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halfbloodprincess_hogwarts's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
5.0
To be in honest, I did not give this much thought in the beginning. My love of witchy woo things and seeing readers on insta rave about this title peeked my interest. So I placed a hold on it at my library and forgot about it. Now, I am so happy past me did this as I'm on my second round of listening to it. Now I'm kinda bummed missing out on Fairyloot's special edition of this book and hope to get a copy in the future.
I adore Mina Moon's character along with the entire cast. Later discovering it contains "found family" made my heart swell and love TVSSOIW even more🥰 mixed with a bit of romance was the frosting on top of this magical cake
Graphic: Death, Emotional abuse, Grief, Abandonment, and Injury/Injury detail
amandas_bookshelf's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Graphic: Grief and Abandonment
Moderate: Death, Sexual content, and Death of parent
Minor: Bullying, Emotional abuse, and Physical abuse
booksthatburn's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
The setting is almost real-world England, but where magic and witches are real while the rest of history seems to have been unaffected. Mika was born in India but was taken to England by Primrose after her mother died (all witches are orphaned soon after birth due to a spell that went wrong sometime in the past). There are various themes of bigotry, marginalization, and even colonialism which are invoked by the characters, but only the magical counterpart is specifically explored. Since a lot of heavy lifting for the worldbuilding is implied by the contemporary setting and setting most of the book at Nowhere House, this has the room to focus mainly on characterization.
Ian is a retired actor who resides at Nowhere House with Ken, his husband and the house's gardener. Lucie is the housekeeper, and Jamie is the grumpy and protective librarian who originally came to the house as a teenager. The children (Altamira, Terracotta, and Rosetta) are very young witches who were adopted by the house's absent owner, Lillian, a witch and archeologist. Ian finds Mika online and invites her to stay at the house for several months and teach the children to control their magic. Mika, who has led a very lonely life due to her former guardian's ideas about witches and the dangers of spending time with one another, agrees to stay but keeps feeling a bit on the outside.
The story is generally heartwarming, focusing on Mika's interactions with the inhabitants of the house. Jamie is grumpy in a way that's initially annoying to Mika but which starts being a bit sexy as she gets to know him better. Mika was invited to the house because there's going to be a visit from Lillian's lawyer and they need the children's magic to be under control (or at least hidden) during the event. They haven't been able to get in touch with Lillian, and none of the other adults are magical, so they have to hope that Mika can help them.
This was fluffier than I usually like, but I ended up enjoying it (especially once Jamie and Mika start really talking). The late-book twist was handled very well and led to some of my favorite scenes in the whole thing.
Graphic: Sexual content
Moderate: Confinement, Cursing, Kidnapping, Grief, and Alcohol
Minor: Animal death, Child abuse, Death, Domestic abuse, Emotional abuse, Homophobia, Mental illness, Physical abuse, Racism, Toxic relationship, Violence, Xenophobia, Blood, Medical content, Death of parent, Pregnancy, Fire/Fire injury, and Classism
kaitlinlovesbooks's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Moderate: Alcoholism, Death, and Grief
Minor: Death of parent
lizgriffinwords's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
I sticky-tabbed so many times where Mika’s loneliness resonated deep in my soul. And grumpy heart-of-gold Jaime is just the perfect man.
The ending was satisfying even though I’d sleuthed out part of the big twist.
Highly recommend for an intrinsically diverse, clever, fantasy romance.
Moderate: Abandonment
Minor: Sexual content and Grief
theespressoedition's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
A little disclaimer: I'm not someone who typically enjoys the most hyped books--especially contemporary romances. Usually, I wind up disappointed that I've even read them at all, and sometimes I even go so far as to resent the internet for hyping them up when it feels so unnecessary.
PSA: The Very Secret Society of Irregular Witches deserves every ounce of hype it has received. Hopefully, that says a lot considering the information that I just provided about my reading tastes.
I gave this one a shot with the lowest of the low expectations. I figured I might like it. Maybe I'd give it 3 stars if it was even semi-decent. Instead, I read it all in one sitting and loved every second of it!
The concept is pretty simple. A witch without a family is welcomed into a somewhat mismatched and unusual "family" in need of a witch. Emotions are high, hijinks ensue, and both parties are forced to make adjustments to the way they live and view the world. It's found family at its absolute finest.
Now, I've seen plenty of people compare this book to The House in the Cerulean Sea. While I would agree with some elements resembling one another, this felt different to me for some reason. THITCS actually made me slightly uncomfortable while I read it (sadly) but TVSSOIW brought great coziness and peace. I can see it becoming a comfort reread for sure! There was less innuendo (though some sexual content was in the book), the children were much more likable, and I never felt confused as to which age group it was intended for. It was a wholesome adult novel with lots of great vibes.
This was the last book I read in October, and while I wouldn't say that it absolutely blew me away or became my favorite book of all time, I did thoroughly enjoy it and I can see myself reading it again each year during this time!
Graphic: Death of parent and Abandonment
Moderate: Sexual content and Grief
takarakei's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
I really saw the witches “needing” to stay separated from each other to avoid their power becoming “too strong” as a metaphor for systems of oppression keeping people out of community in order to maintain their control.
3/5 🌶️
Graphic: Sexual content, Grief, and Abandonment
Moderate: Death, Physical abuse, and Alcohol
Minor: Death of parent
Abusive siblings, isolation/abandonment of child resulting in childhood traumasdupont's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Graphic: Abandonment
Moderate: Child abuse, Grief, and Death of parent
Minor: Homophobia and Racism
lexa's review against another edition
5.0
Graphic: Death of parent and Abandonment
Moderate: Sexual content
Minor: Child abuse, Homophobia, Racism, and Grief
womanwill's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Grief and Death of parent
Moderate: Abandonment