Reviews with content warning for Emotional abuse - Under the Udala Trees

"Sitting in the taxi as it drove off, I thought once more about the way that life so often takes us the long way around. But perhaps it didn't matter, long or short, as long as we eventually found our way to where we needed to be."
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I was deeply moved by this book. It felt like a different version of a story I'm very familiar with, what life could have been like for people I love very much if they had made different choices.

Okparanta used nonverbal communication so well, like how people shift their gaze or the way our bodies/face/eyes can betray our true feelings despite our words. The scene in which Ijeoma and other women from the "church" hid in the bunker as their friend was being brutally murdered was so powerful because it was a very clear assertion that there was an ongoing war being waged against the freedom to love.

The description of Aminita as a shadow was so inspired because it conveyed how completely she was integral to Ijeoma's personhood. As was the moment when Ijeoma believed Aminita must have died when she didn't show up, because for Ijeoma, the only thing that would keep her apart from Aminita was death. It was interesting that Ijeoma then chose the same route, marrying a man, and enacted her own betrayal against Ndidi but still saw herself as the victim when she thought Ndidi wasn't writing her letters.

Okparanta shifted her descriptions of Chibundu from open and handsome with perfect teeth to "monster-like" as their relationship deteriorated. The description of him "writhing into" her invoked the imagery of a snake, correlating back to her refrain on Adam and Eve. I also loved her use of dreams as introspection/self-reflection for the characters.

I was really impressed by this book, especially how at the end Okparanta addressed that our own awakenings may be someone else's tragedy.

Content Warnings

rionstorm's review against another edition

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challenging emotional reflective sad tense slow-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Diverse cast of characters? Yes

3.0

Really well written, but very heavy. The story is told in an almost dissociative, hazy, slow way. Gorgeous descriptions of flora that were all unfamiliar to me, so I got to learn about lots of new plants/fruits/etc. There's only very shallow exploration into any character other than the narrator, which is perhaps by design but left me feeling a bit disconnected from the story. Not exactly my cup of tea but a well written book.

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oliii_24's review against another edition

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dark emotional hopeful reflective sad tense medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? It's complicated

4.75

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midnightmarauder's review against another edition

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challenging emotional informative sad tense medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.5

I really enjoyed reading this book; so much, that I could barely put it down once I began reading it.

Under the Udala Trees tells the story of Ijeoma, a girl who lived in Nigeria during the Biafran war. After

losing her father in an attack

, she and her mother split up, as her mother is distraught about how to live raising a child by herself. This is what ends up with Ijeoma moving away, where she meets Amina.

Amina and Ijeoma are in love with each other, during a time where homosexuality was very looked down upon in Nigeria (and still is today). One night,

as they make love to each other, they are found out by the family they're staying with

, and get split up.

Ijeoma knows in her heart that she is a lesbian, but it isn't allowed by the citizens of Nigeria, nor her mother. So, she is led into years of self-hatred and loathing, wanting so desperately to be allowed to be who she is, but instead being forced to pretend to be something she isn't.

I found myself sympathizing deeply with Ijeoma. As a black lesbian myself, I know what it's like to be at war with yourself, being both so sure of your own feelings, yet conflicted about them, all at the same time. Just wanting to fit in and be like everyone else, but also struggling with it because you're not like everyone else, and not comforming should be allowed.

Chinelo Okparanta, the author, leaves an author's note about the current stance on which Nigeria has on homosexuality. They have criminalized it, and are listed as the second most religious country in the world. It makes me wonder how many more people like Ijeoma live in that country, forced to hide their love from the world.

Content Warnings

artsyxbookish's review against another edition

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dark emotional sad slow-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? No
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

3.0

Content Warnings

gigireadswithkiki's review against another edition

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challenging emotional informative fast-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? No

3.25

I really enjoyed that this was a book that highlighted the interplay between religious bigotry and the LGBTQ community in a non-Western society. Ijeoma was a fantastic and relatable character, constantly torn between staying true to herself and the influences of her religious-propaganda-filled upbringing.

I wish this book had focused a little more on the Nigerian Civil War, a event in history that was very new to me, but I also understand that this book told the story of the war from the lens of a girl who was growing up in the midst of its events. My only big complaint is that her mother

never faced any consequences for being a religious bigot and all-round awful person. Plus that Ijeoma never really reflects on her internalized homophobia as a result of her religious upbringing

Otherwise, I found Chinelo Okparanta's writing style easy to follow, and the story was captivating enough to propel me through the book. For those looking to read this book, I will warn that there are several unsavory topics discussed within and I would check out the content warnings prior to reading!

Content Warnings

nonfictionfeminist's review against another edition

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challenging dark emotional informative reflective sad medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? It's complicated
Flaws of characters a main focus? Yes

4.75

Content Warnings

toofondofbooks_'s review against another edition

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challenging dark emotional reflective sad slow-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.5

I was blown away by this book - in good ways and in devastating ways. I had to put this down for days at a time to recover from what I was reading. It was beautiful writing, but often too sad for me to read too much of it in one sitting. The story is told from Ijeoma's POV, and her voice is so strong throughout the book that it was almost like I could hear her voice in my head as clearly as if I were listening to someone tell me a story right in front of me. The themes found throughout were powerful, and the use of nigerian folktales within the narrative was such a wonderful touch.

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