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savannnah_reads's review against another edition
dark
mysterious
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
3.75
This was a strange read because I simultaneously enjoyed the way the author describes girlhood and the experiences that seem to transcend location and background, yet I still spent most of this book very ready for it to be over.
The story being written in first-person plural was really interesting. I’ve never read a book that utilizes that style, but it made the narrative more interesting to hear chunks of the plot from the POV of “we” and then swap to individual POVs set in the future. I think it really embodied the experience of being a young girl terrified of standing out in a bad way; just wanting to belong.
You should read this book if you are fascinated by girlhood, repressed memories from childhood/moments from childhood we didn’t understand at the time and are still left wondering about, & tense and slightly manipulative relationships with moms. Oh, and if you enjoyed books like Bunny and Ripe.
//
“Eddie’s torso is a miracle to us. And we don’t even believe in miracles”
“We would not be born out of sweetness. We would be born out of rage.”
“We think of our mothers when we love them the most. Which is always just after we hate them the most”
“Now I think the only way some men know how to love a woman is to humiliate her”
“People seem to see warmth in me, even when I offer none. Maybe if I was thinner, it would be easier. But it seems to me sometimes that a woman with flesh is a woman who must always be grateful. People don’t hesitate around me. I’m always being asked for favors, and causing offense when I say no.”
“Our mothers call us brutes when they want us to feel bad. It is what they call men they do not like, like our dads”
“We felt foul and fatherly and afraid of ourselves. We tried to make ourselves small. We were coiled up, but we were not broken. And we knew our mothers’ idea of goodness was not measured by morals, but by how much noise we made. And we quickly grew tired of trying to be good in their way.”
“Leaving was glorious until I realized there was no one left to talk to about it”
“He looks like someone returning for a dinner they will not have to clean up”
The story being written in first-person plural was really interesting. I’ve never read a book that utilizes that style, but it made the narrative more interesting to hear chunks of the plot from the POV of “we” and then swap to individual POVs set in the future. I think it really embodied the experience of being a young girl terrified of standing out in a bad way; just wanting to belong.
You should read this book if you are fascinated by girlhood, repressed memories from childhood/moments from childhood we didn’t understand at the time and are still left wondering about, & tense and slightly manipulative relationships with moms. Oh, and if you enjoyed books like Bunny and Ripe.
//
“Eddie’s torso is a miracle to us. And we don’t even believe in miracles”
“We would not be born out of sweetness. We would be born out of rage.”
“We think of our mothers when we love them the most. Which is always just after we hate them the most”
“Now I think the only way some men know how to love a woman is to humiliate her”
“People seem to see warmth in me, even when I offer none. Maybe if I was thinner, it would be easier. But it seems to me sometimes that a woman with flesh is a woman who must always be grateful. People don’t hesitate around me. I’m always being asked for favors, and causing offense when I say no.”
“Our mothers call us brutes when they want us to feel bad. It is what they call men they do not like, like our dads”
“We felt foul and fatherly and afraid of ourselves. We tried to make ourselves small. We were coiled up, but we were not broken. And we knew our mothers’ idea of goodness was not measured by morals, but by how much noise we made. And we quickly grew tired of trying to be good in their way.”
“Leaving was glorious until I realized there was no one left to talk to about it”
“He looks like someone returning for a dinner they will not have to clean up”
Content Warnings
Graphic: Toxic friendship, Toxic relationship, Death of parent, Self harm, Suicide attempt, and Bullying
Moderate: Sexual violence, Sexual assault, Fatphobia, Child abuse, and Cursing
bookedbymadeline's review against another edition
dark
mysterious
medium-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? It's complicated
4.0
Immediately intrigued and pulled in! Brutes held my attention even though I didn’t understand it half the time 😅
Switching timelines, told mostly through a group POV (using “we” as it tells the story of the whole group) and the future timelines which feature one chapter from each character in a sort of “where are they now” POV. The novel forms a story of girlhood, jealousy, and loyalty with religious and dark undertones!
This was a quick and captivating read but not as dark as I expected based on the synopsis.
Expected a mystery where we learn what happened but we never really do. I was especially confused by the ending.
