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kyrstin_p1989's review against another edition
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Graphic: Cancer, Classism, Gore, Physical abuse, Religious bigotry, Self harm, Suicide, Suicidal thoughts, Infidelity, Medical content, Mental illness, Pregnancy, Sexual harassment, Confinement, Death, Death of parent, Injury/Injury detail, Kidnapping, Medical trauma, Murder, Panic attacks/disorders, Pedophilia, Rape, War, Trafficking, Sexual violence, Sexual assault, Abandonment, Ableism, Adult/minor relationship, Blood, Domestic abuse, Emotional abuse, Grief, Incest, Infertility, Sexism, Violence, Toxic friendship, Suicide attempt, Forced institutionalization, Gaslighting, Miscarriage, Misogyny, Body shaming, Bullying, Child abuse, and Child death
loxeletters's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Flaws of characters a main focus? Yes
5.0
All in all, this is not the kind of literary fiction that the Handmaid's Tale was - and that's fine by me. I enjoyed both it's literary and thriller aspects a lot.
Graphic: Religious bigotry, Misogyny, and Sexual assault
Moderate: Child abuse, Death of parent, Murder, Pedophilia, Torture, and Suicide
Minor: Infidelity
samshort's review
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.75
Graphic: Sexual assault, Drug abuse, Murder, Sexual harassment, Cursing, Sexism, Child abuse, Rape, Slavery, Adult/minor relationship, Domestic abuse, Misogyny, Pedophilia, Sexual content, Injury/Injury detail, Kidnapping, Medical content, Drug use, Emotional abuse, Grief, Infidelity, Sexual violence, Blood, Colonisation, Death of parent, Religious bigotry, Death, Homophobia, Infertility, Classism, Violence, Suicide, and War
tigerkind's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.5
Graphic: Confinement, Classism, Child abuse, Death, Suicidal thoughts, Violence, Domestic abuse, Misogyny, Pedophilia, Sexual violence, Toxic friendship, Sexism, Death of parent, Forced institutionalization, and Suicide attempt
Moderate: Child death, Gore, Infidelity, Cancer, Incest, Murder, Abandonment, Gun violence, Miscarriage, Slavery, Torture, Grief, Infertility, Adult/minor relationship, Blood, Cursing, and Excrement
Minor: Xenophobia, Fatphobia, Vomit, War, Trafficking, Alcohol, and Mass/school shootings
dev921's review
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
Graphic: Kidnapping, War, Child death, Cursing, Incest, Child abuse, Death, Infidelity, Infertility, Pedophilia, Self harm, Sexual assault, Suicide, Suicide attempt, Trafficking, Domestic abuse, Excrement, Grief, Miscarriage, Murder, Pregnancy, Rape, Sexual harassment, Death of parent, Medical content, Adult/minor relationship, Blood, Cancer, and Injury/Injury detail
readbycarina's review
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Graphic: Sexual assault, Fire/Fire injury, Medical trauma, and Violence
Moderate: Death
Minor: Infidelity and Pregnancy
avocadotoastbee's review against another edition
3.5
In the acknowledgements, Atwood says that The Testaments answers questions left by The Handmaid's Tale and shows what happened after the novel. In my opinion, however, it doesn't do that at all.
Don't get me wrong, there was definitely more information about Gilead and what led to its downfall, although it is never really said how Gilead collapsed.
Another thing that really bothered me was that it basically stuck to the extended storyline and characters from the Hulu series The Handmaid's Tale. I would have liked the book much more if it had been narrated by other characters and abandoned the plot of The Handmaid's Tale's nameless narrator (June) completely, or at least partially.
All in all, I think Margaret Atwood did a great job of building this dystopian world (some of which, unfortunately, isn't that far from the reality we're living in right now), but The Testaments didn't meet my expectations and was predictable, and kind of unnecessary.
