Reviews tagging 'Infertility'

The Testaments by Margaret Atwood

38 reviews

avocadotoastbee's review against another edition

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adventurous dark hopeful tense medium-paced

3.5

The Testaments is not really what I was hoping for.
In the acknowledgements, Atwood says that The Testaments answers questions left by The Handmaid's Tale and shows what happened after the novel. In my opinion, however, it doesn't do that at all.
Don't get me wrong, there was definitely more information about Gilead and what led to its downfall, although it is never really said how Gilead collapsed.
Another thing that really bothered me was that it basically stuck to the extended storyline and characters from the Hulu series The Handmaid's Tale. I would have liked the book much more if it had been narrated by other characters and abandoned the plot of The Handmaid's Tale's nameless narrator (June) completely, or at least partially.
All in all, I think Margaret Atwood did a great job of building this dystopian world (some of which, unfortunately, isn't that far from the reality we're living in right now), but The Testaments didn't meet my expectations and was predictable, and kind of unnecessary.

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leonormsousa's review against another edition

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adventurous inspiring mysterious slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? No

3.5


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thejuliette's review

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adventurous dark medium-paced

4.0


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eni_iilorak's review against another edition

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dark emotional hopeful sad tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? No

3.25


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james1star's review

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challenging dark hopeful reflective tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? Yes
  • Diverse cast of characters? N/A
  • Flaws of characters a main focus? No

4.25

Did The Handmaid’s Tale (THT) need a sequel? No 
Was this my vision / the best sequel? No 
Was it a satisfactory sequel? Yes 
Is it a good book? Yes 

Margaret Atwood once agains transports us back to Gilead, and Canada, via her incredible use of descriptive and psychological writing. This was an encapsulating novel and entertaining read with great world-building, character studies with a good plot. 

Thankfully we don’t have Offred as a character which really wouldn’t have bode well with me - we left her entering the darkness… or perhaps the light, this ambiguity is one of my favourite parts of THT and picked up on in the historical notes with the icon line of ‘are there any questions?’ Yes we have many! Instead the testaments follows the stories of three women: aunt Lydia, Agnes (this we believe to be Offred’s first child Hannah who was taken from her when captured trying to escape) and Nicole/Daisy (this ‘is’ Offred and Nick’s child who was smuggled to Canada as a baby) and how they each played a role in the downfall of Gilead. The plots and storylines are well written, entertaining and makes you want to read on but they do lack the psychological pull THT had. Additionally, some of the plot twists are kind of telegraphed and the stories all fit together a bit too well and cleanly… made for a tv adaptation? Maybe? I missed the messiness and uncertainty and inner fear that Offred experiences in THT. 

Another difference is how the Testaments is more action-focused and hopeful than the original - it’s the suffragettes to THT’s suffragists if you get what I mean. I liked this for sure and it’s entertaining but I did miss the inner pull and heartache, this separation of mind and body with Offred taking ownership of her mental body is her rebellion in a society where all that matters is her body and this is her power. Whereas information and smuggling is the power here, among other things. This actionness also makes the events and characters less realistic to THT but still ‘speculative’ in ways. 

Of the three perspectives, aunt Lydia’s is by far the best and most encapsulating. That’s not to say Agnes and Nicole’s aren’t - they are and Atwood writes teenaged so well and lifelike for someone in their 80s. I wanted, I needed, I should have hated aunt Lydia. She is horrible and vindictive and did so many immoral things in THT and the Testaments but I couldn’t. I loved her. She’s so cunning, so knowledgeable, so focused, so powerful. She’s a badass. I don’t only like her for her crucial role in Gilead’s downfall but also her demeanour and personality despite being a villain in a sense. But also we got to see her story, how she was forced into this position - this or death and she chose to live, to thrive in fact, to hold power behind the scenes in a country where women lost all the power they had. 

Overall, I definitely enjoyed this book and would totally recommend it. It’s a good book for sure and an adequate sequel to such an amazing literary classic but doesn’t compare in impact - how could it?  

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bandysbooks's review

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challenging dark emotional hopeful tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

4.0

I think one of the reasons that it took so long for there to be a follow-up to The Handmaid’s Tale is just that it’s such a difficult story to do justice to. I tried to go into The Testaments with tempered expectations and I think that was helpful. This book is definitely solid, but definitely not as haunting as the original. 

The story follows three different POV characters as we learn what happens after Offred’s testimony. I thought this was an effective way to show a lot of progression in a lot of different places without making the book 1000 pages. 

I will say that while it did provide closure, it didn’t have the same emotional impact as HT. I did appreciate the resolution with some of the older characters like Aunt Lydia.

If you’re considering this series, I’d suggest:
Read Handmaid’s Tale
Watch The Handmaid’s Tale tv series
Finish with The Testaments

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lectricefeministe's review against another edition

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hopeful tense fast-paced

4.5


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overdramaticsoprano's review

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challenging dark tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? It's complicated

5.0


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uhm_kai's review

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challenging dark emotional hopeful sad tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? N/A
  • Flaws of characters a main focus? Yes

4.75

Profound but horribly real. 

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lily1304's review

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adventurous dark tense medium-paced
  • Plot- or character-driven? A mix

3.5

This is very different from the Handmaid's Tale. One of the strengths of the Handmaid's Tale is its lack of detail - lots of aspects of Gilead are shadowy and vague, which makes it feel like a bad dream, and the fact that the narrator has no idea what's happening politically inside or outside Gilead makes her even more hopeless and powerless.

The Testaments was clearly written partly to satisfy fans' questions about Gilead, and it has a much more traditional dystopian-adventure style than the Handmaid's Tale. You can see the three womens' stories and motivations slowly weaving together to a distinct climax. It's both a strength and a weakness - it's probably more of a page-turner than the Handmaid's Tale, but it doesn't have the same power.

The Testaments introduces the Pearl Girls / "Pearls of Great Price", or Gilead missionaries to Canada and other countries. They seemed like an intentional dig at Mormons, who are known for their pairs of missionaries around the world, and who have a book of scripture called the Pearl of Great Price. I'm not a fan of many aspects of Mormon practice and culture, but it seems extreme and unnecessary to associate them with Gilead.

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