Reviews with content warning for Violence - Under the Udala Trees

"Sitting in the taxi as it drove off, I thought once more about the way that life so often takes us the long way around. But perhaps it didn't matter, long or short, as long as we eventually found our way to where we needed to be."
--------
I was deeply moved by this book. It felt like a different version of a story I'm very familiar with, what life could have been like for people I love very much if they had made different choices.

Okparanta used nonverbal communication so well, like how people shift their gaze or the way our bodies/face/eyes can betray our true feelings despite our words. The scene in which Ijeoma and other women from the "church" hid in the bunker as their friend was being brutally murdered was so powerful because it was a very clear assertion that there was an ongoing war being waged against the freedom to love.

The description of Aminita as a shadow was so inspired because it conveyed how completely she was integral to Ijeoma's personhood. As was the moment when Ijeoma believed Aminita must have died when she didn't show up, because for Ijeoma, the only thing that would keep her apart from Aminita was death. It was interesting that Ijeoma then chose the same route, marrying a man, and enacted her own betrayal against Ndidi but still saw herself as the victim when she thought Ndidi wasn't writing her letters.

Okparanta shifted her descriptions of Chibundu from open and handsome with perfect teeth to "monster-like" as their relationship deteriorated. The description of him "writhing into" her invoked the imagery of a snake, correlating back to her refrain on Adam and Eve. I also loved her use of dreams as introspection/self-reflection for the characters.

I was really impressed by this book, especially how at the end Okparanta addressed that our own awakenings may be someone else's tragedy.

Content Warnings

bookishpip's review against another edition

Go to review page

challenging emotional informative reflective sad medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? It's complicated

5.0

Content Warnings

lindiwe's review

Go to review page

adventurous challenging emotional inspiring reflective sad fast-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? N/A
Flaws of characters a main focus? N/A

5.0

During the height of the Biafran conflict in 1968, this tale follows Ijeoma. When her father is killed during the war, her life changes as her mother grieves and is separated from her. She is sent to stay with the grammar school teacher, that's when meets Amina, a girl who lost her family during the war, and they establish a relationship that Ijeoma's mother attempts to destroy by cramming the bible down her throat. The author takes us through Nigeria's biafran conflict and how it impacts Ijeoma's childhood, coming to grips with her sexuality, as she marries and goes through motherhood, and marriage problems. A fantastic novel with a remarkable writing style that touches on civil war, bereavement, mother-daughter relationships, religion, lesbianism, and other topics. There was no need for the epilogue, and the blackness and food description were off putting and the way young women's bodies were describe was also problematic for me.

Content Warnings

saintsaens's review against another edition

Go to review page

emotional informative reflective sad medium-paced

Plot- or character-driven? Character

4.0

The story and its developments were interesting, tackling a rare subject (lesbianism in Nigeria, a very religious country). Following the span of the main character's life, it was both deeply beautiful at times and very very boring (unfortunately). I felt invested in the book only after a good third of the novel when the main character gets to the boarding school. Before that, the writing was bland, unsophisticated. It did not exactly pick up after, but as the story handled themes and approaches I found interesting, I felt drawn to know what happened. The end was bittersweet, but I can say it was a good read.

Content Warnings

jupytwo's review against another edition

Go to review page

dark emotional informative sad tense medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? It's complicated

4.25

“It’s not even God who’s making them do it. It’s the Church that has interpreted God’s words to its own benefit”.

Always learn where traditions come from before following them blindly. Religious trauma is infectious.

Content Warnings

midnightmarauder's review against another edition

Go to review page

challenging emotional informative sad tense medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.5

I really enjoyed reading this book; so much, that I could barely put it down once I began reading it.

Under the Udala Trees tells the story of Ijeoma, a girl who lived in Nigeria during the Biafran war. After

losing her father in an attack

, she and her mother split up, as her mother is distraught about how to live raising a child by herself. This is what ends up with Ijeoma moving away, where she meets Amina.

Amina and Ijeoma are in love with each other, during a time where homosexuality was very looked down upon in Nigeria (and still is today). One night,

as they make love to each other, they are found out by the family they're staying with

, and get split up.

Ijeoma knows in her heart that she is a lesbian, but it isn't allowed by the citizens of Nigeria, nor her mother. So, she is led into years of self-hatred and loathing, wanting so desperately to be allowed to be who she is, but instead being forced to pretend to be something she isn't.

I found myself sympathizing deeply with Ijeoma. As a black lesbian myself, I know what it's like to be at war with yourself, being both so sure of your own feelings, yet conflicted about them, all at the same time. Just wanting to fit in and be like everyone else, but also struggling with it because you're not like everyone else, and not comforming should be allowed.

Chinelo Okparanta, the author, leaves an author's note about the current stance on which Nigeria has on homosexuality. They have criminalized it, and are listed as the second most religious country in the world. It makes me wonder how many more people like Ijeoma live in that country, forced to hide their love from the world.

Content Warnings

rachbake's review against another edition

Go to review page

challenging dark emotional reflective sad tense medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Flaws of characters a main focus? Yes

4.25

Content Warnings

go2hellstephanie's review

Go to review page

emotional hopeful sad tense slow-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

5.0

What an amazing book.

Set during and after the Nigerian Civil War, Under the Udala Trees tells the story of Ijeoma, a lesbian during a time where it is not safe to be one. It is also a story about religion--the questions, the oppression, and the answers it holds.

This book is beautiful. Okparanta's writing is brilliant and insightful, and I felt all of Ijeoma's emotions so strongly. I felt her joys and her tragedies, and I loved it all. Her major relationships--with her mother, with Amina, with Ndidi, with Chibundu, and with Chidinma--all impact her so deeply, and all were explored so beautifully.

This is a lovely story of gay relationships and of religious trauma, but a religion that can also heal. One of my absolute favorite reads this year.

Content Warnings

More...