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nreyno's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Flaws of characters a main focus? Yes
3.75
Moderate: Confinement, Death, Racism, Torture, Xenophobia, Islamophobia, Trafficking, War, and Deportation
racbuckallew's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
Moderate: Confinement, Grief, and Deportation
Minor: Rape, Sexual content, and Violence
carlytenille's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.0
Graphic: Cancer, Confinement, Cursing, Death, Racial slurs, Forced institutionalization, Excrement, Grief, Colonisation, and Deportation
maggiefae's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
Graphic: Confinement and Racism
Moderate: Suicide attempt
kglas's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
1) It's definitely best to read the seasonal quartet in the order im which the books were published: autumn - winter - spring - summer. Even though there are new characters at the heart of each novel, it is such a delight to re-encounter some loveable ones in more than one of them. Especially, half of the fun of reading Summer at the end is recognising the characters and stories from previous seasons.
2) I read Autumn twice. I finished it and realised that for understanding more deeply I needed to read it again , and that was fully worth it. I may also re-read some of the quartet at some point and I am sure I'll keep discovering connections and passages that I haven't realised so far.
3) I regularly checked out the references to artists and other writers, looking at their work online. That made the reading experience more complete and made me get to know some exciting works of art I'd had no idea about before reading these books.
To sum up, I adore Ali Smith's masterful writing style, her wordplay, the topics she picks up (female art, migration, the Brexit, climate change, COVID 19, activism, ...) and the loving, caring characters she has created.
A must-read for anyone who loves good and sometimes complex novels.
Moderate: Confinement, Death, Xenophobia, Grief, and Suicide attempt
megsotto's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Confinement, Physical abuse, Terminal illness, Xenophobia, Grief, Suicide attempt, and Deportation
Moderate: Cancer
deedireads's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
TL;DR REVIEW:
Spring is my favorite of Ali Smith’s Seasonal Quartet so far. It’s a deeply felt novel with smart, resonant social commentary.
For you if: You love characters that feel real enough to break your heart.
FULL REVIEW:
I’m currently reading Ali Smith’s Seasonal Quartet in order, season by season (with @caseys_chapters!). I’ve liked them all, but I think Spring is my favorite so far.
This one focuses on two main characters: Richard, an older man who was once a moderately successful film director, mourning the loss of his closest friend; and Brit, a corrections officer for the quartet’s fictional security company (which is also involved with border security). Richard has decided there’s nothing left for him, and Brit finds herself traveling with a remarkable young schoolgirl named Florence.
I think this one felt a little less abstract in terms of how it related to the season it’s named for, which helped. It sang with positioning of spring against the idea of borders and migration and the kind of impossible, barely-there hope that always exists despite the brokenness of the world. It might also be that the social commentary felt a little fresher (since the book is newer); I was particularly struck by Brit and the momentum that keeps her from opening her eyes, much less taking action.
But even considered on its own, the power of Ali Smith’s prose is (as always) somehow unnameable but also unmistakeable, and the characters broke my heart. This was deeply felt and effective, and I can’t wait to read Summer.
Graphic: Racism, Xenophobia, and Suicide attempt
Moderate: Confinement
amelreads's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
Graphic: Confinement, Racism, Forced institutionalization, Xenophobia, and Grief
Moderate: Physical abuse, Sexual content, Sexual violence, Violence, Police brutality, Trafficking, and Colonisation
Minor: Sexual assault and Torture
afion's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.5
Graphic: Confinement and Terminal illness
Moderate: Rape
Minor: Ableism and Homophobia
amberinbookland's review against another edition
4.25
Graphic: Confinement, Racism, and Forced institutionalization
Moderate: Rape
Minor: Bullying and War