Scan barcode
A review by theseventhl
Blameless by Gail Carriger
5.0
Originally posted here at Anime Radius.
Do you like fantasy books in alternative Victorian England where the technology and fashion of steampunk is part of everyday life? Do you like your werewolves and vampires and other supernatural things to wear fancy dress and follow the old fashioned rules of etiquette, usually to humorous effect? Do you like reading about a well-read half-Italian woman who isn't afraid to speak her mind and wields a parasol like a weapon (because it is)? And . . . you're not reading the Parasol Protectorate series by Gail Carriger, now at three books and ongoing? For shame! Right now, there hasn't been a better time to jump into this excellent series, especially since the third book kicks off so many plots and subplots that will continue the story through several more volumes - all of them wickedly interesting and sure to make great reads in the next year. Plus, more Alexia Tarabotti! And that can never be a bad thing.
In the third book of the series chronicling Alexia's adventures in both the abnormal and the mundane, Blameless, she finds herself in a bigger pickle than ever before: her husband has deserted her; there's an impossible baby on the way; she has to live with her odious family yet again; her vampire BFF has gone AWOL with no clear reason why; it seems like everyone is pretty much out to kill her - including, of all things, mechanical ladybugs with very dangerous antennae. As usual, the amount of paranormal nonsense Alexia must go through on a daily basis is always strange and vastly interesting - as well as the fact that Alexia is less scandalized by these things happening to her as much as the fact that protecting herself from them means ruining all her best skirts and gowns in the process. In this volume, however, she has one more thing to worry about - she's pregnant. Her conversations with the 'infant-inconvenience' growing in her body are terribly amusing, and it makes one wonder what kind of mother Alexia will make if/when the child is born - or for that matter, what kind of father Lord Maccon might be.
Another new thing in Blameless is the new attention on Lady Tarabotti's preternatural soulless state, now more curious than ever seeing that she's with child by a werewolf, and such a union is rare if not impossible. As readers, we have spent two books following Alexia's life without a soul and have gotten used to her 'condition', so seeing characters like the German scientist Mr. Lange-Wilsdorf (who insists on addressing Alexia as the 'Female Specimen') and the church's preceptor (who in turn calls Alexia 'My Soulless One', capital letters and all) examine her like a slide underneath a microscope's gaze is unsettling in the strangest of ways. It's a good sign that Alexia's soullessness is going to become part of the ongoing story in a big way and I look forward to seeing how everything is resolved, if anything is. Add to this the dynamics of werewolf packs and vampire hives as well as the inner workings of England's high society set against a very gears-and-cogs world and it's plain to see that all the world-building and details built up in the first book are greatly paying off.
So, let's add it all up, shall we? In this book alone, a fearlessly stubborn and pregnant soulless female lead is dodging killer insects and odious vampires currently swarming a most steampunk London set in the Victorian age before being forced to flee with her stiff upper lipped butler and French inventor female friend to the land of tasty green sauce and dementedly religious Templars while her husband skulks around drunk on 'pickling' liquid and his beta is forced to pick up the pace of running the pack - and somewhere in the English countryside a fabulously distressed vampire is looking for his favorite drone and a research center disguised as a hat boutique is being overrun by ugly headgear by an unwitting Ivy Hisselpenny and her board-treading husband. With all these awesome exciting things going on, you'd be demmed foolish to not give this book a whirl.
Do you like fantasy books in alternative Victorian England where the technology and fashion of steampunk is part of everyday life? Do you like your werewolves and vampires and other supernatural things to wear fancy dress and follow the old fashioned rules of etiquette, usually to humorous effect? Do you like reading about a well-read half-Italian woman who isn't afraid to speak her mind and wields a parasol like a weapon (because it is)? And . . . you're not reading the Parasol Protectorate series by Gail Carriger, now at three books and ongoing? For shame! Right now, there hasn't been a better time to jump into this excellent series, especially since the third book kicks off so many plots and subplots that will continue the story through several more volumes - all of them wickedly interesting and sure to make great reads in the next year. Plus, more Alexia Tarabotti! And that can never be a bad thing.
In the third book of the series chronicling Alexia's adventures in both the abnormal and the mundane, Blameless, she finds herself in a bigger pickle than ever before: her husband has deserted her; there's an impossible baby on the way; she has to live with her odious family yet again; her vampire BFF has gone AWOL with no clear reason why; it seems like everyone is pretty much out to kill her - including, of all things, mechanical ladybugs with very dangerous antennae. As usual, the amount of paranormal nonsense Alexia must go through on a daily basis is always strange and vastly interesting - as well as the fact that Alexia is less scandalized by these things happening to her as much as the fact that protecting herself from them means ruining all her best skirts and gowns in the process. In this volume, however, she has one more thing to worry about - she's pregnant. Her conversations with the 'infant-inconvenience' growing in her body are terribly amusing, and it makes one wonder what kind of mother Alexia will make if/when the child is born - or for that matter, what kind of father Lord Maccon might be.
Another new thing in Blameless is the new attention on Lady Tarabotti's preternatural soulless state, now more curious than ever seeing that she's with child by a werewolf, and such a union is rare if not impossible. As readers, we have spent two books following Alexia's life without a soul and have gotten used to her 'condition', so seeing characters like the German scientist Mr. Lange-Wilsdorf (who insists on addressing Alexia as the 'Female Specimen') and the church's preceptor (who in turn calls Alexia 'My Soulless One', capital letters and all) examine her like a slide underneath a microscope's gaze is unsettling in the strangest of ways. It's a good sign that Alexia's soullessness is going to become part of the ongoing story in a big way and I look forward to seeing how everything is resolved, if anything is. Add to this the dynamics of werewolf packs and vampire hives as well as the inner workings of England's high society set against a very gears-and-cogs world and it's plain to see that all the world-building and details built up in the first book are greatly paying off.
So, let's add it all up, shall we? In this book alone, a fearlessly stubborn and pregnant soulless female lead is dodging killer insects and odious vampires currently swarming a most steampunk London set in the Victorian age before being forced to flee with her stiff upper lipped butler and French inventor female friend to the land of tasty green sauce and dementedly religious Templars while her husband skulks around drunk on 'pickling' liquid and his beta is forced to pick up the pace of running the pack - and somewhere in the English countryside a fabulously distressed vampire is looking for his favorite drone and a research center disguised as a hat boutique is being overrun by ugly headgear by an unwitting Ivy Hisselpenny and her board-treading husband. With all these awesome exciting things going on, you'd be demmed foolish to not give this book a whirl.