Reviews tagging 'Hate crime'

The Future of Another Timeline by Annalee Newitz

9 reviews

allisonplus's review against another edition

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challenging informative mysterious medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0


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alsoapples's review

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adventurous inspiring mysterious medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0


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rafaelsampaio's review against another edition

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adventurous dark hopeful informative reflective medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.5


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thesawyerbean's review against another edition

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adventurous challenging informative inspiring reflective medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

4.25

This was a very enjoyable read. The research done for this novel was insane: the character, setting and plot writing were incredible. I loved the alternating points of view and the interweaving timelines, and the stakes were real, tangible and exhilarating. The effortless inclusion of diverse ethnicities and queer identities was fantastic to read too.

However, where this book falls short is I’m not sure the vision of the fundamental aspect, the time travel and its mechanics, were as defined and clear as they should have been. I did have to suspend belief and go along with it at certain points because it did seem like they flouted their own predefined rules in order for the plot to continue. By the end, although it was satisfying and a satisfactory end, there were still so many questions left unanswered - the characters and I were both left asking ‘who knows?’. In certain ways it made it more convoluted than it already was trying to justify some of the plot points.

Overall this book was good and definitely worth a read. A powerful feminist sci-fi novel, full of historical context and loveable characters, with an overarching plot-line we can all feel impassioned about.

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aardwyrm's review

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adventurous challenging dark hopeful mysterious tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0

Oof. So it's nothing against the book, but it's a weird time to read this one (July of 22).
The bit where they discuss shock at the idea of abortions being illegal in 2022 is a doozy.
It's not a flaw of the text, but of the moment, which is sort of the point of the text, so bravo, really. 

The book does a good job of juggling time travel and changing realities, slipping in needful details and surprises. Plot is really its strongest point. There's some occasional clunky dialogue; character speak out loud the same way they internally monologue, and infodump their emotions once in a while. But the worst this'll do is throw you out of the text a minute. It's an intensely, deliberately political book, which may not be everyone's choice, but it's an effective, well balanced time thriller, too.

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qu1nn's review

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adventurous challenging emotional inspiring medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

5.0


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courtneyfalling's review

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dark mysterious fast-paced
  • Plot- or character-driven? Plot
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? It's complicated

3.5

Okay, this book was a wild trip. I was so enamored by the concept: I heard about it in a BookTube video and picked up a copy from my library literally the next day. But by and large while reading, I was unsure how to feel. I was pulled in even as I was kept at arms' length. I had so many swirling reactions.

Biggest piece of advice: Read the content warnings

Specific notes:
  • I really like Beth's character. I felt so personally drawn to her, to how she reacted to trauma and how she imagined her future.
    This was one of the most real and harrowing descriptions of a volatile father I've ever seen, and as someone who shares a lot of those experiences with Beth, I did have to pause after many of her chapters and take a breath. I do like where her story ended up, but definitely very heavy.
  • I did not see that twist coming, holy shit! Just had to totally reassess how I had viewed Tess's backstory up to that point. But it was pulled off pretty well and set up the ending.
  • I do like how Tess's story ended up, but for most of the novel, she just frustrated me. She's terrible at taking the information she's learned while traveling and actually incorporating it into her actions at all.
    The scene where she goes to the Lady Managers to set up a cultural tea is so cringy. Why would she just expect sudden sisterhood? It's so historically unbased and represents a real lack of intersectional feminist awareness at her core, beyond the right terms or basic frameworks, at a real fundamental and personal level. Also, when she first shows up to the Expo, she immediately fucks up and tells Aseel her whole, half-baked plan. You're telling me she's traveled so much and become so important and well-known across history with absolutely zero social awareness or cover-up skills? I didn't believe how blank she was.
  • Morehshin's character comes in really suddenly and we never get to learn much about her. I honestly could've done without her... she felt too thrown in without the proper context setting.
  • I wanted more murder. There's a lot of time spent feeling guilty about violence or theorizing about how violence is never truly justified, but the book fails to truly back up why violence doesn't work or why it's overshadowed by its immorality, especially for the first half of the book while establishing how Tess doesn't use violence.
    I'm honestly glad Tess ended up returning to her roots as a killer; at that point even the unequivocal embrace of bloodthirsty killing felt better than the moralistic anti-violence line that took over so much of the book.
  • Upon meeting one of the world's crappiest, most one-dimensional villains, Tess notes how his birth year, 2379, makes him "a contemporary of Berenice's killer." But that chapter where we briefly meet Berenice's would-be killer is from Enid's perspective, and Enid never fully shares what happened when she gets back to 2022. It actually seemed like she was purposefully not mentioning how futuristic these villains truly were. So how does Tess know, and why is it such a minor deal to her that it's only coming up now? Bad communication-related plot hole.
  • I feel like this book's feminism often tried to rope in trans women and nonbinary folks without fully, fundamentally rethinking its concepts of "feminine" bodies and power. There were some scenes about the Divine Feminine that strayed a little toward bioessentialist, and a lot of the book focused on reproductive rights (and specifically reproductive rights, not reproductive justice). Which is extra frustrating because the author is nonbinary! And I really wanted these issues to be handled with a little more nuance and centering of trans women and nonbinary folks specifically. 
  • Beyond a few jokes about the elaborate hell that is tenure review, this book doesn't really unpack how its characters navigate their status within a university even as they try to adapt and subvert how they're using their funding. At points, it sets up university education as a site of automatic and only forward progress, like access to the university is the main issue, not the deeper power dynamics of economic authority, institutional and cultural sway, knowledge definition, and land and resource theft that universities bank on. 

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kindaokbean's review

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adventurous emotional funny tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

5.0


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lunarlibra's review

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adventurous dark hopeful medium-paced
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.5

There were a lot of things I really liked about this book. The sci part of this sci-fi was really fun for me, even with no background in geology! I love the storytelling method of using different perspectives and jumping around in time, and it's extra cool when they're time travelling as well. I appreciated that the cast of characters were racially and gender diverse (there are a couple trans characters, including one nonbinary person).
There is a really strong overtone of "violence is never the answer" for a lot of the book that almost made me put it down, but the rest of the story made me glad I didn't!
I still enjoyed the story, which has major themes of reproductive justice and the importance of collective action. I would recommend it to some people!

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