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Reviews tagging 'Death of parent'
Natural Outlaws and Fractured Sovereignty by S.M. Pearce
4 reviews
raesreadingcorner's review against another edition
adventurous
challenging
dark
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.75
Content Warnings
Graphic: Classism, Drug use, Physical abuse, and Homophobia
Moderate: Grief and Violence
Minor: Suicide attempt, Death, Sexual assault, Sexual content, Murder, Mental illness, Emotional abuse, Sexual harassment, Death of parent, Sexism, and Injury/Injury detail
tmdreads's review against another edition
adventurous
emotional
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
I received an ARC but review/opinions is my own.
This book is a romp. It’s of of those stories you just go with (Don’t question the premise) and you’ll have a good time. It’s not light though, there is lots of trama here. Check the Content warning.
It’s a Story of found family, which I love. Good character development, character driven story. I had complex feelings about the character that I’m still pondering. It was a bit rough trying to like them at certain points but they had good character arcs.
Wold building was through the story, which I liked, it wasn’t an info-dump but developed through the story.
Content Warnings
Graphic: Violence, Sexual assault, Suicide attempt, Murder, Panic attacks/disorders, and Addiction
Moderate: Homophobia, Kidnapping, Death of parent, Physical abuse, Child abuse, Child death, and Injury/Injury detail
Minor: Vomit, Animal cruelty, and Sexism
queer_bookwyrm's review against another edition
adventurous
dark
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
4 ⭐ CW: violence, child abuse/abuse in general, cursing, homophobia, misogyny, suicidal ideation, sexual content, attempted rape, vomiting, death of a parent, death of a child, substance use/addiction
Natural Outlaws and Fractured Sovereignty by S.M. Pierce is an adult dark fantasy that is super queer and has a heist! We get some wonderful found family moments and some great rep as follows: queer platonic relationship between main characters, Kalen uses he/they and is attracted to men, Blythe is alloaro and bi, Frida is a lesbian, and Saihd is (I think) intersex and ace.
We start with Kalen and his suicide attempt and Blythe talking him down. Kalen came from the home of an abusive noble, and Blythe is a poor girl just trying to take care of her ailing father while trying to please her god by being self sacrificing. Kalen is an expert in making bombs, and Blythe has a bestowment (sort like a talent like a Grace in Graceling) that makes it easy for her to hide or go unnoticed. When Kalen convinces Blythe to steal from the rich to feed themselves and pay rent, they are caught by the Governor, and coerced into planning a heist against a rival nation.
Blythe has to pretend to be a noble and go unnoticed in order to pull off the heist while Kalen is a servant, Frida (their roommate) poses as a cook, the Sea captain Saihd posing as an advisor, and the Viper (the governor's ward/indentured servant) poses as Blythe's lady in waiting. Blythe struggles with the need to harm other people as it goes against her self sacrificing way. She's a little too rightous, and it gets her into trouble. Kalen is struggling with the abuse they must endure at the hands of the servant Superior, triggering memories of his abusive father. The Viper must learn that kindness doesn't always come with a cost. Yay found family!
The Fletch King is the worst! He has a bestowment that makes him hard to resist and he gave me the major ick. I loved the relationship between Kalen and Blythe. We do get a bit of a miscommunication trope between them, but in this case it works pretty well, but I still wanted to yell at them to just talk about it. I do wish we had gotten more from Frida and Saihd, but I loved the growth that the Viper, or should I say, Arabella had. Although her arc was predictable, it was satisfying.
I don't know if there is going to be a book two or not, but I would totally read about these characters smuggling "natural Outlaws" (queer people) to safe places. This was super queer and I love the found family. Looking forward to more from this author.
This book releases August 12th, so get your copy!
Natural Outlaws and Fractured Sovereignty by S.M. Pierce is an adult dark fantasy that is super queer and has a heist! We get some wonderful found family moments and some great rep as follows: queer platonic relationship between main characters, Kalen uses he/they and is attracted to men, Blythe is alloaro and bi, Frida is a lesbian, and Saihd is (I think) intersex and ace.
