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3.78 AVERAGE
3.78 AVERAGE
Terrific conclusion
I really enjoyed this series of books. This last book was particularly good. I already regret finishing it so quickly!
I really enjoyed this series of books. This last book was particularly good. I already regret finishing it so quickly!
A nice fitting end for this pretty good Trilogy. It had less "bumps" as the second book in my opinion. Definitely a good read, and a recommend for all who read the first two books and were a bit turned off by the content of the second one.
adventurous
challenging
dark
emotional
funny
hopeful
informative
inspiring
lighthearted
mysterious
sad
tense
slow-paced
Plot or Character Driven:
Plot
Strong character development:
Complicated
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
No
adventurous
dark
hopeful
mysterious
medium-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Complicated
hopeful
inspiring
reflective
slow-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
No
The first book in this trilogy was good, the second was just OK, and this, the third volume, is not so much bad, but just dull.
Perhaps I ought to give this book an ironic score of 4.2 as it does set out a rather nihilistic answer to the question, "What's the meaning of life, the universe, and everything".
Ho, Hum.
Perhaps I ought to give this book an ironic score of 4.2 as it does set out a rather nihilistic answer to the question, "What's the meaning of life, the universe, and everything".
Ho, Hum.
Disclaimer that it's been over a year since I read this... but I struggled a little with the scale at times but continue to really love the things that Reynolds does quite well, with world building and characterization. I appreciate the amount of work to make a novel both standalone and as part of a larger composition.
Pretty heavy read. Far from Reynolds' best work, but has some interesting stuff and was able to carry the weight. I had pretty much forgotten what happened in the previous parts, but that wasn't a huge problem. Reynolds presents interesting philosophical questions here and paints a picture of a curious world. Those new to Reynolds are still better off starting with the Revelation Space books.
Just not sure how I feel about this one yet. Tough entry. I love Reynolds but had a similar reaction to the third book in the Revelation Space books, just left feeling like it was coming from a totally different voice than the earlier two.
It's hit ("House Of Suns", "Diamond Dogs") and miss ("Century Rain") with Mr. Reynolds and unfortunately "Poseidon's Wake" may be his worst novel yet. If I were to summarize this book in one word, it would be "unnecessary".
As Reynolds is one of my favorite authors, I feel obligated to explain my 1-star rating. But where do I even start? There is so much wrong with this book. Let's start with the ideas pitched in this book.
Let me address the literal elephant in the room first. Uplifted elephants... I don't even. I had hoped we'd seen the last of them in "On The Steele Breeze", but they are back, more intelligent than before. The elephants proved to be a good explanation for Geoffrey's reluctance to participate in the family business; a detail, but vital to fleshing out his character. But using them as a main device for explaining why people venture into space and risk their wellbeing and that of their loved ones is simply silly. Silly. And silly is not something you base your book on. Yes, you have made dung, mr. author. I will leave it at that.
Many of the other plot devices aren't exactly novel; actually this book has a severe lack of new ideas. Anyone who has played "Mass Effect" will instantly be able to substitute "Mandala structure" with "Mass Relay" or "Watchkeeper" with "Reaper" (though in all fairness the Watchkeepers were already introduced in the first book). Not to mention the water world "Poseidon" and it's biomass islands seem to be taken from his own books in all but name ("Juggler world" anyone?).
But concepts aren't all that make a good book. Good story telling and character development make a scifi novel enjoyable even if the ideas aren't mind bending.
Unfortunately, Poseidon's Wake lacks in this department as well. The protagonists' personalities are almost as flat as cardboard; making me actually loath some of them. I am looking at you Ru and Goma! While that may be all well and good if the writer intends to make a despicable character, this was clearly not the intended goal with these two. It should come as no surprise that the way the characters' relationships develop are very hard to relate to.
Also, this thing goes on and on. I feel that at least 25% of this book is fluff, just stating the obvious or repeating things already explained. You would almost think the author had a contract to deliver a trilogy with a minimum number of words and after the second book he was running behind schedule.
Looking at the quality of the books, this trilogy is remarkably like The Matrix film trilogy. The first one, "Blue Remembered Earth", is refreshing: introducing a novel, African based, take on the genre. With some reservations, the second one, "On The Steele Breeze", was a solid continuation of the series. The third one, this book, is so bad, it should never have been released in the first place.
As Reynolds is one of my favorite authors, I feel obligated to explain my 1-star rating. But where do I even start? There is so much wrong with this book. Let's start with the ideas pitched in this book.
Let me address the literal elephant in the room first. Uplifted elephants... I don't even. I had hoped we'd seen the last of them in "On The Steele Breeze", but they are back, more intelligent than before. The elephants proved to be a good explanation for Geoffrey's reluctance to participate in the family business; a detail, but vital to fleshing out his character. But using them as a main device for explaining why people venture into space and risk their wellbeing and that of their loved ones is simply silly. Silly. And silly is not something you base your book on. Yes, you have made dung, mr. author. I will leave it at that.
Many of the other plot devices aren't exactly novel; actually this book has a severe lack of new ideas. Anyone who has played "Mass Effect" will instantly be able to substitute "Mandala structure" with "Mass Relay" or "Watchkeeper" with "Reaper" (though in all fairness the Watchkeepers were already introduced in the first book). Not to mention the water world "Poseidon" and it's biomass islands seem to be taken from his own books in all but name ("Juggler world" anyone?).
But concepts aren't all that make a good book. Good story telling and character development make a scifi novel enjoyable even if the ideas aren't mind bending.
Unfortunately, Poseidon's Wake lacks in this department as well. The protagonists' personalities are almost as flat as cardboard; making me actually loath some of them. I am looking at you Ru and Goma! While that may be all well and good if the writer intends to make a despicable character, this was clearly not the intended goal with these two. It should come as no surprise that the way the characters' relationships develop are very hard to relate to.
Also, this thing goes on and on. I feel that at least 25% of this book is fluff, just stating the obvious or repeating things already explained. You would almost think the author had a contract to deliver a trilogy with a minimum number of words and after the second book he was running behind schedule.
Looking at the quality of the books, this trilogy is remarkably like The Matrix film trilogy. The first one, "Blue Remembered Earth", is refreshing: introducing a novel, African based, take on the genre. With some reservations, the second one, "On The Steele Breeze", was a solid continuation of the series. The third one, this book, is so bad, it should never have been released in the first place.