A review by wooblatoober
Tomorrow, and Tomorrow, and Tomorrow by Gabrielle Zevin

challenging emotional funny hopeful inspiring reflective sad slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Flaws of characters a main focus? Yes

4.75

i really enjoyed zevin’s ability to portray characters with generosity & portray ever-changing relationships, even with rifts, and just overall make everything feel real.

i’m obsessed with marx’s fruit tree motif. he’s ever-giving, and he’s beautiful, and he’s soft. the love he gives freely is so beautiful and bountiful and juicy and sweet, but not too much so, like a fuyu persimmon. for now, maybe because of my own experiences, i’m more hung up on marx’s death than sam & sadie’s stories and relationship.


zevin does an AMAZING job of showing how people and their relationships change over time. it’s crazy how much my opinions on the characters changed over time, waxing and waning and flipping between them.
specifically, i loved sadie at the beginning and felt sorry for how she was being manipulated, then disliked her toward the end, which isn’t even how every reader might feel about her, since she seems like such a real person, and real people have some people that like them and some people that don’t. conversely, i was a bit annoyed by sam for the beginning, thinking he seemed like any other toxic smart guy who thinks he’s smarter than everybody else, until i started LOVING him toward the middle, then i was a bit annoyed by him again by the end for his lack of communication, though i was proud of his growth and baby steps in communication.


this book reads like creative nonfiction. it’s remarkable. my only small complaint is a major spoiler (everything i’ve marked “spoiler” is a major spoiler though), and that’s basically the end of the book. tl;dr for the spoiler, i felt like the ending was just over the line of a little bit too late in the back-and-forth of the story to feel satisfied by it. i felt empty at the end like i do out of all the best books, but that emptiness came from events that happened before the ending of the book, and the ending was overshadowed by that and felt too little too late.
by sadie and sam’s happy ending, which implies that they’ll fight again in the future but will work to be better to themselves and each other, i was kinda over it. overshadowed by marx’s death, i had become done with sadie’s paralysis and easy-to-anger attitude as well as her ability to hold a grudge that outshines teen sam’s, and done with sam’s refusal to communicate, even if they had experiences or mental illnesses that facilitated those actions (or lack thereof).
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