Reviews tagging 'Alcohol'

Saint Death's Daughter by C.S.E. Cooney

2 reviews

smileyblue's review against another edition

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adventurous dark emotional hopeful tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0

Within twenty pages, I fell in love with Miscellaneous ("Lanie") Stones and was entranced by the world that CSE Cooney had crafted. In sharp contrast with gothic, edgy tone adopted by other books with necromancer main characters, the energy of Saint Death's Daughter was bright, loving, and hopeful. The author's prose, reminiscent of parlor room period novels, held down the wondering tone throughout. 

I was impressed by how deeply character-driven the plot was given that "new" magical properties are introduced at intervals. Despite some involvement of the world's twelve gods, at no point did it ever feel nauseatingly deus-ex-machina. Character deaths, too, felt in line with the story, not chosen to pluck at the reader's heartstrings.
For example, after being so horrible to Lanie, Nita's gruesome death struck me as cathartic in a Roald Dahl sort of way.


All this praise aside, I found myself hungering for more of the first part of the book. In some ways, it felt like the heart of the story was with fifteen-year-old Lanie. Cooney's voice truly sparkled off the page when working with young Lanie's voice, reminding me of the whimsy of Terry Pratchett's Discworld. Perhaps this glittering nostalgia helped underpin the pain and nostalgia of the later portions of the book, but I wished to have had a bit more.

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aardwyrm's review against another edition

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adventurous dark emotional funny lighthearted mysterious slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0

Cooney's prose is rich on the scale of croquembouche and should be treated accordingly. The prose and general structure walk a tightrope that passes over twee and saccharine, and there are occasional stumbles, but the overall effect is worth it. The book is the epitome of "no plot, just vibes" for nigh on 500 pages despite having a few vague throughlines. The feeling of being a fourteen year old goth listening to The Black Parade just before falling asleep. There aren't characters so much as beautiful paper dolls with clever joints being puppeted across a stage made of pitch-black cotton candy.

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