Very weird story and confusing but I kind of liked it? Definition of no plot just vibes, which I don’t usually enjoy but the writing and characters held me. I really enjoyed the imagery and lyrical prose!
Content Warnings
Graphic: Blood and Animal death
Moderate: Bullying, Suicide, Sexual assault, and Alcoholism
issyd23's review against another edition
adventurous
challenging
dark
emotional
mysterious
reflective
relaxing
sad
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
2.0
Use of second person voice was compelling, story too slow 2👯♀️
Content Warnings
Graphic: Misogyny, Body shaming, Adult/minor relationship, Bullying, and Sexism
overmonroeville's review
dark
emotional
mysterious
reflective
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Content Warnings
Graphic: Toxic friendship and Bullying
Moderate: Sexual violence
rionstorm's review
dark
emotional
mysterious
sad
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.5
I don't know if I loved this book, but I flew through it because I couldn't look away, like when you see a car crash or something really gross.
The plot is hard to follow and each new thread that seems like it will be the new main direction inevitably gets abandoned for whatever the characters are more fixated on at that moment, with a fickleness that is thematically appropriate. That being said, the author probably introduced more elements than she could realisticslly or satisfyingly pull off.
The two main characters, in my opinion, are the setting of Florida and the amalgamation/superorganism that is The Girls. The sensory descriptions are delicious and disgusting, and the sense of place is overpowering. This feels like a horror about being a teenage girl - everything is grubby and decorated and fascinating and boring and pointless and achingly intensely meaningful. The characters are fixated on being seen and chosen, with the two possible outcomes (achieving this or not) both anticipated as equally nightmarish.
The tension between their vulnerability, longing for tenderness, cruelty, and disgust at any softness or kindness feels sharply accurate to the experience of teenage girlhood - particularly the teenage girlhood of children who have been profoundly traumatised but don't have any way to confront or desk with that reality. The way that the narrators dance around their traumas without making direct eye contact with it, both as an unconscious survival mechanism and as a conscious denial, put words on an experience I'd seen play out among my peers as a teenager, but never identified.
Overall I found this book interesting, if confusing, and enjoyed the uneasy atmosphere it created. Reccomend to people who love gross, cruel, painful, conflicting portrayals of girlhood, to people who love descriptions of rot and bugs and swamps, and to fans of Ethel Cain. Do not reccomend to people who want a solid plot or any conclusions.
The plot is hard to follow and each new thread that seems like it will be the new main direction inevitably gets abandoned for whatever the characters are more fixated on at that moment, with a fickleness that is thematically appropriate. That being said, the author probably introduced more elements than she could realisticslly or satisfyingly pull off.
The two main characters, in my opinion, are the setting of Florida and the amalgamation/superorganism that is The Girls. The sensory descriptions are delicious and disgusting, and the sense of place is overpowering. This feels like a horror about being a teenage girl - everything is grubby and decorated and fascinating and boring and pointless and achingly intensely meaningful. The characters are fixated on being seen and chosen, with the two possible outcomes (achieving this or not) both anticipated as equally nightmarish.
The tension between their vulnerability, longing for tenderness, cruelty, and disgust at any softness or kindness feels sharply accurate to the experience of teenage girlhood - particularly the teenage girlhood of children who have been profoundly traumatised but don't have any way to confront or desk with that reality. The way that the narrators dance around their traumas without making direct eye contact with it, both as an unconscious survival mechanism and as a conscious denial, put words on an experience I'd seen play out among my peers as a teenager, but never identified.
Overall I found this book interesting, if confusing, and enjoyed the uneasy atmosphere it created. Reccomend to people who love gross, cruel, painful, conflicting portrayals of girlhood, to people who love descriptions of rot and bugs and swamps, and to fans of Ethel Cain. Do not reccomend to people who want a solid plot or any conclusions.
Content Warnings
Graphic: Self harm, Sexual assault, Emotional abuse, Pedophilia, Stalking, Toxic friendship, and Violence
Moderate: Fire/Fire injury, Body shaming, Bullying, Death of parent, Injury/Injury detail, and Body horror
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