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A review by txikimandy
Daughter of the Moon Goddess by Sue Lynn Tan
adventurous
emotional
inspiring
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.75
This book was amazing! I couldn’t put it down. The plot was intriguing and the characters were likeable. The only things keeping me from giving 5 stars are the role of the supporting characters, which is where all of the other women in the story were, and Tan’s prose.
The plot of this story was a more complex plot than I was expecting. Every new obstacle was a surprise, but each one contributed to Xingyin’s journey and her growth. I really enjoyed reading each adventure she took!
I’m not someone who is overly familiar with Chinese mythology, though I am aquatinted with a few deities and legends. Tan did a fantastic job with the world-building— she never sounded like she was taking time away from the narrative to explain the mythological roots of the story like the readers were children; instead, she wove the lore of the world into the narrative with the skill of an expert.
The characters were all likeable (and the villains, you liked to hate). Xingyin experiences many traumas and tragedies, and her flaws are apparent, which all lend a wonderful depth and realism to her character. The male leads are interesting and have enough differences to evoke the “pick a side” attitude of the Hunger Games and Twilight franchises. The nostalgia attached to that feeling wasn’t something I necessarily loved, but it added to the complexity of Xingyin’s emotional growth in a respectable way.
My two complaints keeping me from giving the book 5 stars lie with the supporting characters and Tan’s prose. All of the other women in this story are supporting characters, which didn’t sit extremely well with me. I wanted some of Xingyin’s female friends to have a larger role and was left extremely wanting. The supporting characters are also static; even when they have a deep conversation with Xingyin about their lives and futures, nothing changes for them.
While she’s an amazing story-teller, Tan’s prose is lacking. There are many instances of sentence fragments that do not work as fragments, and caused me to read the passage once or twice more. She uses a lot of chiches, including frequently calling eyes “orbs”, which is one of my personal pet peeves.
The plot of this story was a more complex plot than I was expecting. Every new obstacle was a surprise, but each one contributed to Xingyin’s journey and her growth. I really enjoyed reading each adventure she took!
I’m not someone who is overly familiar with Chinese mythology, though I am aquatinted with a few deities and legends. Tan did a fantastic job with the world-building— she never sounded like she was taking time away from the narrative to explain the mythological roots of the story like the readers were children; instead, she wove the lore of the world into the narrative with the skill of an expert.
The characters were all likeable (and the villains, you liked to hate). Xingyin experiences many traumas and tragedies, and her flaws are apparent, which all lend a wonderful depth and realism to her character. The male leads are interesting and have enough differences to evoke the “pick a side” attitude of the Hunger Games and Twilight franchises. The nostalgia attached to that feeling wasn’t something I necessarily loved, but it added to the complexity of Xingyin’s emotional growth in a respectable way.
My two complaints keeping me from giving the book 5 stars lie with the supporting characters and Tan’s prose. All of the other women in this story are supporting characters, which didn’t sit extremely well with me. I wanted some of Xingyin’s female friends to have a larger role and was left extremely wanting. The supporting characters are also static; even when they have a deep conversation with Xingyin about their lives and futures, nothing changes for them.
While she’s an amazing story-teller, Tan’s prose is lacking. There are many instances of sentence fragments that do not work as fragments, and caused me to read the passage once or twice more. She uses a lot of chiches, including frequently calling eyes “orbs”, which is one of my personal pet peeves.
Content Warnings
Graphic: Confinement, Violence, Grief, and Blood
Moderate: Sexism, Classism, Confinement, and Death