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A review by beautifulpaxielreads
The Dictionary of Lost Words by Pip Williams
challenging
emotional
reflective
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
4.0
Pip Williams' The Dictionary of Lost Words is one of the most meaningful, thought-provoking novels I have ever read, and yet there were parts of it that I struggled with.
As the title suggests, this is a book about words, more specifically those words that are not considered important enough to be compiled into the first-ever edition of the Oxford English Dictionary (OED). Since the task of compiling the OED is largely left to older white men, inevitably their ingrained biases ensure that the dictionary is skewed towards a male view of the world, and this is writ large when it comes to the male attitude to women.
In the year 1901, one of the OED's loyal fans discovered that the word "bondmaid" was missing from the dictionary. It is from this factual nugget that Pip Williams has constructed the fictional character and heroine of the novel, Esme Nicoll. The story of the novel is the story of Esme's life, covering late Victorian-era Great Britain to the First World War.
The novel was written almost entirely (aside from the last two chapters ) from Esme's POV, and this was where I had the most difficulty. Even though I could see Williams had crafted Esme with great care, and I (mostly) liked and sympathised with her, she seemed passive in many ways and I struggled to truly understand her motivations and feelings.
In terms of other characters, I most liked Harry, Esme's widowed father, Edith "Ditte" Thompson, Esme's mentor and mother figure, and Lizzie, a serving maid at Murray household where Esme spends her childhood and whom Esme eventuallydevelops a close bond with .
I also had some issues with the novel's structure and pacing, which seemed uneven to me. Even though the beginning of each chapter stated the year and the month in which it was set, the time jumps could be hours, days, weeks, or even months at a time. These jumps were not always consistent, leaving me confused as to just how much time had passed between the beginning and end of a chapter. It kind of felt a bit lumpy.
Ultimately, it was the themes of this novel that I most strongly resonated with - the way certain words were defined to degrade not only by gender but by social status, the way words could come to mean more than one thing, the development of slang and curse words, and most poignantly, the inadequacy of words to describe the human experience.
This is a novel that, to me, asks two fundamental questions: Whose words matter? And almost more importantly, who gets to decide?
A moving, thought-provoking read.
As the title suggests, this is a book about words, more specifically those words that are not considered important enough to be compiled into the first-ever edition of the Oxford English Dictionary (OED). Since the task of compiling the OED is largely left to older white men, inevitably their ingrained biases ensure that the dictionary is skewed towards a male view of the world, and this is writ large when it comes to the male attitude to women.
In the year 1901, one of the OED's loyal fans discovered that the word "bondmaid" was missing from the dictionary. It is from this factual nugget that Pip Williams has constructed the fictional character and heroine of the novel, Esme Nicoll. The story of the novel is the story of Esme's life, covering late Victorian-era Great Britain to the First World War.
The novel was written almost entirely (
In terms of other characters, I most liked Harry, Esme's widowed father, Edith "Ditte" Thompson, Esme's mentor and mother figure, and Lizzie, a serving maid at Murray household where Esme spends her childhood and whom Esme eventually
I also had some issues with the novel's structure and pacing, which seemed uneven to me. Even though the beginning of each chapter stated the year and the month in which it was set, the time jumps could be hours, days, weeks, or even months at a time. These jumps were not always consistent, leaving me confused as to just how much time had passed between the beginning and end of a chapter. It kind of felt a bit lumpy.
Ultimately, it was the themes of this novel that I most strongly resonated with - the way certain words were defined to degrade not only by gender but by social status, the way words could come to mean more than one thing, the development of slang and curse words, and most poignantly, the inadequacy of words to describe the human experience.
This is a novel that, to me, asks two fundamental questions: Whose words matter? And almost more importantly, who gets to decide?
A moving, thought-provoking read.
Content Warnings
Graphic: Classism, Injury/Injury detail, Medical content, Medical trauma, Mental illness, Misogyny, Death, Death of parent, Pregnancy, War, Sexism, and Grief
Moderate: Colonisation, Cursing, Emotional abuse, Child abuse, Sexual content, Confinement, Bullying, Blood, and Physical abuse
Minor: Alcohol, Slavery, Racism, Fatphobia, Fire/Fire injury, and Sexual harassment
This novel takes place during the rise of the first wave of feminism in the early 20th century. It includes a discussion and descriptions of imprisoned suffragettes going on hunger strikes and being forcibly fed by prison staff .
There are also some pretty graphic descriptions of the carnage during the First World War, not only those experienced by soldiers fighting on the Western Front but there is also a graphic description of the brutal murders of Belgian babies by German soldiers, who then went on to rape and mutilate these babies' mothers.