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A review by dee_dreams
Pachinko by Min Jin Lee
informative
reflective
sad
slow-paced
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
1.5
Pachinko started out with an interesting premise. I felt invested in this family drama. But about halfway in, I felt like I was tricked into reading a cheap, emotionally-manipulative soap opera.
Instead of whining about what I disliked, which is a lot, I wanted to be constructive and offer some lessons I took away instead.
When characters die or disappear, it should matter. The characters who knew the dead person should care on some level (even if it's shallow or self-serving.)
The more characters you kill off, the less empathy the reader will feel for random new characters that are introduced.
Misery is not the same as depth. Trauma is not the end of the story. Focus on the characters' humanity rather than their victimization.
Use writing for good. We already know that evils like misogyny, racism, ableism, and grooming exist. Don't simply portray them for trauma porn. Use your writing to challenge them and provide a different perspective. Nudge the reader towards empathy and a belief that change is possible. Nobody needs more despair.
Stop introducing random, dehumanized sex workers and then portraying graphic violence against them. It's been done to death.
If you've already described a character as "plain, unattractive, never lovely," you don't have to do it three more times. You especially don't have to make the sexist, male-gazey descriptions more disparaging as she ages.
Don't try to take on a huge amount of unrelated themes. Or, do - just decide to make it a collection of short stories, rather than a novel. And follow up on those themes.
Last but not least, think about whether or not a "family saga" spanning 4 generations really needs a chapter about a minor character, unrelated to any members of said family, discovering pansexual orgies in the forest during the Summer of Love. And if you decide, yes, it does, make it hot. Please.
Instead of whining about what I disliked, which is a lot, I wanted to be constructive and offer some lessons I took away instead.
When characters die or disappear, it should matter. The characters who knew the dead person should care on some level (even if it's shallow or self-serving.)
The more characters you kill off, the less empathy the reader will feel for random new characters that are introduced.
Misery is not the same as depth. Trauma is not the end of the story. Focus on the characters' humanity rather than their victimization.
Use writing for good. We already know that evils like misogyny, racism, ableism, and grooming exist. Don't simply portray them for trauma porn. Use your writing to challenge them and provide a different perspective. Nudge the reader towards empathy and a belief that change is possible. Nobody needs more despair.
Stop introducing random, dehumanized sex workers and then portraying graphic violence against them. It's been done to death.
If you've already described a character as "plain, unattractive, never lovely," you don't have to do it three more times. You especially don't have to make the sexist, male-gazey descriptions more disparaging as she ages.
Don't try to take on a huge amount of unrelated themes. Or, do - just decide to make it a collection of short stories, rather than a novel. And follow up on those themes.
Last but not least, think about whether or not a "family saga" spanning 4 generations really needs a chapter about a minor character, unrelated to any members of said family, discovering pansexual orgies in the forest during the Summer of Love. And if you decide, yes, it does, make it hot. Please.
Content Warnings
Graphic: Racism, Sexual content, Adult/minor relationship, and Misogyny
Moderate: Physical abuse, Sexual harassment, Emotional abuse, Suicide, Chronic illness, Domestic abuse, Ableism, Alcoholism, and Xenophobia
Minor: Sexual violence, Suicidal thoughts, Trafficking, War, and Death of parent