We start with Kalen and his suicide attempt and Blythe talking him down. Kalen came from the home of an abusive noble, and Blythe is a poor girl just trying to take care of her ailing father while trying to please her god by being self sacrificing. Kalen is an expert in making bombs, and Blythe has a bestowment (sort like a talent like a Grace in Graceling) that makes it easy for her to hide or go unnoticed. When Kalen convinces Blythe to steal from the rich to feed themselves and pay rent, they are caught by the Governor, and coerced into planning a heist against a rival nation.
Blythe has to pretend to be a noble and go unnoticed in order to pull off the heist while Kalen is a servant, Frida (their roommate) poses as a cook, the Sea captain Saihd posing as an advisor, and the Viper (the governor's ward/indentured servant) poses as Blythe's lady in waiting. Blythe struggles with the need to harm other people as it goes against her self sacrificing way. She's a little too rightous, and it gets her into trouble. Kalen is struggling with the abuse they must endure at the hands of the servant Superior, triggering memories of his abusive father. The Viper must learn that kindness doesn't always come with a cost. Yay found family!
The Fletch King is the worst! He has a bestowment that makes him hard to resist and he gave me the major ick. I loved the relationship between Kalen and Blythe. We do get a bit of a miscommunication trope between them, but in this case it works pretty well, but I still wanted to yell at them to just talk about it. I do wish we had gotten more from Frida and Saihd, but I loved the growth that the Viper, or should I say, Arabella had. Although her arc was predictable, it was satisfying.
I don't know if there is going to be a book two or not, but I would totally read about these characters smuggling "natural Outlaws" (queer people) to safe places. This was super queer and I love the found family. Looking forward to more from this author.
This book releases August 12th, so get your copy!
Content Warnings
Graphic: Violence, Drug abuse, Suicidal thoughts, Suicide attempt, Sexual content, Homophobia, Child abuse, Physical abuse, Child death, and Death of parent
Moderate: Cursing and Vomit
sophiareads_'s review against another edition
adventurous
dark
tense
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.0
Content Warnings: Violence, death (including child death, animal death, death of a parent), suicide attempt, sexual assault, mind control, homophobia, transphobia, restrictive eating
Blythe and Kalen are caught robbing the Governor's mansion and blackmailed into leading a heist against a rival nation to postpone a brewing war.
This sounded so fun - a queer fantasy heist story - but unfortunately it was a real disappointment for me. This book has a major issue with 'tell' over 'show' writing in almost every aspect, which started off a little boring and got exceedingly irritating as it continued. At it's tamest, this manifests as world building being either underdeveloped (elements such as the 'bestowments' people have are really only mentioned in a very surface level way), or are presented with an inelegant info dump. At it's worst, whole scenes are described to us in two or three sentences rather than... like... actually being written.
Early on, we build to our characters overpowering a crew and taking over their boat, and this is, unfathomably, a fade to black? Of the most interesting scene of the book thus far? This was an absolutely bizarre choice. I was baffled and disappointed by this choice, but was going to mostly overlook it UNTIL IT HAPPENED AGAIN. The author goes out of her way not to write the scene of our characters discovering the location of the vault they'll be robbing, by having a POV character poison herself so that neither of our POV characters can be part of the scene that would actually be interesting to read. I don't know how to interpret this, it's such a bad way to write a book.
Speaking of our POV characters, Blythe and Kalen... I tried to like them, but GOD. For at least the first half of the book, both of their internal monologues are constant self deprecation and 'boo hoo this is all my fault I can't believe any of my friends don't hate me' which gets old SOOOOO fast. Blythe is particularly bad about this, especially because these convoluted self hating thought patterns start causing her to act unfathomably stupid. Like, so stupid I am not even starting to buy that a real person would make these choices. She deliberately jeopardises the group's mission because 'oh, I just can't burden them with this problem'. I was rolling my eyes into space.
