Reviews with content warning for Suicidal thoughts - Primavera

Like it better than Winter and Autumn purely because of the last third of the book. The last 75 pages were amazing! My rating would be higher if the first 250 pages were at the same level.

Smith tries to say so much by saying so little, and in my opinion it doesn’t work for her-it just ends up being a confusing story with nothing happening plot wise. I didn’t like most of the characters. I don’t know what it is about Smith’s characters but I never like them

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donaldleitch's review against another edition

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challenging emotional funny informative reflective medium-paced

Plot- or character-driven? Character
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.5

Smith's third seasonal book, Spring, continues with social and political commentary on today's world (Brexit, Trump, etc) wrapped in metaphors related pop culture, history, art and classic literature. This novel challenges popular concepts of borders and refugees and identifies historic colonization within the UK (Gaels) utilizing the clever word play that the reader expects of Smith.

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alicea's review against another edition

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dark emotional reflective medium-paced

Plot- or character-driven? A mix
Strong character development? It's complicated
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

5.0

Each of the books in Smith's Seasonal Quartet focus on a few major subjects/social justice issues/moral imperatives. Spring explores the detainment of refugees and migrants as well as the dehumanization of the people who we place in these centers (as well as the general disregard and/or derision that our society has for people labeled 'other' or 'foreign') . She looks at this topic through a few different lenses so that the reader can get a full view of the situation. We see the inside of a detainment facility in the UK through the eyes of a Detainment Officer named Brittany who has lost all compassion for the people under her 'care'. [A/N: The care aspect is dubious at best if the person doing the caring sees the people as inconveniences instead of humans which is pretty much the main point that Smith is making.] When Brittany meets a young girl at the train station who seems to have an almost hypnotic effect on everyone that she meets (including Brittany) the story takes a turn because Brittany (as well as the reader) is confronted with serious questions about otherness, belonging, and moral responsibility on a macro scale.

The same time that this storyline is unfolding there is a parallel storyline following a director named Richard who has lost someone very close to him and has decided that life has lost all meaning as a result. His story is told very descriptively through literature and film references and without any visuals still manages to evoke clear pictures in the mind of the reader. (If you couldn't tell I really loved it.) Rainer Maria Rilke and Katherine Mansfield's stories are told alongside his as he wrestles with adapting a book about them into a film. I feel that Smith's writing is valuable and poignant as well as incredibly relevant (purposely so which is why I somewhat regret not reading these as they came out). I'm very much looking forward to the last in the series but I'm also sad to be finishing the journey. Spring is a definite 10/10.

[A/N: As a slight spoiler, there are mentions of suicidal ideation so be aware if that might be triggering to you.]

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writtenontheflyleaves's review against another edition

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challenging dark emotional funny hopeful informative reflective sad medium-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? It's complicated
Diverse cast of characters? No
Flaws of characters a main focus? Yes

4.0

Spring by Ali Smith 🌸
🌟🌟🌟🌟

Long overdue for the #alismithreadalong but it's here!!

🌸 The plot: Richard is a filmmaker who is grieving the death of his close collaborator, Paddy. He's been asked to help adapt a book about Katherine Mansfield and Rainer Maria Rilke, but his new partner is butchering it and without Paddy's insight, Richard doesn't see the point any more. Brit is a worker at an immigration detention centre where the daily meaningless cruelty of the job is wearing away at her humanity. Brought together by chance encounters with Florence, a twelve year old girl with a remarkable gift, Richard and Brit are caught up in a story about connection and hope that is bigger than both of them.

Spring is probably my second favourite of the Seasonal Quartet, but it's the one that I find hardest to read. Its analysis of the UK government's treatment of refugees seems to get more prescient with every passing year: the routine dehumanisation of vulnerable people, the constant directive from right wing media to share nothing, close the doors and send them somewhere else, enshrining cruelty as standard procedure. The aptly-named Brit is an infuriating character, because of the ways in which she suppresses her conscience, acting out of fear and anger and surrendering responsibility for her actions. You want her better nature to win out, but she just doesn't seem ready.

Still, like all Alis, this is ultimately a hopeful book. Richard's story really blazed out at me on this reread, the way it speaks to Ali's devotion to the theme of companionship in all her work. His love for Paddy felt vivid and beautiful despite the pain of his grief, and the message the book leaves you with is that while hostility grows here, resistance and hope do too. Smith dares to suggest that deep under the surface, good things are growing, and while it's only a glimmer of hope, I'll take it.

🌸 Read it if you want to see the impact of Theresa May's hostile environment depicted alongside hope for change and resistance.

🚫 Avoid it if you're sensitive to depictions of suicidal thoughts/ suicide attempts and particularly forced incarceration.

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