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clarabooksit's review
adventurous
dark
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Content Warnings
Graphic: Blood, Murder, Bullying, Injury/Injury detail, Grief, Self harm, Emotional abuse, Violence, Toxic relationship, Death, Chronic illness, Body horror, Child abuse, and Abandonment
Moderate: Torture, Mental illness, Classism, Kidnapping, and Animal death
minervacerridwen's review against another edition
adventurous
challenging
dark
emotional
funny
hopeful
inspiring
relaxing
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
4.5
How to start reviewing the ride I've just been on?
From the opening letter, I was hooked by the story. Events immediately took off, and meeting Nita, the tension between the sisters was immediately palpable, even as a lot of information about the characters was being shared. The pacing was inconsistent - suddenly it skipped seven years, and I had to recover from the time jump as if it had been my first ride in a TARDIS. Only to be dragged along with just as much enthusiasm into the next part, and the next, never knowing what the destination might be, but fully absorbed in the journey.
I adore so many different aspects of this book. The writing style! The footnotes (and the way the typesetting was somehow so cleverly done that reading them never made me get lost in the original sentence)! The cover! The poetry! The worldbuilding! And most of all: the main character, Lanie! It's such a breath of fresh air to have such a positive main character, without it ever feeling fake. Every other emotion is welcomed and even explored, but the way Lanie looks around herself in the world and LOVES made me want to read about her forever.Also, the slow-burn relationship between her and Canon Lir is described so beautifully courteously that even I, aromantic ace as I am, swooned.
There was a lot of description and background information, but to me it stayed just on this side of balanced, enriching the worldbuilding. At many times Saint Death's Daughter felt like the book equivalent of a pastry, or a whole bag of them. Sweet, layered, with a hidden core of sharp citrus tartness every now and then. Covered with a suspiciously blood red mirror glaze and sprinkled with crushed skeleton flakes. (As you may notice, it is also one of those books that makes me confirm my love for language and stories and books in general, and renews my inspiration and will to write.)
I marked a lot of content warnings (and possibly even missed some), as this is a story of someone born in a family of assassins and torturers, in a world with a history of war and hate against neighbouring nations - but much more importantly, I do want to mention that in spite of all that, an incredible amount of kindness is shown throughout the story. It's about death, but it's also bright and colourful, inspiring and hopeful. I look forward to the sequel.
From the opening letter, I was hooked by the story. Events immediately took off, and meeting Nita, the tension between the sisters was immediately palpable, even as a lot of information about the characters was being shared. The pacing was inconsistent - suddenly it skipped seven years, and I had to recover from the time jump as if it had been my first ride in a TARDIS. Only to be dragged along with just as much enthusiasm into the next part, and the next, never knowing what the destination might be, but fully absorbed in the journey.
I adore so many different aspects of this book. The writing style! The footnotes (and the way the typesetting was somehow so cleverly done that reading them never made me get lost in the original sentence)! The cover! The poetry! The worldbuilding! And most of all: the main character, Lanie! It's such a breath of fresh air to have such a positive main character, without it ever feeling fake. Every other emotion is welcomed and even explored, but the way Lanie looks around herself in the world and LOVES made me want to read about her forever.
There was a lot of description and background information, but to me it stayed just on this side of balanced, enriching the worldbuilding. At many times Saint Death's Daughter felt like the book equivalent of a pastry, or a whole bag of them. Sweet, layered, with a hidden core of sharp citrus tartness every now and then. Covered with a suspiciously blood red mirror glaze and sprinkled with crushed skeleton flakes. (As you may notice, it is also one of those books that makes me confirm my love for language and stories and books in general, and renews my inspiration and will to write.)
I marked a lot of content warnings (and possibly even missed some), as this is a story of someone born in a family of assassins and torturers, in a world with a history of war and hate against neighbouring nations - but much more importantly, I do want to mention that in spite of all that, an incredible amount of kindness is shown throughout the story. It's about death, but it's also bright and colourful, inspiring and hopeful. I look forward to the sequel.
Content Warnings
Moderate: Death of parent, War, Fire/Fire injury, Child abuse, Death, Self harm, Suicide attempt, Murder, Animal cruelty, Blood, Gore, Grief, Body horror, Injury/Injury detail, Emotional abuse, Torture, Violence, Vomit, and Gaslighting
smileyblue's review against another edition
adventurous
dark
emotional
hopeful
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Within twenty pages, I fell in love with Miscellaneous ("Lanie") Stones and was entranced by the world that CSE Cooney had crafted. In sharp contrast with gothic, edgy tone adopted by other books with necromancer main characters, the energy of Saint Death's Daughter was bright, loving, and hopeful. The author's prose, reminiscent of parlor room period novels, held down the wondering tone throughout.
I was impressed by how deeply character-driven the plot was given that "new" magical properties are introduced at intervals. Despite some involvement of the world's twelve gods, at no point did it ever feel nauseatingly deus-ex-machina. Character deaths, too, felt in line with the story, not chosen to pluck at the reader's heartstrings.For example, after being so horrible to Lanie, Nita's gruesome death struck me as cathartic in a Roald Dahl sort of way.
All this praise aside, I found myself hungering for more of the first part of the book. In some ways, it felt like the heart of the story was with fifteen-year-old Lanie. Cooney's voice truly sparkled off the page when working with young Lanie's voice, reminding me of the whimsy of Terry Pratchett's Discworld. Perhaps this glittering nostalgia helped underpin the pain and nostalgia of the later portions of the book, but I wished to have had a bit more.
I was impressed by how deeply character-driven the plot was given that "new" magical properties are introduced at intervals. Despite some involvement of the world's twelve gods, at no point did it ever feel nauseatingly deus-ex-machina. Character deaths, too, felt in line with the story, not chosen to pluck at the reader's heartstrings.
