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amarreth's review against another edition
challenging
emotional
inspiring
reflective
sad
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
Told through the lens of a 12-year-old girl, the story is about what it is to grow up and be a woman in the 1970s in Uganda as it is shifting from what was before to what is a colonized country. We see how the culture both rejects colonization and is forced to embrace it, we see what that means for a child who is also trying to understand her place in her family, without her mother, with a mostly absent father, and adoring, though firm, grandparents. The vestiges of the clan system, and the xenophobia that can bring as well as colorism that she, who is very dark, faces, and also that she herself applies to others. The story is simple, and that it is about a girl growing up. But everybody knows that growing up is never actually that simple and this story shows that very well.
Content Warnings
Graphic: Racism, Xenophobia, Colonisation, Religious bigotry, and Classism
Moderate: Death of parent and Grief
Minor: Miscarriage, War, Infertility, Kidnapping, Sexual content, Alcoholism, Child death, Domestic abuse, Violence, and Infidelity
The racism is mostly colorism, but that is not a tag. Additionally, the kidnapping is actually abduction of an adult minor character.achingallover's review
challenging
emotional
hopeful
mysterious
reflective
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Graphic: Abandonment, Adult/minor relationship, Blood, Body shaming, Cancer, Car accident, Colonisation, Death of parent, Grief, Miscarriage, Misogyny, Religious bigotry, Racism, Police brutality, Toxic friendship, Trafficking, War, and Violence
beckyjc's review
hopeful
mysterious
reflective
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
I discovered the Jhalak Prize this year, and The First Woman won its adult award for 2021. I also saw Makumbi speak at Cheltenham Literature Festival alongside Sophie Mackintosh in 2020 and her charisma encouraged me to try her writing.
This looked to be another absorbing family saga set against an historical and cultural backdrop I know little about - and I have enjoyed a few of those this year. This one started a bit slowly for me and it took a while for it to grip me, but I did enjoy it more as the story progressed. I think part of this is because there was a magical realism element, which I'm usually quite sceptical of. Kirabo 'flies' out of her body, particularly at times of emotional stress, and I still wasn't convinced about this by the end of the book.Was this really happening? If not, what was going on and what did it represent? Nsutta discusses this with her as if it's real and links it to the original state of woman, but I couldn't quite buy into it somehow.
The conversations that Kirabo has with village 'witch' Nsutta about womanhood and her discoveries of motherhood in all its incarnations are the parts I enjoyed the most. They are touching, wise and imbued with a wry humour. This is a novel defined by the relationships between the female characters; friends, mothers and daughters, aunts and nieces, grandmothers and granddaughters. All are drawn in their full complexity and humanity. The mythology around the 'first woman' is an undercurrent that resurfaces at various points of the narrative, and I always find it interesting to read about origin myths and national stories or worldviews from other countries and cultures. Part of Kirabo's journey is about testing the boundaries of these myths and exploring how well they stand up and can provide teachings in a fast changing world.
I learned more about Ugandan tradition, the impact of Idi Amin's regime, and the societal upheavals brought about by British colonialism and the arrival of Christianity. The contrasting definitions of wealth, family and power according to views of the villagers, Kampala residents and the West are explored. But it's the definition of what makes a woman and a mother that drives the novel.
Lively and profound.
This looked to be another absorbing family saga set against an historical and cultural backdrop I know little about - and I have enjoyed a few of those this year. This one started a bit slowly for me and it took a while for it to grip me, but I did enjoy it more as the story progressed. I think part of this is because there was a magical realism element, which I'm usually quite sceptical of. Kirabo 'flies' out of her body, particularly at times of emotional stress, and I still wasn't convinced about this by the end of the book.
The conversations that Kirabo has with village 'witch' Nsutta about womanhood and her discoveries of motherhood in all its incarnations are the parts I enjoyed the most. They are touching, wise and imbued with a wry humour. This is a novel defined by the relationships between the female characters; friends, mothers and daughters, aunts and nieces, grandmothers and granddaughters. All are drawn in their full complexity and humanity. The mythology around the 'first woman' is an undercurrent that resurfaces at various points of the narrative, and I always find it interesting to read about origin myths and national stories or worldviews from other countries and cultures. Part of Kirabo's journey is about testing the boundaries of these myths and exploring how well they stand up and can provide teachings in a fast changing world.
I learned more about Ugandan tradition, the impact of Idi Amin's regime, and the societal upheavals brought about by British colonialism and the arrival of Christianity. The contrasting definitions of wealth, family and power according to views of the villagers, Kampala residents and the West are explored. But it's the definition of what makes a woman and a mother that drives the novel.
Lively and profound.
Content Warnings
Moderate: Abandonment, Death of parent, Misogyny, and Sexism
Minor: Slavery, Violence, and War
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