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A review by lizziaha
Harrow the Ninth by Tamsyn Muir
funny
sad
- Plot- or character-driven? A mix
- Loveable characters? Yes
- Flaws of characters a main focus? Yes
5.0
This book had me wheezing with laughter at some points. It also had me scrambling, trying desperately to fill in the blanks in the story (most of my theories ended up being wrong). The inclusion of the immortals in this story was delightful (even if the immortals themselves were not) and I thought that Mercymorn’s commitment to the bit about the infants was hilarious. It took me a minute to get used to the second-person voice that at least half of the book is written in, but ultimately I think it worked well for the story. There are these big intangible subjects that Muir never really talks about, but that permeate the entire story nonetheless. Love is one of those things, and the second person pov grabs a handful of that intangible quality and twists it and makes art of it, then hands it back to us as the readers. It’s not my typical beloved writing style that would focus more inwards, but it’s captured my heart anyway. I can’t wait to read the rest of the series. Original Rating: 4.75
Second Read: This book was IMMENSELY more enjoyable (and heart wrenching) the second go around. I’m frankly astounded at how much went right over my head on the first read. I should also say that it was remiss for me to spend so much of my first review talking about how funny it is. It IS funny, but it’s also so deeply sad that it’s hard to wrap your head around. There is so much grief at the forefront—the plot is necessary, but it”s driving force, at every point, is grief.
Second Read: This book was IMMENSELY more enjoyable (and heart wrenching) the second go around. I’m frankly astounded at how much went right over my head on the first read. I should also say that it was remiss for me to spend so much of my first review talking about how funny it is. It IS funny, but it’s also so deeply sad that it’s hard to wrap your head around. There is so much grief at the forefront—the plot is necessary, but it”s driving force, at every point, is grief.
Graphic: Death, Violence, Blood, and Grief
Moderate: Body horror, Cursing, Genocide, Gore, Mental illness, Vomit, Death of parent, Murder, and War
Minor: Self harm, Cannibalism, and Alcohol