Regency, M/M. Grumpy baronet Sir John Hartlebury intends to protect his niece from glib fortune hunter Robin Loxleigh. Which he does. Sort of.  

Regency, M/M. An exasperated (and bankrupt) earl and a penniless thief join forces to retrieve a stolen bracelet. Novella.  

Regency, M/M. The Duke of Severn goes incognito to retrieve his heirloom ring, and meets disgraced drifter Daizell Charnage. Events result.  

M/M, 1810. Newly promoted baronet Sir Gareth Inglis finds himself living on the remote Romney Marsh…all too close to his former lover, the smuggler Joss Doomsday.  

M/M, 1823. Rufus, the new Earl of Oxney, takes on smuggler turned secretary Luke Doomsday to sort out his inheritance…but the old manor house is full of secrets.  

M/M, novella, Georgian, 1805. Businessman Martin St Vincent and dodgy author Theo Swann set off on a road-trip to pursue a runaway couple, and find love on the way. Part of the Jonathan ‘verse: standalone books set in the same world and very, very loosely linked by a fictional filthy novel called Jonathan by Theodore Swann. 

M/M, Georgian, 1807. Retiring young scholar Guy Frisby is forced into company with notorious rake Sir Philip Rookwood, who turns out to be a lot more charming than he expects. Part of the Jonathan ‘verse: standalone books set in the same world and very, very loosely linked by a fictional filthy novel called Jonathan by Theodore Swann.  

M/M, novella, Victorian, 1870s. Lawyer Vikram Pandey unexpectedly encounters his old school friend Gil Lawless, now a bookseller of ill repute, in the course of a search for a missing boy. Part of the Jonathan ‘verse: standalone books set in the same world and very, very loosely linked by a fictional filthy novel called Jonathan by Theodore Swann.  

Alt-late Victorian adventure, M/M, standalone. A reworking of pulp classic The Prisoner of Zenda with a different perspective and a lot more banging. Not a conventional HEA as such.  

F/F, horror, novelette, standalone. A horror story based on the Sweeney Todd legend. Not a romance!  

Murder mystery, standalone, not a romance. Jem Kite returns to Oxford to solve the murder of one of his best friends ten years ago, but digging for the truth disturbs a lot of secrets. 

1920s romantic suspense, m/m, standalone romance. A bizarrely talented graphologist and a sceptical policeman are plunged into unexpected mystery in 1920s London gangland.