Artificial Hells: Participatory Art and the Politics of Spectatorship by Claire Bishop

Artificial Hells: Participatory Art and the Politics of Spectatorship

Claire Bishop

382 pages first pub 2012 (editions)

nonfiction art informative reflective slow-paced
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Since the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience to take part an artist can promote new emancipatory social relations. Around the world, th...

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