All these issues in the 85% of the book which is build up to the actual heist and then... it's over in like 15 pages. Talk about anticlimactic. It was a bummer.
It might not sound like it, but this book did have things I liked! The Viper was easily my favourite, she was really cool and a pretty nuanced, multi-faceted character, and I liked her arc. She was definitely the highlight of the book for me. I also thought it was really cool that the main relationship here was a queer platonic relationship between Blythe and Kalen. Unfortunately, their relationship ended up falling a bit flat for me as I got frustrated by their miscommunication and again, thought we were told rather than shown how close they were, but conceptually, I was a fan! This was also the first book I've ever read with a main character who uses multiple (he/they) pronouns. It was a bit of a learning curve getting used to reading that, but it was really cool to see!
I think ultimately this was a case for me of a great concept and a not-so-great execution, unfortunately.
Thanks to the author for sending me an eARC in exchange for an honest review.
Blythe and Kalen are caught robbing the Governor's mansion and blackmailed into leading a heist against a rival nation to postpone a brewing war.
This sounded so fun - a queer fantasy heist story - but unfortunately it was a real disappointment for me. This book has a major issue with 'tell' over 'show' writing in almost every aspect, which started off a little boring and got exceedingly irritating as it continued. At it's tamest, this manifests as world building being either underdeveloped (elements such as the 'bestowments' people have are really only mentioned in a very surface level way), or are presented with an inelegant info dump. At it's worst, whole scenes are described to us in two or three sentences rather than... like... actually being written.
Early on, we build to our characters overpowering a crew and taking over their boat, and this is, unfathomably, a fade to black? Of the most interesting scene of the book thus far? This was an absolutely bizarre choice. I was baffled and disappointed by this choice, but was going to mostly overlook it UNTIL IT HAPPENED AGAIN. The author goes out of her way not to write the scene of our characters discovering the location of the vault they'll be robbing, by having a POV character poison herself so that neither of our POV characters can be part of the scene that would actually be interesting to read. I don't know how to interpret this, it's such a bad way to write a book.
Speaking of our POV characters, Blythe and Kalen... I tried to like them, but GOD. For at least the first half of the book, both of their internal monologues are constant self deprecation and 'boo hoo this is all my fault I can't believe any of my friends don't hate me' which gets old SOOOOO fast. Blythe is particularly bad about this, especially because these convoluted self hating thought patterns start causing her to act unfathomably stupid. Like, so stupid I am not even starting to buy that a real person would make these choices. She deliberately jeopardises the group's mission because 'oh, I just can't burden them with this problem'. I was rolling my eyes into space.
All these issues in the 85% of the book which is build up to the actual heist and then... it's over in like 15 pages. Talk about anticlimactic. It was a bummer.
It might not sound like it, but this book did have things I liked! The Viper was easily my favourite, she was really cool and a pretty nuanced, multi-faceted character, and I liked her arc. She was definitely the highlight of the book for me. I also thought it was really cool that the main relationship here was a queer platonic relationship between Blythe and Kalen. Unfortunately, their relationship ended up falling a bit flat for me as I got frustrated by their miscommunication and again, thought we were told rather than shown how close they were, but conceptually, I was a fan! This was also the first book I've ever read with a main character who uses multiple (he/they) pronouns. It was a bit of a learning curve getting used to reading that, but it was really cool to see!
I think ultimately this was a case for me of a great concept and a not-so-great execution, unfortunately.
Thanks to the author for sending me an eARC in exchange for an honest review.
Content Warnings
Graphic: Child abuse, Misogyny, Death, Violence, and Child death
Moderate: Death of parent, Suicide attempt, Suicidal thoughts, Homophobia, and Eating disorder
Minor: Animal death, Animal cruelty, War, and Transphobia
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