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andrew61's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.5
The first half of the book narrates her special day from Kate noisily waking her up and the presents from family including her distant father and strange uncle. With the gift of some red material she goes off to the local dressmaker in a wonderful scene of the bizarre residents in the house, before encountering the local ne'er do well children, and being conned out of her 10 bob note by a girl at the door selling a lace collar. A strange day which the presages part 2 which is the dance itself. The description of the events at the dance is brilliant as Olivia in her innocence and wonder encounters a strange miscellany of the rich and entitled from cousins and local hunting youth as well as dancing with a disabled veteran and an older man with wandering hands.
I picked this up after ;listening to the Backlisted episode about the sequel and cannot wait to find out what becomes of Olivia and her family.
bakerk139's review against another edition
rohina_sharma's review against another edition
2.0
While I appreciate how upbeat this novel is and the transition between girlhood and adulthood, I honestly cannot say that I was engaged by the story or the characters. Had I picked this up a few years later, as an adult who was pursuing Literature, I might have had a more appreciation for the story and the idea behind it.
2.5 stars.
kansass's review against another edition
5.0
nocto's review against another edition
3.0
This kept reminding me of a girls school story. It was written in 1932 and even now I've probably read more school stories from that era than I have adult literature; and the central character is seventeen year old Olivia who is more-or-less the kind of upper middle class nice girl who might have turned up at the Chalet School or its ilk.
It was just the same turns of phrase and atmosphere that linked this book to my childhood reading though, this is a more honest look at a young woman. The story revolves around the first dance Olivia attends as an adult - covering the short time frame between sorting out the dress and worrying about being in her elder sister Kate's shadow and a long look at the strange (to both Olivia and I) manners of the dance.
I enjoyed this book in itself, but I'm looking forward to reading the sequel to it, where I believe Olivia is somewhat older and more worldly wise, more.
eheslosz's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.5
grcllnn's review against another edition
- Plot- or character-driven? Character
- Diverse cast of characters? No
2.0
towardinfinitybooks's review against another edition
4.0
The novel takes place in 1920 and follows seventeen-year-old Olivia Curtis's preparation for and attendance at her first dance. Beyond that, there's not much of a plot. The novel is divided into three parts. The first part, about 86 pages, details Olivia's birthday, about a week prior to the dance. The second part, 28 pages, describes the evening before the dance, and the remaining 117 pages describe the dance itself.
At first, I thought this was kind of ridiculous. Just a few hours get so many pages? But surprisingly, it works. Olivia has many of the experiences a young girl (or possibly, any self-conscious or socially awkward person) tend to have at parties. She stands nervously at the wall when she realizes she doesn't know anyone. She gets locked into a conversation with a pseudo-intellectual and becomes increasingly confused by his snide remarks about everyone else in the room. She has an embarrassing moment when she leans against a statue and gets soot all over her cheek. She is trapped into dancing and conversing with a slightly sinister older man, and has to be rescued by a friend. Her most satisfactory experience of the night is a conversation about books.
This last section of the book on the dance sparkles with wit and insight. The first two sections contain a glimmer of humor as well but they tend to drag. I found myself counting down the pages in the first half of the book, but reading the third section, I didn't want the book (or the dance) to end. Lehmann is a solid writer, though. I love how she infuses even simple acts with meaning. It will be a pleasure to return to her writing with the sequel, [b:The Weather in the Streets|1768393|The Weather in the Streets (Virago Modern Classics)|Rosamond Lehmann|http://ecx.images-amazon.com/images/I/414zY6XR4kL._SL75_.jpg|1766523] and her other well-loved works.
alice_r_turner's review against another edition
4.0
I really enjoyed some of the witty dialogue and some of olivia’s comic thoughts, and found myself sharing them with whoever was around me at the time of reading (although I am not sure that they enjoyed it quite as much). It felt very much like stepping back into the mind of my younger self, with insecurities and comparisons to siblings.
The characters also fleshed the story out. The details of the characters made up for the lack of plot.
maccymacd's review against another edition
Once I started 'Invitation to the Waltz' I realised what all the fuss was about, and why Lehmann's books are praised so highly.
For Olivia Curtis's 17th birthday in rural England she is given among other things a roll of flame-coloured silk for her very first evening dress. She is about to be presented into the world of waltzes, society and suitors, and she has mixed feelings of trepidation and excitement., tottering on the cusp of becoming a real woman, mixed with wanting to stay safe and warm in her bedroom away from anything that can hurt her. Her brighter, more enthusiastic sister Kate believes the waltz will be a triumph. But who will fail and who will proposer?
I luckily have the sequel to this already in my TBR pile ('The Weather in the Streets') so I am most excited to start it. It is regarded by her grandson as her best work.