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A review by shelfofunread
The Carnival Of Ash by Tom Beckerlegge
adventurous
dark
funny
mysterious
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
3.0
Cadenza is the City of Words. Its Renaissance splendour comes from the spiralling towers of its many libraries whilst its taverns and streets sing with the lyrical offering of poets and thrum to the beat of the Printing Quarter’s presses. Even its shadows are filled with the scandalous offerings of the Ink Maids. revered and reviled in equal measure. Picking up Tom Beckerlegge’s adult debut, The Carnival of Ash, is to be drawn into this enthralling world, although I have to admit that, what I found when I arrived there wasn’t quite what I expected going in!
From the blurb, I was expecting a historical fantasy novel that followed young wordsmith Carlo Mazzoni as he becomes embroiled in the intrigues of Cadenza. The Carnival of Ash is, however, a more layered affair than the blurb would suggest. Divided into twelve cantos, each of which is told from the perspective of a different character, the world of Cadenza is instead gradually unveiled to the reader and, in the second half of the novel, the stories and characters begin to weave together to reveal a wider portrait of a city which threatens to destroy itself from within.
To be honest, this style threw me when I first began reading. The first half of the novel does, at times, feel like reading connected short stories more than a single coherent narrative and I did spend some time wondering when the wider plot would begin to emerge. And whilst I really liked the way in which the novel developed as an alternative history, filled with political intrigue, social nuance, and some light fantastical elements, I think anyone going into this book and expecting a fantasy along the lines of Caraval will be disappointed. Instead, The Carnival of Ash is more akin to Jonathan Strange & Mr Norrell or The Night Circus, with its blend of history and magical realism, and its focus upon layered storytelling rather than pacy plot.
The Carnival of Ash is also a much darker book than I expected. The opening canto features a character who expresses suicide ideation at times whilst another early section contained some dubious sexual consent and emotional manipulation that left me feeling a little uncomfortable. Readers should also be aware that the book does feature some scenes of sexual and physical violence, references to torture, rape, blood, and murder, and some medical content. There are also several abusive families in the book and some of the characters express or demonstrate ableism, sexism, misogyny, and fatphobia. This really is a late medieval/Renaissance world portrayed in all its messy and problematic glory.
Personally, I didn’t mind the dark tone but I did have some issues with the way in which the female characters were described and treated at times. As a scholar of the Early Modern period, I am all too aware of the patriarchal structures of many Western medieval and Renaissance societies however, as an alternative history, it would have been nice to see revisions to this view. Whilst I loved the concept of the Ink Maids – literary courtesans who, for a fee, will write letters that fulfil a client’s wildest desires – I found the section told from the perspective of one of them, Hypatia, quite uncomfortable. Despite holding a position of prominence and power, Hypatia is portrayed as frail and delicate and she continues to be objectified by those around her. A woman being the target of both desire and violence is, unfortunately, far from unusual – and is a theme often explored in fiction – but I felt that the ‘short story’ aspect of the narrative worked against a full and nuanced exploration of these themes. As a reader, I didn’t get to stay with Hypatia long enough to feel that she became anything more than a symbolic object.
All of that said, I am glad I stuck with The Carnival of Ash. The writing, although dense, is undoubtedly beautiful and the way in which the city is portrayed really is enthralling. Tom Beckerlegge has created a marvellous alterative world and has peopled it with interesting characters who, as the book goes on, are revealed to have complex motivations and emotions. It also has some whip-smart dialogue and a fine line in gallows humour, especially from the character of the gravedigger, Ercole. Many of the uncomfortable elements are also revealed to be part of wider corruption within the city, and I do feel the author is deliberately exploring themes of power and depravity by highlighting these.
Ultimately, The Carnival of Ash was a bit of a marmite book for me. The premise, world-building, and writing is fantastic but the narrative structure of the ‘cantos’ made the first half of the novel feel disjointed and it did take some perseverance to make it through to the second half which, for me, was when the story really began to take flight. Whilst characters do gain dimensions as the book progresses, I also felt that in the early cantos some characters featured more as cyphers than as rounded and relatable people.
Readers who head into this book expecting a traditional SFF are likely to be disappointed as that isn’t what The Carnival of Ash offers. Fans of alternative historical fiction and literary magical realism, however, will find much to enjoy in this lush literary tale about a city of poets that never was.
