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linde13's review against another edition
mysterious
slow-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
I cannot stress enough how much I wanted to like this book. Fantasy heist led by a female criminal mastermind? You couldn't sign me up fast enough.
Unfortunately, while I like Arthie, she suffers from a "show don't tell" problem. When I think of other teen masterminds, like Artemis Fowl, Princess Azula, and Kaz Brekker, they're all given opportunities to prove that they're ruthless, manipulative, and brilliant before the story exposes their vulnerabilities. Arthie, unfortunately, never gets that opportunity: most, if not all, of her schemes result in failure or a close call, and she joins the heist in the first place because she's backed into a corner. She's by no means unintelligent, and she'd work if she were a smaller-scale criminal still working her way up the food chain, but for a character who's introduced as as a crime lord powerful enough to threaten the crown itself, she unfortunately falls short.
Arthie isn't my real issue with this book, though.
The book starts with some very awkward and forced flirting/"Admit it, you like him" nonsense between two people who have never spoken to each other before, and unfortunately, the romance didn't particularly improve from there. If any of the romances in this book had anything going for them other than "he's hot, she's hot, it's Just Meant To Be," then I was far too put off by all the awkward flirting, gushing over characters' appearances, and love-triangle-fueled immature sniping to appreciate it.
Which leads me to my next point: there are so many interesting relationships in this book, but other than Jin and Arthie they all feel underdeveloped--not just the romances, butPenn and Artie, Flick and her mother, the Spindrift crew, and Spindrift itself. I can't believe I'm saying this, but I wish this book focused less on the heist. For all that it takes up half the book, the heist doesn't accomplish anything other than getting our main characters together and setting up some exposition.
It took me two weeks to slog through the setup for the heist, and I was so, so close to dropping this book altogether. Thankfully, once it wraps up the heist and focuses on the vampire intrigue, the story becomes much, much more interesting. Or at the very least, it got me emotionally invested enough to want to read the sequel once it comes out.
Unfortunately, while I like Arthie, she suffers from a "show don't tell" problem. When I think of other teen masterminds, like Artemis Fowl, Princess Azula, and Kaz Brekker, they're all given opportunities to prove that they're ruthless, manipulative, and brilliant before the story exposes their vulnerabilities. Arthie, unfortunately, never gets that opportunity: most, if not all, of her schemes result in failure or a close call, and she joins the heist in the first place because she's backed into a corner. She's by no means unintelligent, and she'd work if she were a smaller-scale criminal still working her way up the food chain, but for a character who's introduced as as a crime lord powerful enough to threaten the crown itself, she unfortunately falls short.
Arthie isn't my real issue with this book, though.
The book starts with some very awkward and forced flirting/"Admit it, you like him" nonsense between two people who have never spoken to each other before, and unfortunately, the romance didn't particularly improve from there. If any of the romances in this book had anything going for them other than "he's hot, she's hot, it's Just Meant To Be," then I was far too put off by all the awkward flirting, gushing over characters' appearances, and love-triangle-fueled immature sniping to appreciate it.
Which leads me to my next point: there are so many interesting relationships in this book, but other than Jin and Arthie they all feel underdeveloped--not just the romances, but
It took me two weeks to slog through the setup for the heist, and I was so, so close to dropping this book altogether. Thankfully, once it wraps up the heist and focuses on the vampire intrigue, the story becomes much, much more interesting. Or at the very least, it got me emotionally invested enough to want to read the sequel once it comes out.
Content Warnings
Graphic: Colonisation, Blood, Fire/Fire injury, Racism, Violence, Death of parent, Grief, and Xenophobia
Moderate: Death, War, Classism, Injury/Injury detail, Gun violence, Body horror, and Trafficking
Minor: Misogyny, Sexism, Cultural appropriation, and Police brutality
To be clear, the trafficking is non-sexual. I'm not certain which category it would fall under, but there's a toxic parent-child relationship where the parent isn't outright abusive, but certainly manipulative and neglectful.whatbeccareadnext's review against another edition
adventurous
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
This book was decent, but I wasn't really gripped by the story. It was so, so similar in a lot of ways to Six of Crows, but I didn't feel that the stakes were as high. The characters lacked emotional depth for me, so I didn't feel connected to them during emotionally charged moments.
There were a few good twists and turns that I honestly didn't coming, although retrospectively I definitely should have. Overall, I think this series has promise, but I'm not sure I'm going to continue with it.
There were a few good twists and turns that I honestly didn't coming, although retrospectively I definitely should have. Overall, I think this series has promise, but I'm not sure I'm going to continue with it.
Content Warnings
Graphic: Cultural appropriation, Gun violence, Classism, Colonisation, Death of parent, Blood, Injury/Injury detail, Racism, Death, Fire/Fire injury, and Grief
Minor: Child death
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