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A review by morgandhu
Magic and Manners by C.E. Murphy
4.0
C. E. Murphy's Magic and Manners is a Regency fantasy heavily inspired by Jane Austen's Pride and Prejudice, which for me is more than reason enough to take a chance on it.
Murphy has retained all of the key characters of Austen's masterpiece, and has given them, in large part, very similar characters - although several characters are portrayed with greater generosity by Murphy than they are in the source text. The broad strokes of the tale are familiar - a rural family - the Dovers - landed but low on the social ladder, a father who regrets his choice of a wife, a mother with little intelligence or sense and an all-encompassing desire to see her daughters married, and five daughters who must marry on their own merits because there is little dowry, and no male heir to an entailed estate. Into their world comes wealthy young Mr Webber, his two sisters, his brother-in-law Mr Gibbs, and his best friend, the dour, proud and extremely wealthy Fitzgerald Archer.
What changes and complicates the progression of the novel is that this is a world in which some people are born with the gift of working magic - a most socially unacceptable gift, more than enough to destroy the reputation of any gentleman or lady, though welcome enough in some places, such as the military. As it turns out, it is the taint of magic that has caused Mr. Dover to retreat from Society and dwell quietly in the country, and which constrained his choice of brides. And his daughters have inherited his abilities, notably the second daughter and Mr. Dover's favourite, Elsabeth, and the youngest and favourite of Mrs. Dover, Leopoldina (Dina for short).
Much of the fun in reading lies in how well Murphy has captured the tone of Austen's original work (though there are some rather jarring missteps in that regard) and in watching the ways in which the plot of Magic and Manners diverges from the source material - most of which, particularly in the earlier parts of the book, involve the use of magic by either Leopoldina, or the dashing army captain who catches the eye of both Dina and Elsabeth, and has earned the distain of Mr. Archer and his friends. Indeed, the secondary focus of the narrative - after that of ensuring both marriages and personal satisfaction for most of the main characters - is the ways in which magic has been stigmatised, and how the suppression of magic among the upper classes has led to unhappiness and tragedy, to say nothing of the loss of opportunities to improve life for all.
The changes made to the story include several that - I hesitate to admit this - are somewhat more in keeping with how I would have liked to see certain characters treated than is the source text. The character modelled on Mary Bennett, in particular, is much better served here, and her ultimate fate also serves as an example of how magic, well-used, can benefit an entire community. As well, the character based on Anne de Bourgh is a far more sympathetic one, and fares much better. And the happy ending given to the character based on Charlotte Lucas delighted me to no end.
Murphy has done some very interesting and satisfying things with the bones of Austen's work, and her incorporation of magic leads to some highly enjoyable developments. I'm glad I took a chance on this book.
Murphy has retained all of the key characters of Austen's masterpiece, and has given them, in large part, very similar characters - although several characters are portrayed with greater generosity by Murphy than they are in the source text. The broad strokes of the tale are familiar - a rural family - the Dovers - landed but low on the social ladder, a father who regrets his choice of a wife, a mother with little intelligence or sense and an all-encompassing desire to see her daughters married, and five daughters who must marry on their own merits because there is little dowry, and no male heir to an entailed estate. Into their world comes wealthy young Mr Webber, his two sisters, his brother-in-law Mr Gibbs, and his best friend, the dour, proud and extremely wealthy Fitzgerald Archer.
What changes and complicates the progression of the novel is that this is a world in which some people are born with the gift of working magic - a most socially unacceptable gift, more than enough to destroy the reputation of any gentleman or lady, though welcome enough in some places, such as the military. As it turns out, it is the taint of magic that has caused Mr. Dover to retreat from Society and dwell quietly in the country, and which constrained his choice of brides. And his daughters have inherited his abilities, notably the second daughter and Mr. Dover's favourite, Elsabeth, and the youngest and favourite of Mrs. Dover, Leopoldina (Dina for short).
Much of the fun in reading lies in how well Murphy has captured the tone of Austen's original work (though there are some rather jarring missteps in that regard) and in watching the ways in which the plot of Magic and Manners diverges from the source material - most of which, particularly in the earlier parts of the book, involve the use of magic by either Leopoldina, or the dashing army captain who catches the eye of both Dina and Elsabeth, and has earned the distain of Mr. Archer and his friends. Indeed, the secondary focus of the narrative - after that of ensuring both marriages and personal satisfaction for most of the main characters - is the ways in which magic has been stigmatised, and how the suppression of magic among the upper classes has led to unhappiness and tragedy, to say nothing of the loss of opportunities to improve life for all.
The changes made to the story include several that - I hesitate to admit this - are somewhat more in keeping with how I would have liked to see certain characters treated than is the source text. The character modelled on Mary Bennett, in particular, is much better served here, and her ultimate fate also serves as an example of how magic, well-used, can benefit an entire community. As well, the character based on Anne de Bourgh is a far more sympathetic one, and fares much better. And the happy ending given to the character based on Charlotte Lucas delighted me to no end.
Murphy has done some very interesting and satisfying things with the bones of Austen's work, and her incorporation of magic leads to some highly enjoyable developments. I'm glad I took a chance on this book.