Transnational Chinese Cinemas: Identity, Nationhood, Gender by Sheldon H. Lu

Transnational Chinese Cinemas: Identity, Nationhood, Gender

Sheldon H. Lu

missing page info Add in missing page information first pub 1997 (editions)

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Transnational Chinese Cinemas spans nearly the entire length of twentieth-century Chinese film history. The volume traces the evolution of Chinese national cinema, and demonstrates that gender identity has been central to its formation. Femininit...

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