A review by kelly_e
The Rom-Commers by Katherine Center

funny hopeful lighthearted medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.0

Title: The Rom-Commers
Author: Katherine Center
Genre: Romance
Rating: 3.00
Pub Date: June 11, 2024

I received complimentary eARC and ALC copies from St. Martin's Press and Macmillan Audio via NetGalley in exchange for an honest review. Opinions expressed in this review are completely my own. #Gifted

T H R E E • W O R D S

Brisk • Entertaining • Cliché

📖 S Y N O P S I S

Emma Wheeler desperately longs to be a screenwriter. She’s spent her life studying, obsessing over, and writing romantic comedies—good ones! That win contests! But she’s also been the sole caretaker for her kind-hearted dad, who needs full-time care. Now, when she gets a chance to re-write a script for famous screenwriter Charlie Yates—The Charlie Yates! Her personal writing god!—it’s a break too big to pass up.

Emma’s younger sister steps in for caretaking duties, and Emma moves to L.A. for six weeks for the writing gig of a lifetime. But what is it they say? Don’t meet your heroes? Charlie Yates doesn’t want to write with anyone—much less “a failed, nobody screenwriter.” Worse, the romantic comedy he’s written is so terrible it might actually bring on the apocalypse. Plus! He doesn’t even care about the script—it’s just a means to get a different one green-lit. Oh, and he thinks love is an emotional Ponzi scheme.

But Emma’s not going down without a fight. She will stand up for herself, and for rom-coms, and for love itself.

💭 T H O U G H T S

After not absolutely adoring The Bodyguard and Hello Stranger over the past two summers, I was determined to give Katherine Center one more shot. I was hoping for a return to her earlier writing style, unfortunately that didn't happen.

There is no denying Katherine Center knows how to write banter. However, the banter overtakes the narrative entirely. Neither main character is overly likeable, in fact, Charlie is down right mean at times. I didn't feel any chemistry between them, hence wasn't rooting for them to end up together.

I would have preferred more of a focus on Emma with her family - the caretaking, the grief, their relationship dynamics, the history. It was the scenes that included her father that really hooked my attention. Otherwise, I was overly invested in the story.

My main issue is how the whole cancer aspect was handled. It definitely knocked it down another rung. The book would have been fine without this plotline and I am not even sure what compelled the author to include it here. This whole part left an ick feeling, and was just a solid no from me.


The audiobook narrated by Patti Murin was fine. Nothing really stood out and I would have expected a different tone for Charlie's voice, but it read mostly in the same voice. I didn't necessairly notice as I was also reading with my eyeballs, but I can see how it would be an issue for someone solely listening. The bonus content and the author's note are a nice addition at the end.

There is no doubt in my mind The Rom-Commers will be one of the most popular titles this summer. However, it will not be a favourite of mine. It's evident to me Center has taken a more comedic approach to her writing than focusing on depth and development, which is what originally drew me to her books. This is the third straight release that wasn't for me, and so it's officially time for me to break up Katherine Center as a favourite author. Maybe I will still read more in the future, but they won't be on my most anticipated lists nor will they be a priority.

📚 R E A D • I F • Y O U • L I K E
The Bodyguard and/or Hello Stranger
• banter
• closed door romance

⚠️ CW: death, death of parent, grief, cancer, injury/injury detail, traumatic brain injury, medical content, medical trauma, chronic illness, car accident, cursing, alcohol, panic attacks/disorders

🔖 F A V O U R I T E • Q U O T E S

"You had to maximize joy when it fluttered into your life. You had to honor it. And savor it. And not stomp it to death by reminding everyone of everything you'd lost."

"I had a theory that we gravitate toward the stories we need in life. Whatever we are looking for- adventure, excitement, emotion, connection-we turn to stories that help us find it."

"Tragedy really is a given. There are endless human stories, but they all end the same way. So it can't be where you're going that matters. It have to be how you get there." 

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