NB: This review also appears on my blog at https://theshelfofunreadbooks.wordpre.... My thanks go to the publisher for providing a copy of the book in return for an honest and unbiased review.
From the blurb, I was expecting a historical fantasy novel that followed young wordsmith Carlo Mazzoni as he becomes embroiled in the intrigues of Cadenza. The Carnival of Ash is, however, a more layered affair than the blurb would suggest. Divided into twelve cantos, each of which is told from the perspective of a different character, the world of Cadenza is instead gradually unveiled to the reader and, in the second half of the novel, the stories and characters begin to weave together to reveal a wider portrait of a city which threatens to destroy itself from within.
To be honest, this style threw me when I first began reading. The first half of the novel does, at times, feel like reading connected short stories more than a single coherent narrative and I did spend some time wondering when the wider plot would begin to emerge. And whilst I really liked the way in which the novel developed as an alternative history, filled with political intrigue, social nuance, and some light fantastical elements, I think anyone going into this book and expecting a fantasy along the lines of Caraval will be disappointed. Instead, The Carnival of Ash is more akin to Jonathan Strange & Mr Norrell or The Night Circus, with its blend of history and magical realism, and its focus upon layered storytelling rather than pacy plot.
The Carnival of Ash is also a much darker book than I expected. The opening canto features a character who expresses suicide ideation at times whilst another early section contained some dubious sexual consent and emotional manipulation that left me feeling a little uncomfortable. Readers should also be aware that the book does feature some scenes of sexual and physical violence, references to torture, rape, blood, and murder, and some medical content. There are also several abusive families in the book and some of the characters express or demonstrate ableism, sexism, misogyny, and fatphobia. This really is a late medieval/Renaissance world portrayed in all its messy and problematic glory.
Personally, I didn’t mind the dark tone but I did have some issues with the way in which the female characters were described and treated at times. As a scholar of the Early Modern period, I am all too aware of the patriarchal structures of many Western medieval and Renaissance societies however, as an alternative history, it would have been nice to see revisions to this view. Whilst I loved the concept of the Ink Maids – literary courtesans who, for a fee, will write letters that fulfil a client’s wildest desires – I found the section told from the perspective of one of them, Hypatia, quite uncomfortable. Despite holding a position of prominence and power, Hypatia is portrayed as frail and delicate and she continues to be objectified by those around her. A woman being the target of both desire and violence is, unfortunately, far from unusual – and is a theme often explored in fiction – but I felt that the ‘short story’ aspect of the narrative worked against a full and nuanced exploration of these themes. As a reader, I didn’t get to stay with Hypatia long enough to feel that she became anything more than a symbolic object.
All of that said, I am glad I stuck with The Carnival of Ash. The writing, although dense, is undoubtedly beautiful and the way in which the city is portrayed really is enthralling. Tom Beckerlegge has created a marvellous alterative world and has peopled it with interesting characters who, as the book goes on, are revealed to have complex motivations and emotions. It also has some whip-smart dialogue and a fine line in gallows humour, especially from the character of the gravedigger, Ercole. Many of the uncomfortable elements are also revealed to be part of wider corruption within the city, and I do feel the author is deliberately exploring themes of power and depravity by highlighting these.
Ultimately, The Carnival of Ash was a bit of a marmite book for me. The premise, world-building, and writing is fantastic but the narrative structure of the ‘cantos’ made the first half of the novel feel disjointed and it did take some perseverance to make it through to the second half which, for me, was when the story really began to take flight. Whilst characters do gain dimensions as the book progresses, I also felt that in the early cantos some characters featured more as cyphers than as rounded and relatable people.
Readers who head into this book expecting a traditional SFF are likely to be disappointed as that isn’t what The Carnival of Ash offers. Fans of alternative historical fiction and literary magical realism, however, will find much to enjoy in this lush literary tale about a city of poets that never was.
NB: This review also appears on my blog at https://theshelfofunreadbooks.wordpre.... My thanks go to the publisher for providing a copy of the book in return for an honest and unbiased review.
Content Warnings
Moderate: Misogyny, Suicidal thoughts, Toxic relationship, Violence, Sexism, Sexual content, and Torture
Minor: Fatphobia and Ableism