Reviews tagging 'Sexual assault'

Disorientation by Elaine Hsieh Chou

10 reviews

slimyfan's review

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emotional funny reflective tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.5

I really enjoyed reading this: a protagonist that makes you cringe as much as you root for her. No character is spared the ruthless blade of the Hsieh Chou's satire, which though sometimes a little on the nose, is funny enough to balance the mounting stress I felt as the mystery unfolded. It attempts to cover a huge range of themes, and doesn't in my opinion land on any particular side, which I consider a strength - the trappings and realistic difficulty of navigating the world as a person vulnerable to those who are systematically privileged. My favourite parts were those that dealt with the struggles between truth and narrative.

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scarroll178's review

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emotional reflective medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.5

Not what I was expecting. The book is more campy than dark or mysterious. All the characters are stereotypical and one dimensional, including the MC. Idk, if you like satire, go ahead and give this one a try. 

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secunda's review

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challenging emotional funny informative tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.75

This is one of the best fiction books I’ve read this year. I think the primary audience of course is well-educated Asian women, but I think anyone can enjoy this book. It’s a fantastic skewering of white-dominated Asian studies departments, unstrategic student activism, and grad school. 

I was also confused for most of the book regarding the arc with the white fiancé, but I think the ending of the book more or less sorted it out when Ingrid leaves Stephen not necessarily for his Asian fetish, but because she doesn’t like him as a person. As an Asian woman who is currently dating a white man (and so faced similar questions to the ones Ingrid confronts), I find interrogating your own dating preferences over and over to be counterproductive to your ultimate happiness, so I feel that arc went on a little longer than I liked.

  

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frankiedoodle's review

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dark funny tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.0

I picked up this book because I loved Yellowface by RF Kuang and Disorientation was suggested to me as a similar book. It was strikingly similar (both in subject matter and writing style), but I'm not sure that having that comparison at the front of my mind as I read set Disorientation up for success. While both books use satire and absurdism to deliver a message about anti-Asian racism and the model minority myth, I found Yellowface to be slightly more subtle and fun to read. It's always a tall, somewhat unfair task for a book to be immediately and directly competing with one of your favorites, so feel free to take this review with a grain of salt. 

This book had a lot to say about identity, academia, and the way that White Supremacy subconsciously infiltrates all of our senses of self, but I didn't feel super trusted as a reader to pick up on that message. Most of this book's more thoughtful points get delivered through lectures and op-ed style blocks of text (sometimes literally coming in the form of op-ed articles written by one of the academic characters), and it made the pacing drag quite a bit. I appreciated and even learned a lot from the points this book had to make, I just wished that maybe we had gotten the chance to find our way to those points through the plot, been shown more and told less.

Every single character in this book fits neatly and completely into a trope. I couldn't decide whether I liked that or not, honestly. I think it was an intentional choice...Disorientation reads as parody, it exists in a world where, by the end, everyone has dropped any inhibition or pretense. Everyone is always at every turn saying the quiet part out loud. On the other hand, existing in the head of an unreliable narrator who's doing outrageous things gets a little less enjoyable when NOBODY in this literary universe is any more reliable or any less outrageous. I guess I was just expecting a little more grounding and had to work to suspend my disbelief as I caught up with what kind of book this was going to be.

Ingrid's visceral journey to find herself and her voice was evocative and fulfilling, and I think will likely hold a lot of validation for AAPI individuals or those in academia. It might have been a little bit on the nose about it all, but overall I found it a very ambitious and creative undertaking and I enjoyed it.

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frankieclc's review against another edition

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4.0

There were descriptions in this book where it made me shiver because it felt too real, "I know that character, I've met them" kinda vibes. 

Went a lil off the rail in places and that's the only reason it wasn't a 5, the conversations made were incredible 

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ilychristinalauren's review

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emotional funny inspiring lighthearted mysterious reflective medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0


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smute's review

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adventurous emotional funny hopeful inspiring mysterious tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.5


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k_aro's review

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challenging emotional funny hopeful inspiring reflective medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0

On the level of how articulately and beautifully this book manages to encapsulate so many disparate Asian-American experiences, it really deserves the biggest props.

Unfortunately, as an Asian-Canadian... I wish I could say this (that is to say, any of the bigotry) was shocking to me. It's really rewarding to watch Ingrid grow both not only as someone who can articulate her own desires but also come to terms with the oppressions she faces now and perpetuated when she was younger (and at points in the book!). I do have to say, the first... third? Is truly frustrating as someone who had to grow up and grow through these feelings myself.

I mean, half the time I feel like I'm staring at a mirror of myself. There really is something about how immigrant narratives are so often circular in nature.

However, the other thing that Disorientation should get props for is how it manages to express that every single person has at least one little piece of the puzzle, even if they're pretty horrible in other ways. Take, for example, Alex, who really does understand the fetishization of Asian women - but is also an MRA/appropriates Black culture. He only understands it through this very myopic lens (at first), but he really does get it. And, for how it sympathizes with Ingrid for her desire to close her eyes and just go along with it, because it is easier than anything else.

I have some... weird feelings about how Vivian Vo and the POC Caucus are talked about - I don't think Chou is always wrong about it, mind, I just think certain framings are a bit weird given the overall story's conclusion.

That said, it refuses to excuses both the institutions and the people who perpetuate them. For John (the true identity of the elusive poet Ingrid agonizes over), Ingrid is possibly (or possibly not!) tricked into sympathizing with him, but when it is revealed he really is a fucking scumbag (and he is!), Ingrid has no qualms in her irritation and hatred with him.

I also appreciate the perpetuation of the system, even if it isn't the "happy ending" I may have wanted. There's an article that for the life of me I cannot find, but it talks about how Babel (by R. F. Kuang) and Portrait of a Thief (by Grace D. Li) try and deconstruct academia, but still have their main characters assume academia as the inherent natural high point they work to, with Kuang and Li alike hailing from T10 schools. Even beyond not attending a T10, Ingrid's decision to move out of academia is interesting.

That said, I'm not sure how I feel about the ending. Everyone seems to consolidate their opinions - not a bad thing! - but it does come very quickly.

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sydneybedell's review

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challenging funny reflective medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0


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emmaevns's review

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adventurous funny mysterious reflective tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0


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