A Theory of the Tache in Nineteenth-Century Painting by Øystein Sjåstad

A Theory of the Tache in Nineteenth-Century Painting

Studies in Art Historiography

Øystein Sjåstad

190 pages missing pub info (editions)

nonfiction art history informative reflective medium-paced
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Without question, the tache (blot, patch, stain) is a central and recurring motif in nineteenth-century modernist painting. Manet's and the Impressionists' rejection of academic finish produced a surface where the strokes of paint were presented d...

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