Reviews tagging 'Car accident'

The Dictionary of Lost Words by Pip Williams

9 reviews

hematthews's review against another edition

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emotional inspiring reflective tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? No

4.25


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waytoomanybooks's review against another edition

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emotional informative reflective sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

3.0

The premise of the book is what initially drew my attention and captured my interest. As someone who was once a curious, inquisitive girl with a love of books and a large vocabulary, I fell in love with Esme and her work. (I’m now an adult with the same love of books and a hunger for information.) That being said, the book loses steam about halfway through, which is why it took me a while to finish it. Nothing was happening, narratively or emotionally, with the characters, so I lost interest. The final third of the novel truly drags, and the author seems to have lost steam because
she pretty much kills everyone off and makes a sixty year time jump with little context
. It’s not a bad book, but it’s not a strongly written one either. I would suggest that you only read as far as page 247 (the chapter titled December 1912). It drops off after that.

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tiannamaher's review against another edition

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challenging emotional inspiring reflective medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? No

4.75

This book is such a great representation of how words mean different things to everyone. I found it moved a little slow at parts but the plot overall is so good. Towards the end I felt all the emotions and the ending is beautiful. 

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katievallin's review against another edition

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emotional informative reflective sad slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? No

5.0


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sargasso_c's review

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emotional informative inspiring reflective sad slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? No

3.75


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thumbeleia's review against another edition

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adventurous challenging emotional hopeful informative inspiring reflective sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? No

5.0


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mckiheather's review against another edition

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emotional reflective slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.0

The Dictionary of Lost Words was a nice storyline, just slow in parts. The main character, Esme, was a very curious and intelligent character who reminded me of Liesel from The Book Thief in her independence and love for words, especially neglected words. This, and the chance to see how Esme changed over time through the words she collected, gave the book a unique voice and style that I enjoyed.

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mattiedancer's review against another edition

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hopeful sad slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

5.0

Writing: 5⭐️/5 
Genuinely some of the most beautiful writing I’ve read in a bit. Part of the reason the writing felt so gorgeous was definitely the focus on words and their definitions, and yet a lot of the writing was thoroughly developed in a way that did much to show without telling. While being slow-paced, I never felt bored or confused. 

Characters: 5⭐️/5
While I didn’t love every character, they all felt real. People who annoyed our MC, Esme, weren’t forced to annoy us in contrived ways. Instead, their characters grated against hers in a natural way. Characters who our MC loved were given consistent personalities and were thrown into situations in which they were required to react. 

Plot: 5⭐️/5 
It’s a simple story: a young girl grows up watching her father help build the dictionary and chooses that life for herself. And yet, the depth in which Williams is able to apply other themes and subplots into such a simple story is masterfully done. The inclusion of the rise of feminism, the faults of new movements, the coming-of-age aspects from a woman’s perspective, and the harsh realities of life and death were adeptly handled.  

Post-Reading Rating:  5⭐️/5
Oh, how sad and wonderful. 

Who Should Read This? 
  • Fans of historical fiction
  • Word-lovers and feminists
  • Those looking for a slow coming-of-age story that evolves into a story about life in general


CW: Pregnancy, adoption, death, war, violence, trauma, abuse, misogyny, classism 

Final Rating: 5⭐️/5

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ntvenessa's review against another edition

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emotional medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? No

2.5

I detested the first half, and then found it adequate by the end. I think the historical account and critique of dictionary making was done sufficiently, although without revelation beyond what is already broadly agreed in linguistics (although I am biased as I am linguistically trained, and perhaps these are not moot points to someone who is not). Ultimately I think its integration with a fictionalised story was its downfall. It simply wasn't convincing, and the tone was jarring. Especially when the author is writing from the first person voice of a child in 19th century England through the lens of a 21st century feminist moralist (but who am I to judge what a 19th century English child would sound like). To some extent you have to suspend your disbelief when reading historical fiction, but there is a fine line and too often events seemed to me too far fetched, too convenient, too formulaic. Bar one turn of events, the plot was rather too convenient. The writing was inelegant. It was not immersive. It is a sign of a clumsy novel when you can anticipate the plot devices as they come. It's like watching a rehearsal as opposed to opening night. I often felt that the crux of what needed to be said could have been compressed -- this is a novel written without economy of language and this I think is to its detriment. While it dilutes what I imagine to be points the author makes (and valid ones at that), I suppose it does also make the writing more accessible. All things said the latter half of the novel hit a chord, not for its storytelling but for its subject matter, which may also mean something to you, if you have ever
grieved
. Maybe this book just wasn't for me, but maybe it's for you?

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