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melloyellobooks's review
4.0
Things We Lost to the Water is a story about a family who flees Vietnam to resettle in New Orleans in 1979. Huong and her two boys, Tuan and Binh (Ben) struggle with poverty, language barriers, and racism as they resettle in their new lives. While her husband, Cong planned the escape, he does not ultimately leave with them, later causing a complicated rift with the family.
It starts action packed from page one and was rather a quick read. The writing, although beautiful, is not overly complicated. This character-driven story kept my attention and I found myself wanting to spend more time with them.
It was heart warming at some parts and realistic in portrayal of people and relationships. The characters are well-developed, complex, and flawed. I enjoyed the closeness they felt for their city; the backdrop of New Orleans made it a more unique narrative.
It starts action packed from page one and was rather a quick read. The writing, although beautiful, is not overly complicated. This character-driven story kept my attention and I found myself wanting to spend more time with them.
It was heart warming at some parts and realistic in portrayal of people and relationships. The characters are well-developed, complex, and flawed. I enjoyed the closeness they felt for their city; the backdrop of New Orleans made it a more unique narrative.
bwray1's review
reflective
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
lcecream's review against another edition
5.0
Beautiful story about a family’s journey in America.
The multiple point of views was done perfectly and was not confusing at all. The writing style was beautiful, and the time progression was easy to keep up with.
The multiple point of views was done perfectly and was not confusing at all. The writing style was beautiful, and the time progression was easy to keep up with.
valeria07's review
emotional
reflective
sad
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? N/A
- Diverse cast of characters? N/A
- Flaws of characters a main focus? It's complicated
3.75
shelfexplanatory's review
5.0
THINGS WE LOST TO THE WATER by Eric Nguyen is hands down my favorite read of 2021 so far. The novel starts when a Vietnamese mother named Hương arrives in New Orleans with her two young sons, Tuấn and Bình. Having escaped Vietnam shortly after the fall of Saigon, Hương must navigate New Orleans as a single mother after unwittingly leaving her husband Công behind in Vietnam.
Spanning almost 30 years, we follow the family's lives as they try to assimilate and come to terms with Công's absence. I thought Nguyen did an excellent job of making each character feel like a real person with a voice unique from the others - and I definitely want to emphasize that this novel is very much a character study rather than a plot-driven story.
These characters are not perfect. Hương loves her sons, but doesn't understand the othering that they face, having not grown up as an immigrant within the American school system herself. As a result, her uncompromising parenting style only ends up pushing them away and causing them to resent her.
Tuấn and Bình, in turn, find themselves seeking acceptance elsewhere. Tuấn is vehemently proud of his heritage and takes up with a local Vietnamese gang. Meanwhile, Bình changes his name to Ben and explores his newfound queer identity while also hiding it his family.
What I really appreciate about this book is that yes, it is a story about Vietnamese boat people, but the vast span of experiences within this one family shows how different these stories are. There is no single, all encompassing narrative for Vietnamese-Americans. With these characters alone, we have a 1st gen (Hương, coming to the US as an adult), 1.5 gen (Tuấn, childhood in Vietnam but adolescence in US), and 2nd gen (Ben, born and raised in the US). And even these characters are very unique to the time and circumstances that they live in, and are not representative of all people within that generation.
Finally, as the title suggests, the motif of water is pervasive in this novel. The narrative is reminiscent of sifting through years of memories: pivotal moments coming in and out of focus, at times gradually swelling like a tide, at other times rushing in like a flood. Nguyen beautifully depicts how, like water, these moments can cause families to be forced apart and made to collide together again.
I absolutely recommend this book to fans of Ocean Vuong's ON EARTH WE'RE BRIEFLY GORGEOUS. I read these back to back and felt like there were a lot of similar themes of Vietnamese-American immigrant experience, gay identity, and tumultuous mother/son relationships.
Spanning almost 30 years, we follow the family's lives as they try to assimilate and come to terms with Công's absence. I thought Nguyen did an excellent job of making each character feel like a real person with a voice unique from the others - and I definitely want to emphasize that this novel is very much a character study rather than a plot-driven story.
These characters are not perfect. Hương loves her sons, but doesn't understand the othering that they face, having not grown up as an immigrant within the American school system herself. As a result, her uncompromising parenting style only ends up pushing them away and causing them to resent her.
Tuấn and Bình, in turn, find themselves seeking acceptance elsewhere. Tuấn is vehemently proud of his heritage and takes up with a local Vietnamese gang. Meanwhile, Bình changes his name to Ben and explores his newfound queer identity while also hiding it his family.
What I really appreciate about this book is that yes, it is a story about Vietnamese boat people, but the vast span of experiences within this one family shows how different these stories are. There is no single, all encompassing narrative for Vietnamese-Americans. With these characters alone, we have a 1st gen (Hương, coming to the US as an adult), 1.5 gen (Tuấn, childhood in Vietnam but adolescence in US), and 2nd gen (Ben, born and raised in the US). And even these characters are very unique to the time and circumstances that they live in, and are not representative of all people within that generation.
Finally, as the title suggests, the motif of water is pervasive in this novel. The narrative is reminiscent of sifting through years of memories: pivotal moments coming in and out of focus, at times gradually swelling like a tide, at other times rushing in like a flood. Nguyen beautifully depicts how, like water, these moments can cause families to be forced apart and made to collide together again.
I absolutely recommend this book to fans of Ocean Vuong's ON EARTH WE'RE BRIEFLY GORGEOUS. I read these back to back and felt like there were a lot of similar themes of Vietnamese-American immigrant experience, gay identity, and tumultuous mother/son relationships.
tkhongmaly's review against another edition
challenging
dark
emotional
reflective
sad
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
4.0
I’d like to thank Dr. Jane at ISU for having me in a class that watched A Village Called Versailles because, largely, that was my only real-life understanding to contextualize the characters into even though assuming that’s where the story was ultimately going.
The writing was beautiful and all of the characters felt incredibly nuanced, frustrating, yet understandable—so well-written. I agree with a lot of other reviews I’ve skimmed through that this book would be even more enjoyable if it were even longer. Even if it would have taken me longer to finish.
jakhajiit's review against another edition
inspiring
reflective
sad
fast-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.0
rebe1913's review against another edition
emotional
reflective
sad
medium-paced
- Plot- or character-driven? Character
3.75