Graphic: Child abuse, Sexual assault, Torture, Emotional abuse, Injury/Injury detail, Rape, Sexual harassment, Adult/minor relationship, Death, Pedophilia, Suicide attempt, and Domestic abuse
Moderate: Incest, Classism, Physical abuse, Pregnancy, Infertility, and Infidelity
Minor: Murder
leonormsousa's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? No
3.5
Moderate: Physical abuse, Pregnancy, Sexism, Suicide attempt, Toxic relationship, Trafficking, Violence, Abandonment, Abortion, Child abuse, Child death, Death, Death of parent, Suicidal thoughts, Terminal illness, War, Misogyny, Religious bigotry, Sexual assault, Deportation, Domestic abuse, Grief, Torture, Emotional abuse, Injury/Injury detail, Kidnapping, Murder, Rape, Gaslighting, Infidelity, Infertility, Miscarriage, Pedophilia, and Sexual violence
james1star's review
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? N/A
- Flaws of characters a main focus? No
4.25
Was this my vision / the best sequel? No
Was it a satisfactory sequel? Yes
Is it a good book? Yes
Margaret Atwood once agains transports us back to Gilead, and Canada, via her incredible use of descriptive and psychological writing. This was an encapsulating novel and entertaining read with great world-building, character studies with a good plot.
Thankfully we don’t have Offred as a character which really wouldn’t have bode well with me - we left her entering the darkness… or perhaps the light, this ambiguity is one of my favourite parts of THT and picked up on in the historical notes with the icon line of ‘are there any questions?’ Yes we have many! Instead the testaments follows the stories of three women: aunt Lydia, Agnes (this we believe to be Offred’s first child Hannah who was taken from her when captured trying to escape) and Nicole/Daisy (this ‘is’ Offred and Nick’s child who was smuggled to Canada as a baby) and how they each played a role in the downfall of Gilead. The plots and storylines are well written, entertaining and makes you want to read on but they do lack the psychological pull THT had. Additionally, some of the plot twists are kind of telegraphed and the stories all fit together a bit too well and cleanly… made for a tv adaptation? Maybe? I missed the messiness and uncertainty and inner fear that Offred experiences in THT.
Another difference is how the Testaments is more action-focused and hopeful than the original - it’s the suffragettes to THT’s suffragists if you get what I mean. I liked this for sure and it’s entertaining but I did miss the inner pull and heartache, this separation of mind and body with Offred taking ownership of her mental body is her rebellion in a society where all that matters is her body and this is her power. Whereas information and smuggling is the power here, among other things. This actionness also makes the events and characters less realistic to THT but still ‘speculative’ in ways.
Of the three perspectives, aunt Lydia’s is by far the best and most encapsulating. That’s not to say Agnes and Nicole’s aren’t - they are and Atwood writes teenaged so well and lifelike for someone in their 80s. I wanted, I needed, I should have hated aunt Lydia. She is horrible and vindictive and did so many immoral things in THT and the Testaments but I couldn’t. I loved her. She’s so cunning, so knowledgeable, so focused, so powerful. She’s a badass. I don’t only like her for her crucial role in Gilead’s downfall but also her demeanour and personality despite being a villain in a sense. But also we got to see her story, how she was forced into this position - this or death and she chose to live, to thrive in fact, to hold power behind the scenes in a country where women lost all the power they had.
Overall, I definitely enjoyed this book and would totally recommend it. It’s a good book for sure and an adequate sequel to such an amazing literary classic but doesn’t compare in impact - how could it?
Moderate: Death, Pedophilia, Violence, Grief, Misogyny, Physical abuse, Religious bigotry, Abortion, Death of parent, Rape, Sexual violence, Sexism, Infertility, Infidelity, and Sexual harassment
overdramaticsoprano's review
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
5.0
Graphic: Religious bigotry and Misogyny
Moderate: Confinement, Cursing, Death, Infertility, Violence, Suicide attempt, Torture, Miscarriage, War, Infidelity, Suicidal thoughts, Suicide, Sexual assault, and Sexism
Minor: Rape