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A review by siria
All Among The Barley by Melissa Harrison
- Plot- or character-driven? Character
- Flaws of characters a main focus? Yes
3.0
All Among the Barley focuses on fourteen-year-old Edie, the bright daughter of a struggling farming family in 1930s Suffolk, whose world is on the cusp of great change. Melissa Harrison's evocation of this rural landscape, as yet minimally affected by agricultural mechanisation, is a vivid one: the weeding of crops is still done by hand, horses still pull the plough, corncrakes still call in abundance from the hedgerows. Yet equally Harrison doesn't fall into the trap of thinking of the countryside or those who live there as unchanging pastoral idylls where change is unwanted. Canned goods make the farm wife's life easier, and it's clear that once tractors can cope better with the region's heavy clay soils, the days of the plough horses will be numbered.
But where the physical landscape of the book felt real, its emotional landscape didn't convince me so much. Some of the characters—like smiling, jolly-hockey-sticks fascist Connie—are too direct from Central Casting, while Edie's own story felt a bit airless. That, combined with a rather unconvincing epilogue, made All Among the Barley feel like the book equivalent of a glossy Sunday evening period drama on the Beeb. The cinematography is lovely, the costuming is on-point, the actors all very prestigious—but there is perhaps the suspicion that there isn't much there there.
But where the physical landscape of the book felt real, its emotional landscape didn't convince me so much. Some of the characters—like smiling, jolly-hockey-sticks fascist Connie—are too direct from Central Casting, while Edie's own story felt a bit airless. That, combined with a rather unconvincing epilogue, made All Among the Barley feel like the book equivalent of a glossy Sunday evening period drama on the Beeb. The cinematography is lovely, the costuming is on-point, the actors all very prestigious—but there is perhaps the suspicion that there isn't much there there.