’t really capture my attention either.
The first chapter, though, hooked me in, and the rest was a blur as I curled up to finish it.
The book is told between time periods, mostly by one main character, Rembrandt. As you read the book, you come to realize what’s really happened (and I won’t spoil it by explaining too much here!) and why Rembrandt, his father, and his uncle can’t stay in one place for longer than 12 days.
I struggle to categorize this book: is it fantasy? Is it science fiction? Is it merely a good novel that I want to put into my daughter’s pile?
Yes, it is all of those things, to some extent. It’s also a book that flirts with ethics and religion, if only because it considers evil as a total and absolute. There’s no bargaining, there’s no gray, there’s no “maybe” or “what if” or “kinda sorta” about it.
Better than that, this is a book that is well-crafted and a story that is well-told. And, at the heart of it, isn’t that what we seek when we look for a good read?
I enjoyed getting to know Rembrandt, first as a 90-year-old man, then as a young boy, then as a teenager, and, interspersed between, as an old man. The varying points of view peppered the book with wisdom and insight, even as they also pieced the puzzle together for the reader.
This book also gave me a reminder of a farming era gone by, one that I haven’t read about since I last picked up Steinbeck’s Grapes of Wrath. While Russell is not making the grandiose statements that Steinbeck’s been accused of (and nor does he write the monolithic novel; Black Bottle Man under 200 pages), he does write in and from the Depression-era farm life.
What a weird and wonderful tale. Great protagonist - I found Rembrandt wholly believable. And I so wanted him to win against the Black Bottle Man. It is so rare today to find a book in which good is really good - and evil truly evil - no ifs, ands, or buts. Rembrandt perhaps makes mistakes, but he doesn't make them lightly and he bears the weight of the grief he has caused when things went wrong or didn't work out.
I was quite taken by his kindness and loving ways, especially toward the little cousins, offspring of the deal made. While he could have justifiably resented them, hated them even, he did not. In so doing he showed a maturity far beyond his years at the time.
I would have liked a better understanding of Gail and her decision. Just a little too unclear there for me.
But overall a good book that will haunt me for days.
I was quite taken by his kindness and loving ways, especially toward the little cousins, offspring of the deal made. While he could have justifiably resented them, hated them even, he did not. In so doing he showed a maturity far beyond his years at the time.
I would have liked a better understanding of Gail and her decision. Just a little too unclear there for me.
But overall a good book that will haunt me for days.
This one took me by surprise; it built so quietly that I didn't realize until the end just how much I had invested in it. The climax caught me offguard with just how much emotion it wrung from me.
My only complaint would be that I found a few grammatical quibbles, here and there, but on the whole this book is highly recommended.
My only complaint would be that I found a few grammatical quibbles, here and there, but on the whole this book is highly recommended.