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A review by jasonmehmel
Test of the Twins by Margaret Weis, Tracy Hickman
2.0
Even though everything that bugged me about this series remained present here: out-of-place humour that isn't really that funny, emotional arcs for characters that don't make sense of play out realistically, and a confusion of theme and tone... is this about temptation, forgiveness, or just a struggle between good and evil?
(The authors play it vague between all of these and none of them really pay off, at least in ways that make sense. They have plot signposts that signify the dramatic moment, but they don't actually earn it.)
Even though all of that is still present, I found this book and this series to be very readable. Moreso than some other D&D or other game-universe novelizations out there. The plot moves along briskly and in that respect a lot of the problems feel less so, because you're not dwelling in them long enough to be truly bothered. There is an epic scope here, and even if the book doesn't really make the best use of it, it does gesture at it enough that you can fill it out in your head... which is probably exactly what made these books so magical for teenagers. (Who also didn't yet have the emotional literacy to sense how bland the emotional arcs of these characters truly are.)
This might be why Robert Jordan's Wheel of Time is so difficult for me... it has a rolling plot, but instead of moving briskly through its repetitive writing tics and one-note characters, it dwells on them... you're stuck in these moments for much longer. (One Wheel of Time book is as long as this entire trilogy.)
(The authors play it vague between all of these and none of them really pay off, at least in ways that make sense. They have plot signposts that signify the dramatic moment, but they don't actually earn it.)
Even though all of that is still present, I found this book and this series to be very readable. Moreso than some other D&D or other game-universe novelizations out there. The plot moves along briskly and in that respect a lot of the problems feel less so, because you're not dwelling in them long enough to be truly bothered. There is an epic scope here, and even if the book doesn't really make the best use of it, it does gesture at it enough that you can fill it out in your head... which is probably exactly what made these books so magical for teenagers. (Who also didn't yet have the emotional literacy to sense how bland the emotional arcs of these characters truly are.)
This might be why Robert Jordan's Wheel of Time is so difficult for me... it has a rolling plot, but instead of moving briskly through its repetitive writing tics and one-note characters, it dwells on them... you're stuck in these moments for much longer. (One Wheel of Time book is as long as this entire trilogy.)