Screening the Sacred: Religion, Myth, and Ideology in Popular American Film by Joel Martin, Conrad E. Ostwalt Jr

Screening the Sacred: Religion, Myth, and Ideology in Popular American Film

Joel Martin, Conrad E. Ostwalt Jr

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What are the religious impulses in the 1976 film Rocky, and how can they work to shape one's social identity? Do the films Alien and Aliens signify the reemergence of the earth goddess as a vital cultural power? What female archetypes, borne out o...

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