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wolfsonarchitect's review against another edition
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.5
It’s a well written character study, but because Angel is so unlikeable I found it hard to read.
pbraue13's review against another edition
4.0
This book is a delightful exploration of human complexity wrapped in the guise of a seemingly simple romance novel. At its heart lies the enigmatic and often unlikeable protagonist, Angel Deverell, whose unabashed vanity and self-absorption might initially repel readers. However, it is precisely her flaws that render her character so intriguing and multi-dimensional.
Taylor masterfully weaves a narrative that delves into the depths of Angel's psyche, revealing the insecurities and vulnerabilities lurking beneath her facade of arrogance. Despite her flaws, Angel's relentless pursuit of her dreams and her unwavering belief in her own exceptionalism make her a compelling and unforgettable character.
Moreover, Taylor's sharp wit and keen observations infuse the novel with humor and satire, particularly in her portrayal of the romance novel industry. Through Angel's own melodramatic and often ludicrous literary endeavors, Taylor cleverly lampoons the clichés and tropes that pervade the genre, offering a tongue-in-cheek commentary on the nature of romantic fiction.
Despite being a prolific and accomplished writer, Elizabeth Taylor remains vastly underrated and underappreciated in the literary world. "Angel" serves as a testament to her talent as a storyteller, showcasing her ability to craft complex characters and poignant narratives that resonate with readers long after the final page is turned. In a time when her contemporaries often receive more attention, Taylor's work deserves to be rediscovered and celebrated by a wider audience.
4/5 stars
Taylor masterfully weaves a narrative that delves into the depths of Angel's psyche, revealing the insecurities and vulnerabilities lurking beneath her facade of arrogance. Despite her flaws, Angel's relentless pursuit of her dreams and her unwavering belief in her own exceptionalism make her a compelling and unforgettable character.
Moreover, Taylor's sharp wit and keen observations infuse the novel with humor and satire, particularly in her portrayal of the romance novel industry. Through Angel's own melodramatic and often ludicrous literary endeavors, Taylor cleverly lampoons the clichés and tropes that pervade the genre, offering a tongue-in-cheek commentary on the nature of romantic fiction.
Despite being a prolific and accomplished writer, Elizabeth Taylor remains vastly underrated and underappreciated in the literary world. "Angel" serves as a testament to her talent as a storyteller, showcasing her ability to craft complex characters and poignant narratives that resonate with readers long after the final page is turned. In a time when her contemporaries often receive more attention, Taylor's work deserves to be rediscovered and celebrated by a wider audience.
4/5 stars
cybrgloss's review against another edition
emotional
lighthearted
reflective
tense
fast-paced
- Plot- or character-driven? Character
- Loveable characters? Yes
- Flaws of characters a main focus? Yes
4.0
courtneymminor's review against another edition
emotional
funny
slow-paced
- Plot- or character-driven? Character
- Flaws of characters a main focus? Yes
3.75
kerry2046's review against another edition
5.0
I loved it, so tragic, so wonderfully written. For such a selfish main character, I could still relate to her. I pitied her. Angel is a great tragedy and deserves to be better acknowledged and loved by this generation!
forever_day's review against another edition
I really have no idea what to rate this book. The main character is incredibly unlikeable (and remains so throughout with no character growth in any direction at all), yet I couldn't help but feel a certain sympathy or pity for her, and appreciate her for what she was as a character. Also, even though I didn't enjoy the content I couldn't help but feel that it was good writing.
denisec2021's review against another edition
medium-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.75
annebrooke's review against another edition
4.0
This is a gripping novel about the monstrous but magical Angel Deverell. From a young age, Angel is different. She weaves a series of magnificent fantasies around her life and her career as a novelist, and is somehow both larger than life and ultimately destroyed by it. She is the first female protagonist in any novel I've read who is both the heroine of the story, and its villain as well.
I loved it, and I loved her. Even though she's a self-obsessed egotist with no sense of irony or humour, there's just something about how determined she is that kept me glued to the pages. I also loved the way she doesn't try to alter herself to suit the men in her life - they take her as she is, or she has no interest in them. She doesn't know the meaning of the word compromise, and it's partly this which makes her so fascinating a character study.
Yes, the novel goes on slightly too long, but even in this we see how far Angel falls from her previous fame and wealth - and there's a great deal of pathos in that, though she herself would of course never admit it. Even to herself. The ending is very well done indeed.
I loved it, and I loved her. Even though she's a self-obsessed egotist with no sense of irony or humour, there's just something about how determined she is that kept me glued to the pages. I also loved the way she doesn't try to alter herself to suit the men in her life - they take her as she is, or she has no interest in them. She doesn't know the meaning of the word compromise, and it's partly this which makes her so fascinating a character study.
Yes, the novel goes on slightly too long, but even in this we see how far Angel falls from her previous fame and wealth - and there's a great deal of pathos in that, though she herself would of course never admit it. Even to herself. The ending is very well done indeed.
crazygoangirl's review against another edition
challenging
dark
emotional
reflective
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? It's complicated
- Flaws of characters a main focus? Yes
5.0
I read Taylor’s Mrs. Palfrey at the Claremont in 2018 and was bowled over by her beautifully gentle yet incisive prose. There was an underlying tenderness and pathos that suffused the narrative of an older woman moving into the Claremont and dealing with the loneliness and depression that so often define that stage of life. I gave it five-stars, deservedly so.
This is my second Taylor and my second five-star read from this somewhat underrated but formidable author. Her prose is exquisite, economical and effectual. Her characterisations are par excellence. She knows her characters right down to the depth of their bones and it’s evident on the page. One can like them or hate them but indifference is not an option. In Mrs. Palfrey, her characters were likeable, in Angel they are the opposite, but she is at the top of her game in both.
