Reviews - Povera gente | The StoryGraph

Povera gente by Fyodor Dostoevsky, Fyodor Dostoevsky

468 reviews for:

Um romance epistolar sobre a vida de personagens pobres e desimportantes em São Petersburgo, fazendo referências a cânones russos e o processo da escrita. Meu primeiro contato com Dostoiévski, justamente no seu primeiro romance. Gostei da construção dos personagens nesta forma de narrativa por cartas.

mikael_b's review against another edition

3.5

reflective sad slow-paced

Plot or Character Driven: Character

kreads03's review against another edition

3.75

reflective sad medium-paced

Plot or Character Driven: Character

Strong character development: N/A

Loveable characters: Yes

Diverse cast of characters: Complicated

Flaws of characters a main focus: Yes

awaa's review against another edition

5.0

emotional medium-paced

Plot or Character Driven: N/A

Strong character development: Complicated

Loveable characters: Yes

Diverse cast of characters: N/A

Flaws of characters a main focus: Yes

fs2's review against another edition

4.0

emotional sad medium-paced

Plot or Character Driven: A mix

Strong character development: Yes

Loveable characters: No

Diverse cast of characters: No

Flaws of characters a main focus: Complicated

Didn't love the mains, but they weren't my thirtenth reason, was fun overall

gojoprincess's review against another edition

3.75

emotional reflective slow-paced

Plot or Character Driven: A mix

Strong character development: No

Loveable characters: No

Diverse cast of characters: No

Flaws of characters a main focus: Yes

h3di's review against another edition

3.5

dark sad tense medium-paced

Plot or Character Driven: Character

Strong character development: No

Loveable characters: Complicated

Diverse cast of characters: Yes

Flaws of characters a main focus: Yes

بغطاء غوغول وحذاء دوستويفسكي، مشت "الفقراء" خطواتها الأولى على رصيف الأدب الروسي.
فمن بين خيوط المعطف البالي خرج ظل الإنسان المنكسر، ومن تحت نعال الفقر تهادى صوت خافت، خجول، لكنه نابض بالحياة.

وإذا كانت المعطف قد ستر الجسد، فإن الفقراء كانت ستر للروح حيث بدى دوستويفسكي أول خطواته نحو أدب النفس حيث لم يكتفي بتصوير البأس، بل غاص في دواخل أبطاله ليكشف قلقهم و كبرياءهم الخفي.