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A review by _persephone_
Funny Feelings by Tarah DeWitt
emotional
funny
reflective
fast-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.0
Funny Feelings is an amazing novel with many different- but all, for the most part, equally well done- topics.
We have two main characters, Farley and Meyer. Farley is a somewhat new, up-and-coming, comedian, and Meyer is her manager. DeWitt uses a lot of pretty common tropes like Grumpy/Sunshine and Age Gap but she twists it different ways to make it her own. Thankfully, Farley and Meyer don't fall into the worse side of those two tropes, Farley in no way acts childish or immature, and Meyer isn't some nearly unredeemable asshole who ends up being sexist to everyone but the WMC like we're supposed to find that hot. Instead, it's pretty much the opposite. Farley acts like the twenty-something year old woman that she is, Meyer, while sometimes can come off a bit asshole-ish, is completely redeemable (painfully sweet, really), and is definitely not sexist.
Which is not surprising considering another main theme of this books is feminism, one that is done very well. Farley talks about how misogynist people in her field can be, widely uplifting male comedians while putting female comedians down. One of my favorite parts of this book is the female friendships, Farley has a wonderful, mother-ish relationship with Meyers daughter, Hazel, one that is obviously very well thought-out and very adorable. Then you have Farley's friendship with her best friend, Marissa, and with two fellow female comedians, they all support and uplift each other repeatedly, and have very hilarious but heartfelt conversations between them.
Additionally, Hazel is deaf, a topic, which isn't even a topic in the best way. It is integrated very naturally into the story. As someone who is not deaf, I will not speak too much on whether it is well done, as I do not know, but I do know that from a writing standpoint, it was very smooth and consistent. The characters facetimed Hazel whenever they wanted to talk on the phone, the author remembered to have them set the phone down somewhere so they could sign, and the writing wasn't redundant, in the way that it didn't make you feel like you were stupid by reminding you everytime that Hazel was there that they were signing ASL as they were talking, they mentioned it when it was needed or relevant but not any more or less than that.
Now, for the reasons this was a 4 star read and not a 5 star. Firstly, the representation. Like I previously mentioned, Hazel is deaf, and, from my knowledge, I believe it was pretty well done, but sadly, that's all there is. The two main characters are obviously white, with the cover showing them as such (and with Farley being a natural red-head). From there you can also assume that Hazel is white, unless she is mixed, which is never mentioned. Then there's the side characters, all of which you can assume are POC if you would so choose but, once again it's never mentioned either way. Then the vague sense of heteronormativity you get when you realize that every non-single person is either dating or married to someone the opposite sex then them, with no mention or hint of queerness from anyone. Even in the characters internal dialogue, sometimes I got the feeling that even they just assume that everyone in the room is straight. It's not like it's a big thing, or even a thing at all in the book, no one is homophobic or, bringing it back to the lack of people of color, racist, but I guess that's the point, it just goes unnoticed, forgotten. Next there's the pacing and timing. The characters would often be at one place, the suddenly, with no real explanation be at the next, and the author wouldn't even say where they were until you were already thoroughly confused. Lastly I feel like certain topics never really got a satisfying conclusion, or at least one topic specifically. I feel like with how much Farley talked about her dad, or her own 'daddy issues', that her dad would've shown up more then in that one flashback near the beginning, instead they barley talked about him. I mean, where was she when she Farley was growing up? Where was he after her mother died? Did Farley even know? Was him and Farley's mother ever together? Did they get a divorce? So many questions and no answers except them talking about how he's disappointed in her. And the only conclusion we got for any of it was one sentence talking about him at the end .
In all though, Farley and Meyer were adorable, and very fluffy, which I suppose is the main thing you want when you read a romance novel. My only complain about them was that, like most romance novels, there was indeed a third act breakup. For the most part, I've gotten used to these and the don't bother me anymore, but this one in particular really bugged me. Through the entire book, Farley and Meyer had amazing communication, they talked through and about everything together. So, imagine my surprise when the TAB was caused by one of them keeping something from the other. It came out of nowhere and didn't even make sense. Not to mention that it added nothing to the plot, and I mean nothing. It didn't develop Farley and Meyers relationship whatsoever and it was too short and nonsensical to actually cause conflict.
