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Flirt suffers from the same stylistic quirks I don't really enjoy in LKH's other books: the action often gets bogged down for long periods of time for Anita to think about things or for Anita and the other characters in the scene to have long, reflective conversations about "what's happening here?". I don't enjoy it because it feels like it bogs down the story and I don't enjoy it because it feels entirely too rational for everyone (and this often includes the 'villains' of the piece) to sit down and powwow about what they're feeling and why. It also feels too much like LKH doing her own story mechanics in-story rather than outside the story's framework.
All that being said, I liked how (relatively) quickly Anita came to her decisions, without a lot of hair-pulling over what she was doing and what it was going to do to her in the long-term. I also liked the addition of Nicky to the pantheon of characters. He seems like he could be interesting on his own merits and he seems like he could present interesting difficulties now that he's so closely tied to Anita.
All that being said, I liked how (relatively) quickly Anita came to her decisions, without a lot of hair-pulling over what she was doing and what it was going to do to her in the long-term. I also liked the addition of Nicky to the pantheon of characters. He seems like he could be interesting on his own merits and he seems like he could present interesting difficulties now that he's so closely tied to Anita.