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A review by gvstyris
The Picture of Dorian Gray by Oscar Wilde
dark
emotional
reflective
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.25
The sitter is merely the accident, the occasion. It is not he who is revealed by the painter; it is rather the painter who, on the coloured canvas, reveals himself. The reason I will not exhibit this picture is that I am afraid that I have shown in it the secret of my own soul.
The Picture of Dorian Gray derives its power from being both timeless and a time capsule: simultaneously a window into the superficiality of Victorian aristocracy and an eerily relevant tale of our society's enduring obsession with youth and beauty. Dorian's moral degradation is subtle and poignant, arguably amplifying following Sybil's death and as a result of Lord Henry's influence. This novel is a series of character studies, with each arc's resolution suitably poetic -- particularly those of Dorian and Basil. I also think it's worth acknowledging that the perspective in this book is deliberately very white, British and male, making it an interesting commentary on masculinity. I would argue that much of the misogyny shown on the page is deliberate and plot-relevant.
This was my first time reading anything by Oscar Wilde, and I was surprised by how overt the queer undertones were. I've similarly found Wilde's commentary on his relationship to his characters to be one of the more interesting takeaways here, with him noting that "Basil Hallward is what I think I am: Lord Henry what the world thinks me: Dorian what I would like to be—in other ages, perhaps.” Much to research, anyways -- it's clear that this novel is inseparable from Wilde himself.
I've knocked off some points for the odd painfully overwritten section (Chapter 11, for example) which hindered my enjoyment throughout. I definitely had to push through at times, but am glad to have finally read this one.
This was my first time reading anything by Oscar Wilde, and I was surprised by how overt the queer undertones were. I've similarly found Wilde's commentary on his relationship to his characters to be one of the more interesting takeaways here, with him noting that "Basil Hallward is what I think I am: Lord Henry what the world thinks me: Dorian what I would like to be—in other ages, perhaps.” Much to research, anyways -- it's clear that this novel is inseparable from Wilde himself.
I've knocked off some points for the odd painfully overwritten section (Chapter 11, for example) which hindered my enjoyment throughout. I definitely had to push through at times, but am glad to have finally read this one.
Those who are faithful know only the trivial side of love: it is the faithless who know love's tragedies.
Content Warnings
Graphic: Murder
Moderate: Misogyny and Suicide
Minor: Antisemitism and Racism