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Reviews tagging 'Car accident'
Two Years Eight Months and Twenty-Eight Nights by Salman Rushdie
1 review
applesaucecreachur's review
adventurous
reflective
medium-paced
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
2.5
Was this book good? Not really, no. Did I enjoy it? What the heck, yes.
This was my formal introduction to Salman Rushdie and his distinctive writing style. I found it both refreshing and aggravating. As a lover of generous space between periods, I appreciated how a single one of Rushdie's sentences could go on for paragraphs. This ambitious bending of rules was less endearing when it became rambling sheets of purple prose told from vacillating perspectives. These perspectives belonged to flat characters who made for decent but tooth-grittingly unlikeable plot devices. Impressively, the female characters took this a step further by serving as over-sexualized witnesses to the chaotic clash between the jinni and human worlds. Particularly the three female love interests, Dunia/the Lightning Princess/Aasmaan Peri/Skyfairy , Ella Manezes, and Alexandra Bliss Fariña/The Lady Philosopher (when a title unnecessarily includes the holder's gender, you can bet it was given by a man), were all significantly younger than their male lovers. And what's more, their author chose to highlight this. The male characters were flat, but the female characters were flatter... while still managing to have curves, of course.
Oh but characters and self-importance aside, Rushdie has a beautiful lilt to his prose and some of his philosophical musings landed with me (bits about time, about loving, about the nature of being human and of being, the like). I hope whoever finds this copy in a Little Free Library will both critique and enjoy their time in its pages.
This was my formal introduction to Salman Rushdie and his distinctive writing style. I found it both refreshing and aggravating. As a lover of generous space between periods, I appreciated how a single one of Rushdie's sentences could go on for paragraphs. This ambitious bending of rules was less endearing when it became rambling sheets of purple prose told from vacillating perspectives. These perspectives belonged to flat characters who made for decent but tooth-grittingly unlikeable plot devices. Impressively, the female characters took this a step further by serving as over-sexualized witnesses to the chaotic clash between the jinni and human worlds. Particularly the three female love interests, Dunia
Oh but characters and self-importance aside, Rushdie has a beautiful lilt to his prose and some of his philosophical musings landed with me (bits about time, about loving, about the nature of being human and of being, the like). I hope whoever finds this copy in a Little Free Library will both critique and enjoy their time in its pages.
Content Warnings
Moderate: Adult/minor relationship, Gore, Violence, Grief, and Sexual content
Minor: Sexual violence, Car accident, War, and Incest
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