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A review by jce
Olivetti by Allie Millington
adventurous
emotional
hopeful
mysterious
reflective
sad
medium-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? It's complicated
- Flaws of characters a main focus? It's complicated
2.5
This was okay, but never really rose above that. The cover is gorgeous. I think the bones of the story have a lot of potential, and thought the blurb sounded right up my alley. But the writing and characters never fully drew me in.
I did like the dual narration, one narrator for the chapters from Ernest's POV and one for Olivetti's chapters. I think I enjoyed the audiobook more than I would have the print, because it did up my engagement some and brought a little more life to Olivetti in particular. I've liked books narrated by Simon Vance, who voices Olivetti, in the past, and again enjoyed the narration here, though I was slightly bothered by the accent so many British people seem to do when voicing Americans, which didn't really fit the way any of the characters sounded when voiced by the American narrator. So while I liked his narration for Olivetti, when he voiced the other characters during those chapters I wasn't the biggest fan.
I think part of the problem for me with this book was the story trying to do too much. There's the typewriter being sentient, Ernest having no friends and really struggling, the family's past struggles and current emotional distance, a new friend Ernest meets and has trouble trusting and opening up to, a serious mystery to solve, and more. I think that just focusing on on the family would have tightened the story up a lot and made more room for character growth. As it was, each family member apart from the main character had one personality trait repeated over and over again and we knew little else about them or their relationships with one another. I usually ADORE sentient objects and robots and such in stories but I felt nothing for Olivetti. Even the typewriter didn't have enough personality to be a really engaging character. I just wanted to feel something while reading this story, a little bit of magic or strong emotion, but I never did.
I have some reservations about a book where a parent's past battle with cancer, and their cancer returning are the sort of hidden aspects of the story that are alluded to for a long time before finally being revealed. I definitely think these topics belong in books for this age group. But I don't think it's appropriate for students to be taken by surprise by them in a book, the way they are intended to here. I think that Ernest and his father and mother's navigating these incredibly difficult situations was well portrayed, but I think the story could have worked well if it had unfolded in a way where these weren't kept secret from the reader for so long. I hope that the actual book will have content warnings at the start.
I was kind of flummoxed by the emphasis on Ernest never using his phone at all. We're told this is because he has no friends to call or text with. But the internet exists. It's awesome that he has a fixation on the dictionary and really enjoys that, but there are surely groups for people who love the dictionary and games for kids who love words along with worlds of information and books and other things to delve into. I just found that aspect of the story quite odd.
I also found the worldbuilding around typewriters being sentient (such a fun idea!) to be lacking and not particularly interesting. Again, so much potential, but it never really went anywhere.
Again, this felt very much like a story I would love, but the characters and writing never quite reached that memorable magic that the best books have. This would merit an additional purchase in my school library, as long as it contained content warnings so students weren't caught unawares by the difficult topics which might inspire a lot of anxiety in students who have faced similar family situations.
*Audio ARC provided by NetGalley.
I did like the dual narration, one narrator for the chapters from Ernest's POV and one for Olivetti's chapters. I think I enjoyed the audiobook more than I would have the print, because it did up my engagement some and brought a little more life to Olivetti in particular. I've liked books narrated by Simon Vance, who voices Olivetti, in the past, and again enjoyed the narration here, though I was slightly bothered by the accent so many British people seem to do when voicing Americans, which didn't really fit the way any of the characters sounded when voiced by the American narrator. So while I liked his narration for Olivetti, when he voiced the other characters during those chapters I wasn't the biggest fan.
I think part of the problem for me with this book was the story trying to do too much. There's the typewriter being sentient, Ernest having no friends and really struggling, the family's past struggles and current emotional distance, a new friend Ernest meets and has trouble trusting and opening up to, a serious mystery to solve, and more. I think that just focusing on on the family would have tightened the story up a lot and made more room for character growth. As it was, each family member apart from the main character had one personality trait repeated over and over again and we knew little else about them or their relationships with one another. I usually ADORE sentient objects and robots and such in stories but I felt nothing for Olivetti. Even the typewriter didn't have enough personality to be a really engaging character. I just wanted to feel something while reading this story, a little bit of magic or strong emotion, but I never did.
I have some reservations about a book where a parent's past battle with cancer, and their cancer returning are the sort of hidden aspects of the story that are alluded to for a long time before finally being revealed. I definitely think these topics belong in books for this age group. But I don't think it's appropriate for students to be taken by surprise by them in a book, the way they are intended to here. I think that Ernest and his father and mother's navigating these incredibly difficult situations was well portrayed, but I think the story could have worked well if it had unfolded in a way where these weren't kept secret from the reader for so long. I hope that the actual book will have content warnings at the start.
I was kind of flummoxed by the emphasis on Ernest never using his phone at all. We're told this is because he has no friends to call or text with. But the internet exists. It's awesome that he has a fixation on the dictionary and really enjoys that, but there are surely groups for people who love the dictionary and games for kids who love words along with worlds of information and books and other things to delve into. I just found that aspect of the story quite odd.
I also found the worldbuilding around typewriters being sentient (such a fun idea!) to be lacking and not particularly interesting. Again, so much potential, but it never really went anywhere.
Again, this felt very much like a story I would love, but the characters and writing never quite reached that memorable magic that the best books have. This would merit an additional purchase in my school library, as long as it contained content warnings so students weren't caught unawares by the difficult topics which might inspire a lot of anxiety in students who have faced similar family situations.
*Audio ARC provided by NetGalley.