A review by saraaaa
La Certosa di Parma by Stendhal

adventurous emotional funny tense fast-paced
  • Loveable characters? It's complicated
  • Flaws of characters a main focus? Yes

5.0

Few books still prove to be as entertaining for the contemporary public as they (supposedly) were for their 19th century audience – The Charterhouse of Parma is one of these books for me. I enjoyed every page, it was a fun ride. Were the protagonists all perfect examples of moral conduct? Absolutely not, especially not to modern standards. But that's not why you'd read 1830s historical fiction. Yet, I loved the incredibly strong and complex female protagonists, whose actions lured me in deeper and deeper into the story, even in scenes where the "hero", Fabrizio, was being so egotistical it was getting ridiculous. The Duchess was an especially intriguing figure, showing all the strength and willpower it took to navigate the court of an absolute monarch as a woman, and to live as a widow, before that. Clelia showed a different kind strength, made of grace and perseverance, in sheer contrast to the passionate fury of the Duchess, but equally pleasing to read. Another thing that fascinated me was, to borrow Balzac's analysis, how Stendhal "surpasses the limits of the framework of the petty court intrigues of a small principality, [and] presents the typical basic structure of modern despotism. It shows us the constant types, which are necessarily produced by that society, in their most characteristic form" (adapted from György Lukács' essay at the end of my edition); in short, I loved the subtle irony and precise considerations with which he described the complex mechanisms typical of the absolute monarchies of his time. Representing all of their intrinsic contradictions necessarily called for morally ambiguous characters. And besides, I found many of the author's remarks really funny. 
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