All this praise aside, I found myself hungering for more of the first part of the book. In some ways, it felt like the heart of the story was with fifteen-year-old Lanie. Cooney's voice truly sparkled off the page when working with young Lanie's voice, reminding me of the whimsy of Terry Pratchett's Discworld. Perhaps this glittering nostalgia helped underpin the pain and nostalgia of the later portions of the book, but I wished to have had a bit more.
Content Warnings
Graphic: Violence, Blood, Bullying, Child abuse, Death of parent, Injury/Injury detail, Animal death, Chronic illness, Gore, Grief, Mental illness, Body horror, Confinement, Emotional abuse, Murder, Self harm, Animal cruelty, Death, Physical abuse, and Torture
Moderate: Drug use, Kidnapping, and Alcohol
kbhenrickson's review against another edition
adventurous
dark
funny
hopeful
mysterious
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
There was a lot that I liked in this book - the main character and how she pushes back against tradition to be herself, the world and its gods and rituals, and that events that seemed predictable mostly turned out not as I expected. It was very long, though, and it frustrates me when a character keeps refusing the help you know they need (though I think that is also a very human thing to do). I like that the ending felt complete but there is also the possibility for a second book.
Content Warnings
Graphic: Death and Murder
Moderate: Emotional abuse
millibear's review against another edition
adventurous
dark
hopeful
medium-paced
- Plot- or character-driven? A mix
- Loveable characters? Yes
- Diverse cast of characters? Yes
5.0
How to put this. If something makes me draw fanart, I suppose I simply must stan, lmao. I don't feel like I can give a well-constructed review here--I just want people to read this!!
Certainly the middle drags some as the characters are themselves at a loss at how to proceed during that period, but I felt like it was worth getting through as we got to see them learn to live with each other.
This book's got a young woman coming into her own power, grappling with her family legacy, and staring down certain war as an obsessed monarch tries to take apart the family she's created--all in here. A whimsical fantasy with veins of weirdness, and a really fun read.
I do love Laniebecoming the greatest necromancer the country's seen in centuries and taking that power to right the wrongs of her family at her beloved goddess's command. Is it her fault her family have been horrors for generations? No. But she still benefits from her family's legacy, and she's committed to balancing things out. A streak of nobility I can admire, and would love to see further acted on in future books.
Also, Bran Fiakhna's whole obsession with Lanie? Chef's kiss. We love that gay shit. And do not get me started on gyrgardon/gyrveard. Insane. If I think too hard about "I will have thee or I will have no one" I'll lose it.
A surprising amount of feet stuff, though, lmao.
Certainly the middle drags some as the characters are themselves at a loss at how to proceed during that period, but I felt like it was worth getting through as we got to see them learn to live with each other.
This book's got a young woman coming into her own power, grappling with her family legacy, and staring down certain war as an obsessed monarch tries to take apart the family she's created--all in here. A whimsical fantasy with veins of weirdness, and a really fun read.
I do love Lanie
Also, Bran Fiakhna's whole obsession with Lanie? Chef's kiss. We love that gay shit. And do not get me started on gyrgardon/gyrveard. Insane. If I think too hard about "I will have thee or I will have no one" I'll lose it.
A surprising amount of feet stuff, though, lmao.
Content Warnings
Graphic: Death and Death of parent
Moderate: Child abuse, Body horror, and Emotional abuse
5aru's review against another edition
adventurous
challenging
lighthearted
slow-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
3.25
This book is delightfully written; it plays with language exceedingly well, and weaves complex worldbuilding without often resorting to information dumps. However, at about the halfway point, it began to drag on. Though many of the scenes delving into the characters relationships were welcome, some of them felt too much like filler, particularly later in the book. Eventually, it started to feel far too long for the story it was telling, like too many loops were necessary to develop the plot. I enjoyed the first half immensely, but ended up feeling a little disappointed in it after all.
Content Warnings
Graphic: Death, Murder, and Violence
Moderate: Emotional abuse and Domestic abuse
aardwyrm's review against another edition
adventurous
dark
emotional
funny
lighthearted
mysterious
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Cooney's prose is rich on the scale of croquembouche and should be treated accordingly. The prose and general structure walk a tightrope that passes over twee and saccharine, and there are occasional stumbles, but the overall effect is worth it. The book is the epitome of "no plot, just vibes" for nigh on 500 pages despite having a few vague throughlines. The feeling of being a fourteen year old goth listening to The Black Parade just before falling asleep. There aren't characters so much as beautiful paper dolls with clever joints being puppeted across a stage made of pitch-black cotton candy.
Content Warnings
Graphic: Bullying, Child death, Confinement, Domestic abuse, Emotional abuse, Fire/Fire injury, Gaslighting, Physical abuse, Suicidal thoughts, Torture, Toxic relationship, Ableism, Blood, Cultural appropriation, Death, Death of parent, Gore, Abandonment, Body horror, Self harm, Injury/Injury detail, Sexual violence, Suicide attempt, Xenophobia, Alcohol, Animal death, Child abuse, Grief, Murder, Violence, and War
rcsreads's review against another edition
Everything had a silly name and it added to the writers struggle to world build without just a dull information dump. It has potential but needed some heavy editing.
Plus 635 pages for part one of a trilogy is too long unless you're Robin Hobb!
Plus 635 pages for part one of a trilogy is too long unless you're Robin Hobb!
Content Warnings
Graphic: Body horror and Blood
Moderate: Injury/Injury detail, Torture, Suicide attempt, Violence, and Kidnapping
Minor: Domestic abuse, Emotional abuse, Death, and Death of parent
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