Angel was one heck of an emotional roller coaster of a ride! Following this deeply unhappy, bitter, angst-ridden young fifteen-yr-old as she claws her way out of despondency through sheer grit and her wildly florid imagination was in turns, devastating, satisfying, aggravating and strangely fulfilling. I disliked Angel intensely from the start and although I mellowed slightly toward the end (although God knows she didn’t!), I still disliked her then. Her malaise toward life, her exclusion of all reality other than the stories in her own head, her terrible behaviour toward her mother, all served to raise my hackles and as a mother myself, I was angry and sad and frustrated. It was hard not to be, even when I could understand her goal and admire her gumption. I couldn’t empathise.
Angel is representative of what thousands of girls were going through in her time, the early 1900s. She wasn’t alone or unique in her condition but she chose isolation, absurdity and extreme vanity over an attempt to belong and integrate into society, and to cultivate kindness and compassion in herself. She became, for a time, an extremely successful, famous and wealthy writer of a certain kind of ‘rebel’ literature (of her time), but an obnoxiously selfish, self-absorbed egotistical human being. How Theo, her publisher, whom I blame squarely for publishing her first book, The Lady Irania, and Nora, a failed poet and later lifelong companion, tolerated, supported and even loved her is beyond my comprehension, because Angel was as cruel to her handful of well wishes as she was to the world at large. In that at least she was consistent. The blame rests partly with Mrs. Deverell (her hapless mother), Theo, Nora and the infamous Esme too, for they were the perfect enablers. They took the easy way out, especially her mother in my opinion, choosing flattery and lies over discipline and firmness. Still, Angel was clever enough to understand what she was doing wrong, she certainly had self-awareness enough to recognise her internal loneliness, but she chose, not only to ignore her faults but strengthen them over the years until they turned into bad habits & settled irreversibly into her psyche. Mantel’s introduction, which I read after I finished the book, interestingly co-related these traits of self-absorption and vanity to great writing. She writes how Taylor is showing us that “writers are monsters” and something clicked in my brain. Perhaps this is why many great writers have tortured personal lives? Food for thought.
I cannot stress how much I disliked Angel and almost every other character in this book. Mrs. Deverell, Aunt Lottie, Theo, Hermione, Nora, Esme and even Marvell, who was probably my most favourite from this woefully duplicitous cast. It is Taylor’s considerable skills as a writer that makes this character driven story, a compellingly unforgettable marriage of human frailty and human will power. She’s impeccable, whether in her thoughts or in their execution on the page and an expert practitioner of her craft.
I will read anything and everything she has written ♥️
This is my second Taylor and my second five-star read from this somewhat underrated but formidable author. Her prose is exquisite, economical and effectual. Her characterisations are par excellence. She knows her characters right down to the depth of their bones and it’s evident on the page. One can like them or hate them but indifference is not an option. In Mrs. Palfrey, her characters were likeable, in Angel they are the opposite, but she is at the top of her game in both.
Angel was one heck of an emotional roller coaster of a ride! Following this deeply unhappy, bitter, angst-ridden young fifteen-yr-old as she claws her way out of despondency through sheer grit and her wildly florid imagination was in turns, devastating, satisfying, aggravating and strangely fulfilling. I disliked Angel intensely from the start and although I mellowed slightly toward the end (although God knows she didn’t!), I still disliked her then. Her malaise toward life, her exclusion of all reality other than the stories in her own head, her terrible behaviour toward her mother, all served to raise my hackles and as a mother myself, I was angry and sad and frustrated. It was hard not to be, even when I could understand her goal and admire her gumption. I couldn’t empathise.
Angel is representative of what thousands of girls were going through in her time, the early 1900s. She wasn’t alone or unique in her condition but she chose isolation, absurdity and extreme vanity over an attempt to belong and integrate into society, and to cultivate kindness and compassion in herself. She became, for a time, an extremely successful, famous and wealthy writer of a certain kind of ‘rebel’ literature (of her time), but an obnoxiously selfish, self-absorbed egotistical human being. How Theo, her publisher, whom I blame squarely for publishing her first book, The Lady Irania, and Nora, a failed poet and later lifelong companion, tolerated, supported and even loved her is beyond my comprehension, because Angel was as cruel to her handful of well wishes as she was to the world at large. In that at least she was consistent. The blame rests partly with Mrs. Deverell (her hapless mother), Theo, Nora and the infamous Esme too, for they were the perfect enablers. They took the easy way out, especially her mother in my opinion, choosing flattery and lies over discipline and firmness. Still, Angel was clever enough to understand what she was doing wrong, she certainly had self-awareness enough to recognise her internal loneliness, but she chose, not only to ignore her faults but strengthen them over the years until they turned into bad habits & settled irreversibly into her psyche. Mantel’s introduction, which I read after I finished the book, interestingly co-related these traits of self-absorption and vanity to great writing. She writes how Taylor is showing us that “writers are monsters” and something clicked in my brain. Perhaps this is why many great writers have tortured personal lives? Food for thought.
I cannot stress how much I disliked Angel and almost every other character in this book. Mrs. Deverell, Aunt Lottie, Theo, Hermione, Nora, Esme and even Marvell, who was probably my most favourite from this woefully duplicitous cast. It is Taylor’s considerable skills as a writer that makes this character driven story, a compellingly unforgettable marriage of human frailty and human will power. She’s impeccable, whether in her thoughts or in their execution on the page and an expert practitioner of her craft.
I will read anything and everything she has written ♥️