Even so, I did truly enjoy this book and will definitely be rereading it.
Rep: Deaf side character
Tropes: Age Gap, Grumpy/Sunshine, Single Dad, Workplace Romance(kind of), Dual POV, Friends to Lovers
We have two main characters, Farley and Meyer. Farley is a somewhat new, up-and-coming, comedian, and Meyer is her manager. DeWitt uses a lot of pretty common tropes like Grumpy/Sunshine and Age Gap but she twists it different ways to make it her own. Thankfully, Farley and Meyer don't fall into the worse side of those two tropes, Farley in no way acts childish or immature, and Meyer isn't some nearly unredeemable asshole who ends up being sexist to everyone but the WMC like we're supposed to find that hot. Instead, it's pretty much the opposite. Farley acts like the twenty-something year old woman that she is, Meyer, while sometimes can come off a bit asshole-ish, is completely redeemable (painfully sweet, really), and is definitely not sexist.
Which is not surprising considering another main theme of this books is feminism, one that is done very well. Farley talks about how misogynist people in her field can be, widely uplifting male comedians while putting female comedians down. One of my favorite parts of this book is the female friendships, Farley has a wonderful, mother-ish relationship with Meyers daughter, Hazel, one that is obviously very well thought-out and very adorable. Then you have Farley's friendship with her best friend, Marissa, and with two fellow female comedians, they all support and uplift each other repeatedly, and have very hilarious but heartfelt conversations between them.
Additionally, Hazel is deaf, a topic, which isn't even a topic in the best way. It is integrated very naturally into the story. As someone who is not deaf, I will not speak too much on whether it is well done, as I do not know, but I do know that from a writing standpoint, it was very smooth and consistent. The characters facetimed Hazel whenever they wanted to talk on the phone, the author remembered to have them set the phone down somewhere so they could sign, and the writing wasn't redundant, in the way that it didn't make you feel like you were stupid by reminding you everytime that Hazel was there that they were signing ASL as they were talking, they mentioned it when it was needed or relevant but not any more or less than that.
Now, for the reasons this was a 4 star read and not a 5 star. Firstly, the representation. Like I previously mentioned, Hazel is deaf, and, from my knowledge, I believe it was pretty well done, but sadly, that's all there is. The two main characters are obviously white, with the cover showing them as such (and with Farley being a natural red-head). From there you can also assume that Hazel is white, unless she is mixed, which is never mentioned. Then there's the side characters, all of which you can assume are POC if you would so choose but, once again it's never mentioned either way. Then the vague sense of heteronormativity you get when you realize that every non-single person is either dating or married to someone the opposite sex then them, with no mention or hint of queerness from anyone. Even in the characters internal dialogue, sometimes I got the feeling that even they just assume that everyone in the room is straight. It's not like it's a big thing, or even a thing at all in the book, no one is homophobic or, bringing it back to the lack of people of color, racist, but I guess that's the point, it just goes unnoticed, forgotten. Next there's the pacing and timing. The characters would often be at one place, the suddenly, with no real explanation be at the next, and the author wouldn't even say where they were until you were already thoroughly confused. Lastly I feel like certain topics never really got a satisfying conclusion, or at least one topic specifically.
In all though, Farley and Meyer were adorable, and very fluffy, which I suppose is the main thing you want when you read a romance novel. My only complain about them was that, like most romance novels, there was indeed a third act breakup. For the most part, I've gotten used to these and the don't bother me anymore, but this one in particular really bugged me. Through the entire book, Farley and Meyer had amazing communication, they talked through and about everything together. So, imagine my surprise when the TAB was caused by one of them keeping something from the other. It came out of nowhere and didn't even make sense. Not to mention that it added nothing to the plot, and I mean nothing. It didn't develop Farley and Meyers relationship whatsoever and it was too short and nonsensical to actually cause conflict.
Even so, I did truly enjoy this book and will definitely be rereading it.
Rep: Deaf side character
Tropes: Age Gap, Grumpy/Sunshine, Single Dad, Workplace Romance(kind of), Dual POV, Friends to Lovers
Content Warnings
Graphic: Mental illness, Misogyny, Sexism, and Death of parent
Moderate: Ableism, Panic attacks/disorders, and Sexual content
Minor: Bullying, Pregnancy, and Alcohol